Postal

This is Uwe Boll's best film to date. That being said, it's still crap. Abundant plot holes, crudely forced shock tactics, a shallow attempt at satire, and the worst director in the entire world are just the tip of the iceberg on why this movie blows. I hate Boll's work. I hate his belligerence. He should not be allowed near a camera.

The ultimate question, however, is did I laugh? Yes. In spite of everything , I laughed. This movie is Uwe Boll's "F*^# you!" statement to the world. He's going to continue making movies whether we like it or not, and he's actually a lot better at crude humor than any sort of horror, adaptation or whatever random dung heap genre he sticks his nose into. He even makes fun of himself in this movie during a cameo between him and the actual creator of the postal franchise. For some weird reason, I respect that.

Zack Ward was fantastic, and really should be getting better work. This may be a rare time when an actors participation in a Boll film didn't herald their imminent career death. He proved himself to be an adequate action actor, and I'm hoping this gets him some publicity. The same cannot be said for Verne Troyer or Dave Foley, who are circling the drain. (I still laughed though.)

Is it worth the price of admission? Nope, but it's so much closer than any of Boll's films have ever been. Boll may be a deluded, stubborn and angry man,(at the Q&A he explained to us in a very serious tone, how postal was a gutsy, intelligent satire) and his work may be awful, but Boll genuinely loves films and wants to make them. He wants to get better and who knows? Maybe one day Boll will produce something worthwhile. Tasteless director John Waters invented Hairspray, which was thought to be impossible. Maybe Boll will one day harness his ambition towards film-making in a productive way. Or not. Who cares?

You shouldn't see postal if you have an option, but if you don't, you might giggle a few times, in spite of yourself. However, if you're a moron, you'll love it!

-Max

P.S: Boll has always clashed with wheelchair-bound "AintItCool" news leader, Harry Knowles. They don't get along at all. Why do I reference this? There is a mentally challenged character in the movie who begs for money from the seat of a motorized wheelchair. Can you guess his first name?

After all the crap Uwe Boll made, I really had very low expectations for this one. And those were not just met, but exceeded. The guy actually has a sense of humor. A dark sense of humor. But few people like that thing, so it's understandable that many don't like it. It goes against most common movie taboos, which is good, it doesn't favor any side, and makes fun of itself as well. There are a few drawbacks, though, like the music and some scenes could've been better, but overall it is above average.

The movie is random, it is senseless, but it is also fun. I never thought Id say this, but if you like dark humor, go see this Uwe Boll film.

While Uwe Boll has garnered a reputation as one of the worst directors of all time, I can only surmise that those particular critics either have a very limited awareness of cinema (and clearly have not seen any films by Ulli Lommel...or Eli Roth), or are so embittered by their profession that they cannot see the insane, driven vision beneath the surface of the German mastermind's work. Those who have followed his career with masochistic pleasure have concluded that his current works have shown a legitimate upgrade in quality, and "Postal" is one of his most impressive films; while yet another loose take on a video game, Boll's proficiency with narrative structure (he co-wrote the script with Bryan C. Knight) has gotten better, as has his scene composition (few out-of-nowhere edits away from the action); and placed on the grounds of an absurd satire (a genre that many filmmakers bungle), Boll shows unfettered confidence and drive, even if the end result comes up short. Ditching the nauseating sitcom-structure that has turned Judd Apatow's films into crudely saccharine cinematic gold-mines, Boll goes for the subversive, anti-commercial jugular with "Postal"--he seems on a mission to top one offensive gag with one even more offensive, and the film (true to its title) is an onslaught of un-PC humor from start to finish. While I will say I laughed often at "Postal" and its politics (which echo the anti-consumerist diatribes that made "Fight Club" a cult classic), the comic timing is probably only spot-on about half the time; the remainder of the film's humor flows out of the absurdity of its premise: Dude (Zack Ward, the red-haired bully from "A Christmas Story") is an unemployed, lower-class guy having a bad day--in a pinch for cash, he and Uncle Dave (Dave Foley) concoct a plan to steal a shipment of Krotchy dolls from a Nazi-themed amusement park (run by Boll himself in a hilarious cameo); meanwhile, Osama bin Laden and the Taliban (camped out in the back of a convenience store, natch) are also converging on the coveted toy. Yet the plot is really just an excuse for Boll to let loose with a skewering of stereotypes, history, and blue-collar madness: while "Postal" could have merely been tasteless and humorless, its own sensitivity toward mankind's collectively repressed id shows a greater existential curiosity toward our "post-9/11" society than any Oscar-nominated tearjerker to come down the pike.

Now we all know Uwe Boll's track record when it comes to movies, but even more so when it's applied to video games. However, in the case of Postal I have to say I was rather surprised because the movie possessed this subtle flair of the game. While watching it I felt it was trying its hardest to be as true to the game as it could. It has sick and pointlessly funny humor both political and sexual, and it has a ridiculous plot that feels like something right out of the game. Perhaps the one thing Boll does well in Postal is the bumbling collection of Muslim terrorists who are apathetic about the whole "Jihad" thing and they are quite funny to watch as they goof around. I guess what makes Postal the movie special is the collection of little silly Easter egg-esquire instances that will just make you chuckle. Like the Postal game, the movie deserves its due because it is a novelty among movies. Regardless, it's Boll's "best" work.

I don't understand the bad reviews of this film. People complaining about how its not true to the games have obviously never played Postal 2. This movie is probably closest video game adaptation that I have seen. It is completely true to the theme of the game.

I watched this film at the premier and actually had a chat with Uwe Boll before the film started. He came out right before the film and made a 10-15 speech that consisted mostly of him tirading about how Bush is an idiot and even more about how he hate all the reviewers that give him bad reviews. I think he must have self esteem issues to come off like that against the reviewers.

Anyways, this movie is very funny, if you're into this sort of movie. Obviously if you hate Uwe Boll or are totally politically correct or are easily offended, then don't watch this movie. For people like me that like dead baby jokes and are pretty much desensitized to everything, this is a gold mine of comedy.