Venus

Michell tells an unconventional story of an aged actor who's fallen for a very young lady. What makes this story different from other old v/s young love stories is that the relationship is very sexual in nature. Maurice clearly sees Jessie as a very sexual being and he would definitely go far enough if she had allowed it. Yet, Jessie herself isn't completely innocent. She is completely aware of his feelings and takes advantage of it. While this part of their relationship is uncomfortable to watch, there is another side to it. Maurice clearly is infatuated with this girl but he never forces himself on her. On the one hand his despair is understandable as he's a man in the last stage of his life. He's maintained a friendly relationship with his estranged wife but his children won't have anything to do with him. He chats with his friends at a café. The only roles offered to him are those of corpses. While he struggles getting up from bed to live his miserably lonely life, it is the entrance of Jessie that changes that. She's young. She's attractive. She's vibrant (though a little tempered). The young Jessie isn't evil either. She too enjoys Maurice's company. Perhaps her feelings towards him were part sympathy part affection. Though both characters are initially portrayed in an unsympathetic way, they manage to build a bridge that connects to the viewer.

Hanif Kureishi is known for telling stories about unconventional relationships and here too he does a good job. It is well paced. Some might find it slow but I think it works for this kind of film. The dialogues are solid, both funny, poetic and get you to say 'hmm!'. Also the comedic situations are well executed like the one where Maurice and Jessie go shopping and Maurice only offers to pay 20. The cinematography and score do a good job of demonstrating the loneliness, dullness and somewhat carelessness of London. Meanwhile Corinne Bailey Rae's soothing voice highlight the gentle songs.

Peter O'Toole delivers a marvelous performance. I'm glad to see that actors like him and Vanessa Redgrave do not shy away from playing such roles of elderly people. He is charming, kind, passionate (with Venus), somewhat appalling and sympathetic. Redgrave has two scenes of which she does nothing short of greatness. Confidant newcomer Jodie Whitaker more than just holding her own to veteran O'Toole. She adds a freshness and displays Jessie's growth with great confidence. Leslie Phillips too does a fine job as Maurice's friend. He's particularly funny in the scenes where he expresses his dislike for Jessie.

'Venus' is a refreshing, sincere little film sans pretense. It's got wonderful performances, intriguing characters, solid dialogue and an unusual story.

There is poetry to Peter O'Toole's performance in "Venus"; it is so effortless, so seamless, so beyond "acting" that it tempts the rest of us to give up and hand in our union cards. No actor in memory has so finely embraced with voice Shakespeare's "Shall I compare thee to a summers day...". This is as fine a vintage as you'll ever find! Perfection. Roger Michell delivers a superb cast all around. Jodie Whitaker hands in a lovely nuanced performance, especially for a newcomer. Together with O'Toole, Leslie Phillips and Richard Griffiths present a marvelous portrait of aging actors. Michell deftly makes us laugh at some things simply because it hurts too much to weep. This is such a beautifully layered and rich film one may want to revisit it time and again.

If Peter O'Toole's mesmerizing, fearless, and endearing performance was the only positive aspect of Venus, it would still be well worth seeing.

I was pleasantly surprised that the sharp wit and general delightfulness promised by the theatrical trailer for this film delivered the goods.

Like the critically acclaimed and popular film from 2004, Sideways, this well-written bittersweet comedy celebrates what is means to be fully human by presenting us with complex, flawed characters who don't always behave the way they should- and our hearts end up bleeding for them as much when they're bad as when they're good.

With the simple story line about an aging British stage actor who develops an "interest" in his best friend's great niece, Venus artfully widens into a realistic exploration of how different relationships in our lives fulfill some needs, but not all, and how aging threatens aspects of our identity, but leaves other core pieces intact.

The scenes with "Maurice" and his actor friends are absolutely delightful and perfectly executed. The two wonderful scenes between "Maurice" and his estranged wife (a marvel of a performance by Vanessa Redgrave) are both heartwarming and heartbreaking.

The core of the story- the not-so-kosher, yet not-nearly-as-revolting as-you-might-think relationship between "Maurice" and "Jessie" (an impressive Jodie Whitaker) avoids all clichés and predictability found in Hollywood movies, and presents the viewers with a believable, engrossing slice of life, and fully invests them with an emotional stake in these characters' outcomes.

Venus is an expertly acted, beautifully written little gem that hopefully will not get lost among the more hyped (and over-blown) late year offerings. If The Academy decides to reward Mr. O'Toole with an Oscar for this performance, it will be one that is well deserved and won't be dismissed as "the sentimental choice." Treat yourself to the best adult comedy of 2006, and one of the best performances of the year.

I, like most people, thought twice about spending a good few hours of my life watching an old man fall in love with a teenager, but my respect for O'Toole and a free ticket voucher at the Denver Film Festival were more than enough to motivate me to see the film. Had I not gone, I would have made a serious mistake. O'Toole's performance is as good as anything he's done, and the whispers about Oscars might just have something behind them. Somehow, Roger Michell directed this film so beautifully that nothing that occurred between Maurie and Jessie seemed morally ambiguous whatsoever. Maybe it was the pairing of scenes with poppy Corinne Bailey Rae music that made it seem so natural, but I strongly suspect otherwise. O'Toole, paired with a beautiful performance by virtual unknown Jodie Whittaker, takes us into a world that disregards social boundaries and replaces them with raw human emotion and understanding. Though O'Toole's performance captivates the Oscar attention of anyone who sees the film, the supporting role played by Leslie Phillips was essential to the film's success. The relationship between Phillips and O'Toole's character had the entire theater laughing just seconds into the film. Overall, a cast of entirely endearing characters and knockout performances by O'Toole, Phillips, and Whittaker make Venus one of the best films I've seen in 2006.

A feel good movie that still leaves you feeling like you need a shower. Some uncomfortable scenes and a few directorial flaws (a speedy montage during a trip to the shore is particularly out of place) don't detract from solid acting from the cast as a whole and a brilliant performance by Peter O'Toole in particular. This strange take on the Pygmalion story is well supported by Jodie Wittaker as the title character and Leslie Phillips as the friend that everyone needs to either accompany you or drive you to the grave. But it is O'Toole's performance that makes this movie worth the price of a ticket. If he doesn't finally win an Oscar for this I might have to start fund-raising to buy him one.