Ajouter une intrigue dans votre langueWhen a small Colorado town is overrun by the flesh hungry dead a small group of survivors try to escape in a last ditch effort to stay alive.When a small Colorado town is overrun by the flesh hungry dead a small group of survivors try to escape in a last ditch effort to stay alive.When a small Colorado town is overrun by the flesh hungry dead a small group of survivors try to escape in a last ditch effort to stay alive.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Nina
- (as AnnaLyne McCord)
- Local Girl
- (as Taylor Hoover)
Résumé
Avis à la une
The film stars Mena Suvari and has a short cameo by Ving Rhames. While I'll watch anything with Mena Suvari in it - even "Loser" - this is a stretch. While Suvari does a decent job with a flat, lifeless (no pun intended) script, the other actors are incredibly stiff, awkward and unconvincing. Rhames plays basically the same character he played in the Dawn of the Dead remake, although he only appears for the first 15 minutes or so.
The film itself is extremely boring and the action and special effects are haphazard. I can honestly say that I've never felt so bored during an action sequence before. The "climax", if you can call it that, runs on for about 5 minutes more than it should. Even worse, the film doesn't even attempt to redeem itself by being a tad funny.. it tries, but fails with flying colors. The script is absolutely ridiculous, not even making relative sense in the world of the film.
If you've ever wondered what "vegetarian" zombies eat, feel free to watch this movie. If you want to see a new spin on Romero, wait for Diary of the Dead to come out in wide release by the man himself. I'm giving this one a three for Mena Suvari alone.
Screenplay is by Jeffrey Reddick who wrote all the Final Destination screenplays, so that can't be too bad right?
Let's talk casting.
Mena Suvari (American Beauty, Spun) Nick Cannon (Drumline) Michael Welch (Joan of Arcadia) AnnaLynne McCord (Made quite a splash on Nip/Tuck last year) Ian McNeice (HBO's Rome) Ving Rhames (Mission Impossible)
Altogether not a bad looking cast.
So that in mind, we start the film...
We begin our journey on a lighter note typical of the '80s slasher flicks, in an abandoned barn in Leadville, Colorado. Full of candles and horny teenagers, and there's nothing wrong with that. One couple decides to explore the rather creepy barn.
The movie actually starts out alright. Decent directing, acting, dialog if it keeps up like this, it might not be such a bad movie after all... but lets keep watching... where angels fear to tread...
First lets discuss spider monkey zombies. Now we have become so accustomed to Romero's slow moving zombies that the atmosphere has been set in stone for the standard, but I see nothing wrong with trying new things in horror, in fact I long for it. Now this isn't the first time fast moving zombies have been done, but it was probably the best explained of the type out of the ones I've seen.
The first few kills are fantastic, and holy the zombies were pretty scary, and in all honesty I haven't been scared of a zombie in a long time.
But the show must go on, even if it goes on like spider monkey zombies on crack.
If you want this to be just like the original, go watch the original. I have yet to read one decent complaint about the movie.
The faces decaying rapidly through the change was really unique, I don't think I've ever seen that used before so I thought that was pretty cool.
I actually enjoyed the movie for what it was. It had good pacing, took liberties, and took zombies into a new direction which is pretty hard to do these days. I've seen a lot worse. A whole lot worse.
I love how the people who can't let go of the idea of walking zombies thinks walking zombies is more realistic, like any kind of zombie can be realistic.
If this movie had not been called Day of the Dead I guarantee it would have been better received, because die hard fans expected it to stay true to Romero's zombie mythology which it did not do.
And though this was not adhering to Romero's preconceptions, it had a few things going for it. It brought it's own ideas to the table which worked. Such as the people going blank just before turning. As the last particle in the blood stream switched them on. I thought that was rather realistic, and a nice little piece of detail. The action was fairly non stop with good pacing. And in all honesty it was far more enjoyable than Diary of the Dead. A movie that turned out to be a huge disappointment, as was Argento's latest installment, "Mother of Tears". The two horror masters have taught a new generation well it seems.
