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7,3/10
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Ajouter une intrigue dans votre langueA pawn shop proprietor buys used goods from desperate locals--as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life,... Tout lireA pawn shop proprietor buys used goods from desperate locals--as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.A pawn shop proprietor buys used goods from desperate locals--as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 16 victoires et 25 nominations au total
Suzana Alves
- Samanta Rose
- (as Samanta Rose)
Nivaldo Doró
- Homem da Gaiola
- (as Nivaldo)
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10Anideos
I just saw this in Salt Lake City at the 2007 Sundance Film Festival and was both shocked, amazed, delighted and disgusted by it. It is some kind of weird masterpiece. It's based on a book and the filmmakers at the Q & A said it was very faithfully adapted.
Though the story focuses on the obsessions of its pawn shop owning protagonist, namely a pretty girl's ass, a smelly backed-up bathroom drain, and a glass eye, it still manages to be full of intelligent, thought-provoking ideas and themes.
I really loved this film because it is so unbelievably original and fresh, both in its content and with its form. The viewer never knows where it's going to go as it twists and turns through its strange little storyline.
Though the story focuses on the obsessions of its pawn shop owning protagonist, namely a pretty girl's ass, a smelly backed-up bathroom drain, and a glass eye, it still manages to be full of intelligent, thought-provoking ideas and themes.
I really loved this film because it is so unbelievably original and fresh, both in its content and with its form. The viewer never knows where it's going to go as it twists and turns through its strange little storyline.
This movie is very uncommon for Brazilian productions. It is based on a very interesting plot, regarding a man and his obsessions (the smell of a sewer, the butt of a restaurant waitress), and how he deals with different people who want to sell all kind of crazy things.
Although the movie may seem superficial and shallow at first, it actually has subtle messages portraying a desperate and lonely man, who tries to find relief in the material world, but realizes that the problem is within himself.
Finally, I would recommend this movie to everyone who wants to see another kind of Brazilian films, one which is not pure drama or pure comedy, and which tells a story in a very different way.
Although the movie may seem superficial and shallow at first, it actually has subtle messages portraying a desperate and lonely man, who tries to find relief in the material world, but realizes that the problem is within himself.
Finally, I would recommend this movie to everyone who wants to see another kind of Brazilian films, one which is not pure drama or pure comedy, and which tells a story in a very different way.
Most of the times, when we see a movie, we do not see it, we not feel it like a vivid fact, but we see it as a thing that is "out of us", apart of what we experiment each second of our lives.
Cinema is life, vivid experience, you and it, dialog, and not a standard of stimuli that we feel the necessity of fitting and of comparing, it is there to be lived!
Yesterday I began to realize better that, while watching "O cheiro do ralo" of Heitor Dhalia. The movie is brilliant, and the character of Selton Mello even more. Cynical, arrogant, shy and lonely. Lost in the middle of so many objects, which serves to try to provide this 'lack', the lack of something, of feeling, with the other, of contact..."I do not like you and I never liked nobody". The obsession, the money, the ' assumption controls of everything and of all '. Before so many losses he buys, it is the only weapon that he has.
It makes us think about all the nuances that wrap the human life, in all the bizarres thoughts that " we want not to have thought ", or for shame, for fear or for disapproval. It makes us understand that the life is desire, want of living, of feeling, of " being there ".
"O cheiro do ralo" manages with expertise to expose the strange and bizarre daily life of a character that is there on the screen, which is very different from us, but on the same time he manages to say very much of ourselves.
To laugh .... to think ... to get emotional ...to get bothersome ... for me this is life!
Cinema is life, vivid experience, you and it, dialog, and not a standard of stimuli that we feel the necessity of fitting and of comparing, it is there to be lived!
Yesterday I began to realize better that, while watching "O cheiro do ralo" of Heitor Dhalia. The movie is brilliant, and the character of Selton Mello even more. Cynical, arrogant, shy and lonely. Lost in the middle of so many objects, which serves to try to provide this 'lack', the lack of something, of feeling, with the other, of contact..."I do not like you and I never liked nobody". The obsession, the money, the ' assumption controls of everything and of all '. Before so many losses he buys, it is the only weapon that he has.
It makes us think about all the nuances that wrap the human life, in all the bizarres thoughts that " we want not to have thought ", or for shame, for fear or for disapproval. It makes us understand that the life is desire, want of living, of feeling, of " being there ".
"O cheiro do ralo" manages with expertise to expose the strange and bizarre daily life of a character that is there on the screen, which is very different from us, but on the same time he manages to say very much of ourselves.
To laugh .... to think ... to get emotional ...to get bothersome ... for me this is life!
I just saw the movie few days ago on the Festival De Guadalajara. I saw it and it got me going. The acting is fabulous,every actor takes his part to a great level. And the first sequence is a delight for the eyes, and also the main actor. The irreverence of the movie, from the funny to the disgusting (And all in between) remind us that aesthetic doesn't necessarily means beautiful. With this wicked game of the aesthetic on art department, acting, screenplay and photo, you can't do anything but fall in love, and identify with the main character. I must say that I haven't read the book, but the writer must to be very pleased if he act on the movie (Find him out!) I just hope that it finds a good distributor, because I wanna have it on my collection, and I hope you too.
Usually, when it comes to Brazilian films, it is common the themes which lies about the rich culture that shape this country or, as has happened recently, addressing the issue of urban violence. Therefore, these issues are also on the films that most Brazilians are recognized internationally. "Drained" is a different case, because it shows a Brazilian film that is not necessarily on a Brazilian theme. It tells a story about the complexity of human relations in their most obscure side, making a portrait full of dark humor. Talks about the way we transform everything into things with prices to be paid for. Selton Mello is perfect in the film, as well as the ambiance and direction. A surreal story, with great moments of humor, is what awaits the spectator of "Drained".
Le saviez-vous
- AnecdotesThe protagonist walks throughout the gate of Juventus Club that is a traditional Soccer team from São Paulo Brazil.
- ConnexionsReferences À bout de souffle (1960)
- Bandes originalesTrilha Sonora (Soundtrack)
by Apollo Nove
Meilleurs choix
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- How long is Drained?Alimenté par Alexa
Détails
Box-office
- Budget
- 300 000 R$ (estimé)
- Montant brut mondial
- 786 460 $US
- Durée
- 1h 52min(112 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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