Issue fatale

They don't tell you this in the plot outline but early into this movie you realize that Murphy, of the ill-famed 'Murphy's Laws,' apparently has written himself into this script :^). As you're watching this movie, it will slowly reel you in. By the time you're 3/4 into it, you'll find yourself amazed, thinking just how good it is. But, by then, you're just scratching the surface of where this movie is going to take you. And by the end, you'll be glad that you decided to invest the time to watch it. This movie leaves you feeling. And, most importantly, you'll learn something about life and yourself from the experience because, during the movie, you'll be constantly comparing your life to the ones you're witnessing on the screen. And I bet, you'll see a bit of yourself there sometimes. This movie makes you profoundly think about a lot of things. Kudos to the director.

I thought the movie well represented the reality of modern life. News stories on a regular basis highlight the impact of stress, poverty, and other conditions that push people to do unthinkable things. Last Exit keeps you on the edge of your seat as you watch the events of the day unfold in the lives of two very different women. The movie was not a sensational unrealistic Hollywood movie - it was very much a low key realistic look at the lives of the two women. One women is quite well off with husband and child, the other women divorced, in financial difficulty and struggling to hold a job and raise her son. The movie illustrates how one person can reach breaking point after a number of unfortunate events occur over a period of time. My wife really enjoyed the movie and so did some friends we recommended it to. Very good.

Director John Fawcett previously brought us the first GINGER SNAPS and THE DARK (the one with Maria Bello). Two movies I happen to like. LAST EXIT is a quite different film, but turned out a pretty solid viewing experience. Two unrelated women, portrayed by Andrea Roth and Kathleen Robertson (who finally has the chance to prove she can carry a film with a semi-leading role), are involved in a nasty car crash. The whole film consist out of flash-backs, illustrating the events leading up to the crash. LAST EXIT starts off a bit slow, but gradually Fawcett ups the pace and things get worse and worse for our two leading ladies (and thus: more interesting for the viewer).

Fawcett sets his story in a crowded, hectic city and handles a more "realistic" visual language (loose camera work from the shoulder, faster editing), so it's a bit of a break from his more stylised work in films like THE DARK and maybe requires getting a little used to at first. Nevertheless, this made-for-TV film really is worth a watch and proof that a lot of TV work these days can easily compete with theatrical releases. A decent story, a good director and fine actors work wonders sometimes. Fawcett and writer Russ Cochrane even managed to come up with a solid denouement (for which I was fearing, but ungrounded as it turned out). Check out LAST EXIT; it should leave you satisfied at the end of the ride.

First, I saw this film in Venice, Italy last August but I didn't see all of it. We went sightseeing. Finally last night, it emerged on late night television and I made a point to watch it. The two actresses who play Beth and Diana are brilliant in their performances. Their characters are far more alike than different. Beth is a struggling single mother of a wheelchair bound son, Benji, who she loves more than anything. She is having a rough day would be an understatement. Nothing appears to go right. Benji's father bought a house an hour away and wants to file for custody of him with his wife. Beth loses her job as a result of incompetence or lack of compassion. She doesn't have enough money in her bank account to buy her son a telescope so she pawns her necklace. She gets into a road rage incident which is equally her fault but then nobody appears to stop her. Diana is a married mother of two children with another on the way. She is equally having a bad day. Her husband is unemployed and they are on the verge of losing their home. Her son was caught bringing a gun to an expensive prep school and was expelled. Her daughter's needs are never quite answered. She needs a promotion to save her family and she needs to reassure her status in the business world. I didn't like the ending. The plot was suspenseful and kept moving along but I won't spoil it for others. You have to see it to believe it.

Against a gritty urban landscape, Last Exit follows a single day in the lives of Beth Welland and Diana Burke, two mothers following two seemingly different paths. Beth (Kathleen Robertson) is a single mother to Benji, a young boy confined to a wheelchair and their cramped apartment overlooking an expressway. While Beth seems to take it all in stride, a growing desperation lurks beneath her sunny disposition. For Diana (Andrea Roth), a married mother of two with a highly successful career in advertising, life is all about keeping everybody else happy amidst the growing anxiety that she may be in over her head. In the oppressive heat of an urban summer, the lives of these two women have violently collided. And, as police officers race to their uncertain rescue, parallel flashbacks gradually bring the shards of a shattered puzzle back into focus, providing the truthful and deeply unsettling causes for the tragic effects. What ensues will change both women, together with the people they love, completely and for the rest of their lives. The film had me on the edge of my seat the entire time and I found myself deeply changed by the experience. Beth and Diana's struggle stayed with me for days and more than once, and had a profound impact on my attitude and actions when I'm behind the wheel. If you've ever experienced the frustration of daily commuting through a congested urban centre, you will relate. Last Exit is a definite must-see.