Man in the Chair

Hello, I saw your movie a few weeks ago at the Kent Film Festival in Kent, CT, and I can't stop raving about it. No kidding, it is up there as probably one of the best films I have ever seen. I am wondering why it has not become a major box office hit, and why it is not "out there" in circulation. I believe in the power of film to change the world, and the message in this film for young and the aging alike was powerful. Please tell me how I can go about getting a copy of this so I can share with with others. Bravo!! I am guessing that Christopher Plummer will be nominated for an academy award. He certainly deserves it. I cannot wait to see this film at the box office. Susan Hackel

I'd heard some good things about this film but not from trusted sources and having seen it i can't agree. Man in the Chair is a very average film. It is not terrible compelling to watch and is very obvious in its plotting. The dialogue is also often laughably bad and the awful caricature performance it features representing Orson Welles is insulting both to Mr Welles and to the viewer's intelligence.

It sets the tone for narrative drag immediately with an extended clip (first heard off screen and then shown) clip from Howard Hawks' superb comedy His Girl Friday, which serves no real purpose in the story other than to establish 'Flash' Madden goes to see old movies! Great insight! A piece of info that is perfectly well introduced with a later seen at the same theatre showing Touch Of Evil which serves a narrative purpose both in its introduction of the two lead characters to each other; their similar tastes; and the link to Welles whom 'Flash' has worked with on Citizen Kane. The use of His Girl Friday however is entirely unnecessary and too lengthy; and as with most of the other films it references, only highlights the fact that the writer can recognise a variety of well-written great films - making it the more perplexing that he has no ear for how staged and hammy his dialogue is.

Plummer is solid as 'Flash' but loses his way here and there in stereotype and overplaying - a fault of the script not his, but an actor of his skill should have been able to instruct the director/writer better on how to play it. Given how extraordinary Plummer can be - just watch his Mike Wallace in The Insider - i expected better. Michael Angarano is fine but is again saddled with a poorly written role that makes him a rebel that he never seems and then connects him to 'Flash' in the most tenuous way.

M Emmet Walsh however is marvellous in a supporting role and while i'm sure the average standard of the film and the grandstanding of Plummer in the lead will cause him to be overlooked it would be wonderful and justified if this great character actor saw a supporting actor nod at the Oscars.

Overall the film is inoffensive and has a noble heart and message but the script is lacking in substance and drive. A Sunday afternoon on the TV type of watch.

Just got a chance to see this at the Heartland Film Festival. This is a wonderful film. You can read the synopsis for more detailed account of the movie, but for me, it's a reminder to live life together. Plummer's character is a gruff old gaffer that hasn't had many friends and lives in his former glory. But now near the end of his life, he meets a kid that wants to learn about how to shoot a film. At first, he's resistant, but eventually warms up to the idea and then enlists the help of many other former craftsmen in the field. It's a touching story. Plummer is awesome in the film. There are some effects that get a little jarring after a while, but don't detract from the film overall. It feels a bit like Finding Forrester at times, but hey, all the great story's have been done, and this is an awesome variation on that theme. A definite must see...especially film buffs.

As a member of the cast as well as an Academy member, I just loved the theme of "Man in the Chair." It develops a bond between a lost teenager and an alcoholic septuagenarian, magnificently connecting them to the making of a socially relevant student film while surrounding them with a bevy of older, former filmmakers in the screen actors' home in Woodland Hills. The writer/director, Michael Schroeder twists and turns this very human story that is kept lovingly together by a staggering performance by the amazing Christopher Plummer. As I left the Academy screening, several of my friends stopped me in the hall to say, "He's got my vote," and of course he has mine. I don't think there was a dry eye in the house.Finally,both young Michael Angarano,and the daring Emmet Walsh create a flawless sense of reality that help the film to be deeply touching.

A few weeks ago a friend mine called me and told that I had to watch a film called Man in the Chair on the Sundance Channel. He said that Christopher Plummer was in it, and that was good enough for me.

I had no idea that I was about to experience a film of absolute beauty. The writing, directing, acting, etc are beyond praise.

Plummer expertly plays a film gaffer who has not worked since 1968 and becomes involved with a young man attempting to make a student film to enter a competition for a film school scholarship. What ensues is a film about true friendship, elder abuse, animal neglect, and the raising of the human spirit.

All of the actors are superb, but special mention must be made of M. Emmet Walsh's performance of a writer who has not worked in decades. Perfection.

Actually, perfection sums up this film.

Thanks to all involved, especially writer/director Michael Schroeder, for this gift of a film.