Now not to downplay Romero, the original Night of the Living Dead is a classic that will likely never be topped. And the mood of the original Dawn of the Dead is intensely scary, but for a direct to video movie it was pretty good.
Now the idea of "When there's no room in hell, the dead will walk the earth", was never intended to be true. It is the religious reasoning to unreasonable things. But we also must conclude that there is a scientific explanation as well, and zombie movies these days attempt to take the genre in a direction of the more realistic explanation.
And it isn't specific to the horror genre either. We see how it worked for Ang Lee's Hulk and Nolan's Batman, we must be able to appreciate it here as well.
For all the differences between this and Romero, the one that stands out the most in my mind is the lack of political and philosophical importance which Romero is famous for including in his films. And while I respect that in a film, though this remake lacked that angle entirely, it was at least enjoyable.
The talented Meni Suvari is agreeably sincere in the central role, but does feel a little miss-cast. Her turn is better than what the stereotypically thin material (and there's no social commentary here) and lazy script ("It's complicated") offers up. The performances are mediocre at best, but some do standout more than others like Nick Cannon as a macho gun-tooting soldier with a smart attitude, Stark Sands as the clumsy private and Ian McNeice as the town's radio DJ. As for Ving Rhames, he's wasted in what ends up as a nothing part for such an infamous character.
Director Steve Miner's orthodox, if tight handling is broken up by kinetic editing; flash camera tilts that keep on the move and jerky action placement (where surprisingly random stages manage to hold a certain amount of chaotic tension). At least the story gets right into it and at only 80 minutes it doesn't seem to sag much well towards the end its persistent style wears thin and the ending was feebly done. Now the blood-soaked gore naming its self under day wasn't good. While having moments of bloody carnage and some decent make-up FX, it's rather watered-down with over-the-top CGI taking over the show. The CGI wasn't bad, but it's no substitute for latex.
Sure it doesn't come close to the 'Dead' franchise (and as it stands it better off as a stand-alone), but for cheap, quick brainless entertainment it's adequately done.
Le saviez-vous
- AnecdotesThe computer screen and readout in the bunker near the end refer to 'Project Wildfire'. This was the code name used in Le mystère Andromède (1971), which deals with a crashed satellite that infects a community with a deadly organism. The zombie virus in La Nuit des morts-vivants (1968) was blamed on a crashed space probe.
- GaffesSarah uses a key to start up the HMMMV, but military HMMMVs don't need keys for ignition.
- Citations
Salazar: [about Ben] This shit is ridiculous. I mean, why Thriller over here ain't trying to eat us?
Sarah Bowman: He's a vegetarian.
Salazar: That's the best explanation you can come up with?
Sarah Bowman: You got a better one?
Salazar: All I'm saying, as long he don't try to mistake me for a soy bean burger, we're gonna be all right.
- Versions alternatives-** SPOILER ALERT! *** The alternate ending on the DVD has Salazar's character disappearing off screen after opening fire in the Nike missile silo. He screams, fires again, then the horde of zombies appears. The film continues exactly as it did in the theatrical release, until, as they escape in the SUV, they pass a building in the exterior of the missile base. Salazar emerges, screaming that he wasn't bitten, and muttering that everyone expects the black guy to die. He gets into the SUV, and they drive off. At that point, the screaming zombie pops into frame.
- ConnexionsFeatured in Phelous & the Movies: Phelous of the Dead (2009)
- Bandes originalesCoolest Boy On Earth
Written by Jordan Galland
Performed by Domino
Published by Slush Puppy Music (ASCAP)
By Arrangement with Natural Energy Lab
Meilleurs choix
- Did this film get a theatrical release?
- Is this a sequel to the 2004 remake of 'Dawn of the Dead'?
- Is it a remake of the 1985 movie?
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Day of the Dead
- Lieux de tournage
- New Boyana Film Studios, Budapest, Bulgarie(soundstage)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut mondial
- 301 771 $US
- Durée1 heure 26 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
- 1.85 : 1(original ratio)