Ajouter une intrigue dans votre langueShattered windshields. Twisted wreckage. Last Exit is an action-suspense drama that tells the parallel stories of two ordinary women - one, a single mother barely supporting her handicapped ... Tout lireShattered windshields. Twisted wreckage. Last Exit is an action-suspense drama that tells the parallel stories of two ordinary women - one, a single mother barely supporting her handicapped son, and the other, a working mom precariously balancing her family with a high-pressure c... Tout lireShattered windshields. Twisted wreckage. Last Exit is an action-suspense drama that tells the parallel stories of two ordinary women - one, a single mother barely supporting her handicapped son, and the other, a working mom precariously balancing her family with a high-pressure career - on one extraordinary day. Each woman's life frays under the weight of her circumst... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 4 nominations au total
- Bob McArtle
- (as Andrew Johnston)
- Kevin Speck
- (as Spiro Maland)
Avis à la une
I like to discover good low-budget unknown movies and "Last Exit" is one of the best I have recently seen. Living in a big city, driving every day, my daily life is no different from the two lead characters I have problem with the violence in the traffic, being aware most of the time to avoid car hijack, at home, in my work; therefore, I have had a great identification with Diana and Beth regarding a hard day in a big city. The non-linear screenplay disclosing the parallel bad day of the two ordinary women is intriguing and suspenseful, holding the attention of the viewer until the very last scene. I only know the good "Ginger Snaps" from the director John Fawcett, but based on the sample of these two movies he seems to be a promising professional. Kathleen Robertson and Andrea Roth are awesome, developing human and totally credible characters. In the end, "Last Exit" is surprisingly refreshing and great and highly recommended. My vote is seven.
Title (Brazil): "Última Saída" ("Last Exit")
From the opening scene you think you know the plot, but that's the twist, you actually don't. The whole drama moves at a sufficient pace that you don't keep trying to guess the end, you just watch and learn.
This movie is a bit like a good book, you never want to turn to the last page, you just enjoy the journey and when you reach the end you feel sufficiently satisfied to pick up another.
Most people will be able to empathise with both lead characters, some days just turn out bad and every way you turn just throws up another obstacle. Although it's listed as a 'made for TV' movie, it shouldn't put you off, I've seen far worse at the cinema.
Good movie, great and plausible leading ladies.. Enjoy.
Kathleen Robertson proves that she is a fantastic actress with the complex Beth, such an amazing performance. Andrea Roth also gives a great performance. Supporting them are Linden Ashby as Diana's husband Scott, Ben Baas, giving an amazing performance as David the father of Beth's son, and Noah Bernett, who plays Beth's son.
"Last Exit" may be a TV movie, but it doesn't seem like it, far exceeding the usual formula of tele-movies, and featuring a great story-telling sequence, with the shocking climax being shown at the beginning - then flashing back, because the events that take place during these women's day are so interesting, you're compelled to watch.
I think not only drivers (especially reckless ones) can benefit from watching "Last Exit", but almost everyone, for while driving is a major part of the film, the real-life issues and dilemmas the women face can be applied to almost anyones life. Well done to all involved.
Le saviez-vous
- AnecdotesThe website that Scott is looking at on his laptop called '@sale.net' is a parody version of the real site eBay.
- GaffesWhen the two cars crash at the end of the movie, if you look closely, you will they are actually stunt drivers and not the actresses.
- Citations
Beth Welland: What the hell was that back there, huh? You think your life i so Goddamn important that it doesent matter who you run over? Just so as long as you get where it is you need to go? Is that right? Huh? Look at me! Look at me! Do you think I don't know who you are? I know exactly who you are! What is this thing huh? What is this? Is this a mirror? What do you need a mirror for? Well you certainly didn't use it this morning when you cut me off!
[she breaks the mirror]
Diana Burke: Hey!
Beth Welland: What are these? Signal lights? Oh, you don't need these either.
[she breaks the signal lights]
Diana Burke: What the hell?
Diana Burke: C'mon!
Beth Welland: You wanna screw with me? Huh? Let's go! You wanna cut me off?
[she hits Diana's hood of her car with the telescope]
Beth Welland: Steal my spot?
[she hits it again]
Beth Welland: Get me fired?
Diana Burke: Stop it!
Beth Welland: Steal my Goddamn kid from me? Ruin my whole Goddamn day! Do you think I wanted this? Huh? You think I actually wanted this?
[she continues hitting the car]
Beth Welland: This is all your Goddamn fault!
- Bandes originalesThe Apple Of Your Black Eye
Composed by Lucinda Wolfe/Carl Allan Newman (SOCAN)
Performed by The Tennessee Twin
Recorded by Pete Mills
Meilleurs choix
Détails
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 1.78 : 1