Venus

More Mother than Notting Hill. Peter O'Toole is brilliant -- creepy, lovable, objectionable and yet so vulnerable as the aging, forgotten actor in this "kind of makes you squirm in your seat" love/obsession story. I viewed it at the closing night of the Chicago International Film Festival. The tone and feel of the film places you squarely in Maurice's (O'Toole) gloomy, last chapter of life journey as well as Jesse's (Jodie Whittiker) bratty, just getting her own life started journey. Outstanding cinematography, score and music. Wonderfully haunting! V. Redgrave is terrific and beautiful. Oscar's all around for this funny, sometimes creepy, real look at two people finding each other at the most unexpected time in their lives.

Peter O'Toole, as a great actor, has a certain transcendent charisma that has not diminished with age. It is well worth it to see this movie just for him. The life affirming message implicit in his brilliance preserved in old age goes well with the main theme of the film itself, which is the perseverance of vitality in the elderly.

The movie is a black comedy, and achieves both the blackness and the comedy perfectly. A scene where O'Toole accidentally barges into a room where his young love interest is modeling nude (while trying to spy on her)is especially hilarious. And his attempts to deal with catheter troubles are darkly hilarious. The movie is a poignant portrait of old age and an uplifting story of young love.

A feel good movie that still leaves you feeling like you need a shower. Some uncomfortable scenes and a few directorial flaws (a speedy montage during a trip to the shore is particularly out of place) don't detract from solid acting from the cast as a whole and a brilliant performance by Peter O'Toole in particular. This strange take on the Pygmalion story is well supported by Jodie Wittaker as the title character and Leslie Phillips as the friend that everyone needs to either accompany you or drive you to the grave. But it is O'Toole's performance that makes this movie worth the price of a ticket. If he doesn't finally win an Oscar for this I might have to start fund-raising to buy him one.

Michell tells an unconventional story of an aged actor who's fallen for a very young lady. What makes this story different from other old v/s young love stories is that the relationship is very sexual in nature. Maurice clearly sees Jessie as a very sexual being and he would definitely go far enough if she had allowed it. Yet, Jessie herself isn't completely innocent. She is completely aware of his feelings and takes advantage of it. While this part of their relationship is uncomfortable to watch, there is another side to it. Maurice clearly is infatuated with this girl but he never forces himself on her. On the one hand his despair is understandable as he's a man in the last stage of his life. He's maintained a friendly relationship with his estranged wife but his children won't have anything to do with him. He chats with his friends at a café. The only roles offered to him are those of corpses. While he struggles getting up from bed to live his miserably lonely life, it is the entrance of Jessie that changes that. She's young. She's attractive. She's vibrant (though a little tempered). The young Jessie isn't evil either. She too enjoys Maurice's company. Perhaps her feelings towards him were part sympathy part affection. Though both characters are initially portrayed in an unsympathetic way, they manage to build a bridge that connects to the viewer.

Hanif Kureishi is known for telling stories about unconventional relationships and here too he does a good job. It is well paced. Some might find it slow but I think it works for this kind of film. The dialogues are solid, both funny, poetic and get you to say 'hmm!'. Also the comedic situations are well executed like the one where Maurice and Jessie go shopping and Maurice only offers to pay 20. The cinematography and score do a good job of demonstrating the loneliness, dullness and somewhat carelessness of London. Meanwhile Corinne Bailey Rae's soothing voice highlight the gentle songs.

Peter O'Toole delivers a marvelous performance. I'm glad to see that actors like him and Vanessa Redgrave do not shy away from playing such roles of elderly people. He is charming, kind, passionate (with Venus), somewhat appalling and sympathetic. Redgrave has two scenes of which she does nothing short of greatness. Confidant newcomer Jodie Whitaker more than just holding her own to veteran O'Toole. She adds a freshness and displays Jessie's growth with great confidence. Leslie Phillips too does a fine job as Maurice's friend. He's particularly funny in the scenes where he expresses his dislike for Jessie.

'Venus' is a refreshing, sincere little film sans pretense. It's got wonderful performances, intriguing characters, solid dialogue and an unusual story.

I, like most people, thought twice about spending a good few hours of my life watching an old man fall in love with a teenager, but my respect for O'Toole and a free ticket voucher at the Denver Film Festival were more than enough to motivate me to see the film. Had I not gone, I would have made a serious mistake. O'Toole's performance is as good as anything he's done, and the whispers about Oscars might just have something behind them. Somehow, Roger Michell directed this film so beautifully that nothing that occurred between Maurie and Jessie seemed morally ambiguous whatsoever. Maybe it was the pairing of scenes with poppy Corinne Bailey Rae music that made it seem so natural, but I strongly suspect otherwise. O'Toole, paired with a beautiful performance by virtual unknown Jodie Whittaker, takes us into a world that disregards social boundaries and replaces them with raw human emotion and understanding. Though O'Toole's performance captivates the Oscar attention of anyone who sees the film, the supporting role played by Leslie Phillips was essential to the film's success. The relationship between Phillips and O'Toole's character had the entire theater laughing just seconds into the film. Overall, a cast of entirely endearing characters and knockout performances by O'Toole, Phillips, and Whittaker make Venus one of the best films I've seen in 2006.