L'Escadron Red Tails

I had high hopes for this; Cuba Gooding Jnr, Terence Howard, David Oyelowo and Bryan Cranston in the same film? Surely this would be a master work of cultural importance highlighting egregious racial slights in WWII which were - clearly - absurd? The topic laid open the opportunity for aerial combat scenes that would make Top Gun look like walk in the park given that it's nearly 30 years on and surely SFX would have improved exponentially - it's LucasFilm for crying out loud - George Lucas knows a bit about SFX, right? Wrong. Wrong wrong wrong wrong wrong. WRONG. This was Red Tails, light. The Disney version of the story, if you will.

The acting, with the notable exceptions of Oyelowo, who tried SO hard to carry the film, Gooding Jnr & Howard who given their heavy-weight were woefully under-utilised but still shone in every scene (especially Howard) but who has Terence Howard in a film and only give him about four scenes? Who!? David Oyelowo's maverick-type character "Lightening" was the only character with depth, but even he struggled with the ridiculously poor script and naive plot formation as the film was a staccato of - largely predictable - events. Of course the dogfights and flying scenes were key but there was so much potential that was glossed over. insubordination, alcoholism, unlikely romance, fear and righteous rage at a government scorning them because of the colour of their skin! It could have been mindblowing... it should have been edge of the seat tense but nothing about this hit the nail on the head. It missed on every point. Direction, score, script, acting etc and even the aerial combat scenes were poor. It had no passion, or realism. There were a few good aerial moves but it was without emotional response, consequence or discipline!

For telling a true story, or at least based on true events and the Tuskegee Training program, these airmen were fighting to prove wrong (!) a Government edict that stated that Black people weren't smart, coordinated, skilled, brave or loyal enough to fly a plane in battle and would chicken out, as they were gutless. What a story to take part in!! Woefully disappointing. The moments of bravery, sentient, beauty, faith and camaraderie were glossed over, not enough made of them, and it felt like it dragged; I was convinced it was a three hour film as whilst things happened, they didn't *HAPPEN.* Overall it was too ... vanilla. This film shouldn't have been a 12A. It should have been real and raw and visceral. Oh what a waste.

I want to start by saying that I had a great big smile on my face before the film even started. For this to be the opening showing on Friday afternoon, there was a pretty decent crowd. And virtually every adult coming to see the film had young people in tow. I was also thrilled to see the diversity of the film-goers. We've come a long way since The Color Purple. I guess the first thing I want to do is to give props to the director of this film, Anthony Hemingway. You might remember him from such brilliant films as Changing Lanes, ALI and The Manchurian Candidate. He definitely kept on track with Red Tails. Although most (some) of us know the story behind the Tuskegee training program during World War II, Hemingway brought the story closer than ever. This does not detract from The Tuskegee Airmen film made back in 1995 starring Laurence Fishburne and Allen Payne, which was also brilliant. Now, on to the cast…… Howard and Cuba and Nate….. oh my!!!! I am not sure if the writing was brilliant or not, but I thought that the acting was exceptional. Terrence Howard (Colonel A.J. Bullard) took the reins by getting his troops the credibility they deserved. Cuba Gooding Junior (Major Emanuelle Stance) maneuvered his company through the never ending red tape that came with war back in 1944. Nate Parker (Marty "Easy" Julian) took the lead in this amazing cast of actors. I could go on naming cast members for another 2 or 3 hundred words, but I won't. The one thing that I will say is that it was nice to see Nate Parker and Tristan Wilds (Ray "Junior" George) reunite again after their appearance in The Secret Life of Bees. I know what you're thinking…… "Aren't you the same person who hates biopics?" The answer is "yes, I am". However, it is so difficult to get gripping stories about minorities (any minority) on to the big screen that I have to rejoice when it happens. Finally, I want to say that I had another smile on my face when at the end of the film, the audience applauded. I definitely think that this film is worth the price of a ticket, so I say fasten your seat belts and hop into the cockpit and go and see this film. All engines are "Go" with a green light.

For 24 years, George Lucas has been developing a film about the Tuskegee Airmen, the all African American squad of army pilots during World War II. Now, the dream has come true and the final result of "Red Tails" is a too long, tedious, all noise and no heart time killer. It makes one yearn for the memories of Lucas's "Star Wars" and "Indiana Jones".

In 1944 Italy, a group of four army pilots has been summoned to protect bombers over Germany. Along the way, they have encounters with friendship, romance, danger and overcoming death.

The film's director, Anthony Hemingway should have stuck to directing TV shows before filming this lackluster effort. John Ridley and Aaron McGruber's script feels third rate and mostly shifts into territories of melodrama and clichés. They should have taken out the bad subplot involving a romance between an Italian girl and one of the pilots and remained focused to expand on the story of the Airmen. The art direction looks like it's been borrowed from too many movies and the action sequences fails to generate any thrills. The visual effects from Industrial Light and Magic add no excitement to the action.

The young actors playing the pilots {David Oyelowo, Nate Parker, Tristan Wilds and Elijah Kelly} and the acting veterans {Cuba Gooding Jr. and Terrence Howard} feel like they're taking their roles forcefully instead of seriously. Both Gooding Jr. and Howard proved one thing in their respective roles: They were both in the film just for the money.

All in all, this fails both in entertainment and as a history lesson. For the past four decades, Lucas wowed audiences by showing them how movies can take people to brand new worlds with "Star Wars" and "Indy". Now, this time, he has failed. Both Lucas and the Tuskegee Airmen deserved better.

In the end, the best thing to come out of this is the thing before the film itself. The "thing" that I'm talking about is the trailer for the upcoming and hopefully very funny "Three Stooges" movie.

Rating: 1 star

Comic book, maybe cheap video game at best ("Germans! Lets get 'em"). I've never seen fighter pilots so happy in the face to death. Laughing, joking in the middle of an air battle (could it be nervous laughter or poor writing and directing. Opening credits say "Inspired by True Events" which means Lucas and his team made up a bunch of stuff, and in the process, introduced a lot of errors and just plain factual sloppiness. Off duty, the film has black pilots shuckin and jivin almost in a Stepin-Fetchit style. Didn't someone tell the Lucasfilm people that this is an important historical event in the history of the US and ultimately led to the integration of the US military. The film was a disappointment and a disservice to the Tuskegee Airmen.

This film opens with a CGI aerial battle that is literally of the quality I would expect from a direct-to-DVD film by a company like The Asylum. It's shockingly embarrassing for a theatrical release with a $58 million budget. Even the font used in the titles smells like a no budget film. It does get better than this, but not as much as it should. Explosions are all CGI and don't look like they exist in the same plane as the physical objects. Oddly, every German pilot in this film appears to be exactly the same person. Effects aside, this film is intended to play more like a 1950's era war movie than a modern one. That's a valid choice, but it doesn't play like a good one. The story is, on the face of it, an interesting one, but the narrative strokes are so unbelievably broad that the film really doesn't progress after the basic plot setup is done. Some of the actors do a pretty fine job given the one dimensionality of their characters (David Oyelowo is particularly good), but they have precious little to work with.