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Ajouter une intrigue dans votre langueReal-life figures from the Cold War-era mix with a fictional story based on a group of C.I.A. operatives and their counterparts in the K.G.B., MI6, and the Mossad.Real-life figures from the Cold War-era mix with a fictional story based on a group of C.I.A. operatives and their counterparts in the K.G.B., MI6, and the Mossad.Real-life figures from the Cold War-era mix with a fictional story based on a group of C.I.A. operatives and their counterparts in the K.G.B., MI6, and the Mossad.
- Récompensé par 1 Primetime Emmy
- 7 victoires et 21 nominations au total
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Michael Keaton's performance is spellbinding, astounding. I couldn't believe what I was watching. When he's on screen, he lifts the piece onto a wholly different level. Unreservedly worth watching for his screen time alone. The unnerving atmosphere he creates happily offsets the unfortunate mawkishness that marrs parts of the Berlin and Budapest stories. Alfred Molina also deserves praise for a strong, gutsy performance as a permanently booze-fueled, no nonsense old time field commander. Production values are pretty high for a television series - Ridley Scott's production presence no doubt helped on that front - and the post-war look and atmosphere of the Berlin sequences is particularly well realised. But this is unmistakably Keaton's tour-de-force.
Where to begin. The performances in the show are quite good the action is established and the historical aspect of the show is right on in most respects. The cast includes a few veteran actors and a few younger actors. Rory Cochrane from CSI Miami, and Chris O'Donnell from the Batman* movies and the Bachelor are cast in very good roles. Followed by Alfred Molina and Michael Keaton taking on the leading roles, who I might add fit there roles perfectly. Having only seen the first of the three episodes and watching the preview for the next two I see that the show will go on only to get better with the addition of even more actors and cameo's from some of my personal favorites the outlook is good. In my opinion espionage has never looked so good.
This is a compelling watch, one of the best I have ever seen on this subject, and I have seen many. The performances are wonderful, especially the three Yale friends who take divergent paths. Alfred Molina is great, as ever. I especially liked Ted Atherton as Frank Wizner.
But did anyone ever call Kim Philby "Adrian"? Maybe James Jesus Angleton: he was just weird enough. (Weird, also, to see him portrayed by Tom Hollander, who played Burgess in Cambridge Spies). And while Angleton suspected Philby, he did not send him tearing off to Moscow -- Philby returned to London, where he was interrogated by effectively cleared (by Harold MacMillan, among others) and on later to Beirut, as a journalist, which allowed him to return to working for MI6 and, presumably, the KGB. It was his MI6 friend Nicholas Elliott who finally broke him, prompting Philby to flee to Moscow in 1962. From Beirut.
But the fictional elements work well enough to make this a very watchable mini-series. And they have an artistic truth that factual manipulations do not spoil.
I dispute the comments that find the series to be anti-American. Some Americans apparently still believe that their country is without fault. There is no reasoning with such people. Having Chris O'Donnell's Jack query how "good" the "good guys" were is just realism, honesty and moral principle: it only takes two words to show that the USA is not always interested in right: Salvador Allende.
As the Hungarian revolutionary Arpad tells Jack in Budapest in 1956, revolutions are fought for three reasons: honour, fear and self-interest. He claims the first two for himself and his comrades. He shrewdly assesses the third as the principal rationale of the US. And who can honestly say otherwise? This programme, as well as Jack, endorses that view.
But did anyone ever call Kim Philby "Adrian"? Maybe James Jesus Angleton: he was just weird enough. (Weird, also, to see him portrayed by Tom Hollander, who played Burgess in Cambridge Spies). And while Angleton suspected Philby, he did not send him tearing off to Moscow -- Philby returned to London, where he was interrogated by effectively cleared (by Harold MacMillan, among others) and on later to Beirut, as a journalist, which allowed him to return to working for MI6 and, presumably, the KGB. It was his MI6 friend Nicholas Elliott who finally broke him, prompting Philby to flee to Moscow in 1962. From Beirut.
But the fictional elements work well enough to make this a very watchable mini-series. And they have an artistic truth that factual manipulations do not spoil.
I dispute the comments that find the series to be anti-American. Some Americans apparently still believe that their country is without fault. There is no reasoning with such people. Having Chris O'Donnell's Jack query how "good" the "good guys" were is just realism, honesty and moral principle: it only takes two words to show that the USA is not always interested in right: Salvador Allende.
As the Hungarian revolutionary Arpad tells Jack in Budapest in 1956, revolutions are fought for three reasons: honour, fear and self-interest. He claims the first two for himself and his comrades. He shrewdly assesses the third as the principal rationale of the US. And who can honestly say otherwise? This programme, as well as Jack, endorses that view.
The miniseries went out of fashion when the networks started economizing, so it's nice to see this one from TNT. "The Company," which refers to the CIA, stars Chris O'Donnell, Alfred Molina, Michael Keaton, Rory Cochrane, Alessandro Nivola, and Natascha McElhone, along with a huge international cast.
The series purports to tell of some of the big events in which the CIA was involved throughout its history, woven in with the search for an elusive double agent, an American version of Kim Philby (who is also a character in the film, portrayed by Tom Hollander). The period covered is 40 years, from the start of the Cold War to the fall of the Soviet Union and focuses on the experiences of three fictional Yale grads, class of '54: Jack McCauliffe (O'Donnell), Leo Kritzky (Alessandro Nivola), and Yevgeny Tsipin (Rory Cochrane).
