Ira & Abby

Loved this movie from start to finish. The script is intelligent and wonderfully humorous. In a day and age where comedy is stricken with a poverty of feeling and nuances, this movie is a brilliant example of how comedy could skillfully be presented with a generous dose of insight and wisdom.

The actors portraying Ira and Abby and the supporting cast are so genuine that it's hard to believe that they are unreal. I believe that we don't need any more sadness from the celluloid medium anymore than we already have in our lives, so I love happy movies. This movie is a celebration of happiness and delivers it in dollops.

I strongly recommend that you go and see it as soon as you can. It is bound to lift your spirits and fill you with joy!

Ira & Abby (2006)

What a special sweet film about two people who meet, fall in love (totally and instantly), and make a go of marriage.

Ira is played by Chris Messina who is disgruntled and ambitious, and he's really good at playing a mild and likable malcontent. He is going to therapy to find happiness, and getting nowhere.

Abby is played by Jennifer Westfeldt and she's a sensation, a total gem on screen, scintillating and in her warm oddball way, utterly lovable. She is the opposite, of course, as movies like this require, which means she has no ambition and is utterly happy all the time. She's so happy she infects Ira with happiness--how simple is that?--and the whole movie, as well. And the audience. It's a kind of wonder how it works on everything. In a bad mood? See this movie.

The best parts of the movie really show Abby's effect on Ira, on Ira's family, on strangers, and then, eventually, on herself as she has to face some unhappiness. An example scene will help--the couple are on the subway when a man with a gun sticks everyone up for money, maybe ten people. Abby sweetly (and without cornball excess, that's the wonder of it) asks him how much he needs. She'll give it to him. He's gradually mollified as she goes around collecting money from the other passengers and gets what he needs. He's suddenly willing to take a little less (this is the comedy, of course) and you see how in some bubble reality this kind of kindness might actually work. (She discovers him later with a job, and you sense that she saved him somehow by giving him that bit of sunshine.)

Okay, you might wonder how to build a whole movie on this. Well, there are complications with the parents, who have various kinds of relationship problems themselves. No clues here. Eventually it's a comic can of worms and all very fun. Perfect? No, but excellent overall. I could watch it again, which says a lot for this kind of lightweight fare. Westfeldt deserves it.

Jennifer Westfeldt is just great in her role as Abby. But, her story and screenplay really make this a great film. Chris Messina is absolutely incredible in the lead role, which was certainly no piece of cake for any actor. But he pulls it off like a hot knife through butter. The two of them in this awesome script make for a great film. The supporting cast ain't chopped liver either. Judith Light and Robert Klein were a wonderful delight. This film has it all in terms of a meaningful story about love and romance done with great comedy and charm. It asks all the tough questions about marriage and answers them eloquently. The comedy is wonderfully done.

Anyone who's ever had a relationship, or wanted one, or ever thought about marriage or even divorce should see this film. The script moves along at a fast clip with witty dialog at every turn, like I haven't seen since His Girl Friday. The plot keeps twisting with surprises. Every other scene will have you laughing. This film takes a very serious look at the matters of love, marriage, and divorce and examines them deeply, while keeping it all on the lighter side. This is good old fashion romantic family comedy. They don't make them like this very often.

I saw this film at the LA film festival, and enjoyed it, even if it left me pretty much right away.

The plot is one we've seen before, almost a sitcom plot, outgoing girl meets nebbishy guy. It's kind of a cross between an older Woody Allen film and Darhma and Greg, but what makes it enjoyable is the cast.

The two leads are fine, but it's the supporting pros that steal the film with relish whenever they can. Robert Klein, Frances Conroy, Fred Willard all seem to be having a very fun time, and that translates right out into the audience.

I think it was shot on digital instead of film, which makes it kind of different to look at, but not unpleasant at all.

A fun date movie!

While looking for something with Jon Hamm in it, I stumbled upon his girlfriend, Jennifer Westfeldt's movie, Ira and Abby, and was so glad I did. While Mr. Hamm only has one line in it, the rest of the film kept me very interested in it.

Ms Westfieldt has written a wonderful comedy reminiscent of those of the last decade going back to the 20's, but even more of the sitcoms and movies of the 60's-90's. Writers like Neil Simon and Woody Allen kept us laughing at their comedies with the same wit and fast, sharp tongued dialog that Ms Westfieldt exhibits here in her film. Ever see Mad About You on TV? It's very similar in style to Ira and Abby, right down to it's Jewishness.

Ira is the epitome of the neurotic Jewish young man who can't seem to find happiness anywhere until he meets the quirky Abby and her happy, loving family who are old laid back hippies, much like the format of the TV show Darma and Greg. We just don't get great comedies like these anymore, in movies or TV. His parents are wealthy neurotic psychoanalysts in NYC, of course.

The beginning was slow for me, probably because I didn't like Chris Messina as Ira very much. Another actor would have been better in that role I believe, but no one springs to mind now and they cannot pay the big salaries that Woody Allen productions can. I hung in there hoping to see Jon Hamm and ended up hooked on it (being the lover of great wit that I am) and relished every last word and witty scene.

I loved the acting of the older, more experienced entourage with some greats like Robert Klein and Fred Willard, and the wonderful Frances Conroy. Judith Light did a great job with her part, as well as all the supporting cast of mostly seasoned veteran character actors. Jennifer really shone as the quirky girl reminiscent of Diane Keaton and Mia Farrow from Woody's movies. Jill Clayburg is another who comes to mind. They all managed the fast pace of the dialog under the masterful direction of David Clary who kept things moving at a quick pace and pulled good performances from everyone, but mainly Jennifer who was one of the least experienced actors in it.

I will have to rent Jennifer's other movies to see if they are as enjoyable this one; I have only seen snippets of Kissing Jessica Stein, but based on those I think I will prefer this movie more.

I think Jennifer has a great career in writing once she finds her own style. She has done a great job here and I look forward to the films in her future. Woody won't be around forever and we will need a replacement. I recommend this film to anyone who loves Woody Allen movies, especially the older ones.