This is a very absorbing miniseries with some great, good, and blah acting, in my opinion. Though it's understood that Alfred Molina is an excellent actor, for me, his portrayal of Harvey, Jack's boss, was a little too stagy. Chris O'Donnell was okay, coming off as a lesser Leonardo di Caprio or Matt Damon. For me the two great portrayals were those of Michael Keaton as James Angleton, the real-life chief of the CIA's counterintelligence unit, and Alessandro Nivola, who is an accomplished stage actor and gives a strong performance.
Not surprisingly, this film came on the heels of the feature "The Good Shepherd," also about the CIA and starring Matt Damon. Because it has the luxury of being a miniseries, it's more detailed. Recommended.
The series purports to tell of some of the big events in which the CIA was involved throughout its history, woven in with the search for an elusive double agent, an American version of Kim Philby (who is also a character in the film, portrayed by Tom Hollander). The period covered is 40 years, from the start of the Cold War to the fall of the Soviet Union and focuses on the experiences of three fictional Yale grads, class of '54: Jack McCauliffe (O'Donnell), Leo Kritzky (Alessandro Nivola), and Yevgeny Tsipin (Rory Cochrane).
This is a very absorbing miniseries with some great, good, and blah acting, in my opinion. Though it's understood that Alfred Molina is an excellent actor, for me, his portrayal of Harvey, Jack's boss, was a little too stagy. Chris O'Donnell was okay, coming off as a lesser Leonardo di Caprio or Matt Damon. For me the two great portrayals were those of Michael Keaton as James Angleton, the real-life chief of the CIA's counterintelligence unit, and Alessandro Nivola, who is an accomplished stage actor and gives a strong performance.
Not surprisingly, this film came on the heels of the feature "The Good Shepherd," also about the CIA and starring Matt Damon. Because it has the luxury of being a miniseries, it's more detailed. Recommended.
Overall, it is a fair, balanced movie. A couple of things. The man who attempted to poison Fidel Castro Ruz was NOT made to drink the poisoned concoction. In fact the packet which held the poison FROZE to the refrigeration pipes at the Hotel Habana Libre (formerly Havana Hilton-they only say "Libre" in the movie) before the hotel's restaurant worker had a chance to put it into Castro's 'milk shake' (batido). The G2 already new of the plan before hand. The restaurant worker's name was Santos de la Caridad Perez, and he was sentenced to a very long prison term, which he completed, and he was able to come to Miami, Florida,and there join his wife and 2 grown sons, who had been waiting for him in Caracas, Venezuela. Santos de la Caridad Perez was left to his own devices and wound up working minimum wage jobs in Miami, Florida, into his 80s. No compensation for his compromised mission, and his 14 years spent in Castro's prisons was ever paid. Thanks, 'Campanela' you a-hole!.
Next, it was not prop-driven 'Sea Furies' which shot down the CIA contract pilots' B26s, but T33 JETS. To the best of my recollection, NO CIA Officers came ashore with Brigade 2506. It's a travesty that only a passing mention was made of the 117th Tactical Reconnaissance Wing, Alabama Air National Guard pilots, who were contract employees, and disobeyed direct orders to lend air support to our Cuban allies. The names of these brave men were: Leo Baker, Wade Gray, Riley Shamburger, and Thomas "Pet" Ray. The B26s they flew had no tail guns so they could accommodate more fuel. They were easy prey for Castro's jets. Some of us will remember their sacrifice with eternal gratitude, respect, admiration, and will mourn them as long as we live. G_d rest them and comfort their surviving loved ones.
Other than this, it was a pretty balanced movie, but I defer to those who may have first hand knowledge of what actually went down in the Hungarian uprising. G_d bless that nation's fallen martyrs and their survivors as well.
Next, it was not prop-driven 'Sea Furies' which shot down the CIA contract pilots' B26s, but T33 JETS. To the best of my recollection, NO CIA Officers came ashore with Brigade 2506. It's a travesty that only a passing mention was made of the 117th Tactical Reconnaissance Wing, Alabama Air National Guard pilots, who were contract employees, and disobeyed direct orders to lend air support to our Cuban allies. The names of these brave men were: Leo Baker, Wade Gray, Riley Shamburger, and Thomas "Pet" Ray. The B26s they flew had no tail guns so they could accommodate more fuel. They were easy prey for Castro's jets. Some of us will remember their sacrifice with eternal gratitude, respect, admiration, and will mourn them as long as we live. G_d rest them and comfort their surviving loved ones.
Other than this, it was a pretty balanced movie, but I defer to those who may have first hand knowledge of what actually went down in the Hungarian uprising. G_d bless that nation's fallen martyrs and their survivors as well.
Le saviez-vous
- AnecdotesThe footage of the entrance gate of C.I.A. Headquarters in 1975 was re-used from the film Spy game - Jeu d'espions (2001), which Tony Scott, of Scott Free Productions, directed. Perhaps as further interest, that footage is not of the C.I.A., but an abandoned telephone company entrance gate.
- GaffesThe term "mole" was coined by British spy writer John le Carré in the 1960s, yet is used in this series before this time.
- ConnexionsFeatured in 14th Annual Screen Actors Guild Awards (2008)
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- How many seasons does The Company have?Alimenté par Alexa
Détails
- Durée48 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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