Studio 60 on the Sunset Strip

What a joy. Can you imagine someone actually answering a reporter in a press conference with the TRUTH? Even if it costs them? In Aaron Sorkin's world things are set aright and, while he clearly has questions, he sets out to answer them in a righteous and evenhanded way bringing thoughtful debate to the minds of the audience which, thankfully, he seems to believe can participate in thoughtful debate.

In Sorkin's world there is loyalty unlike almost anywhere on earth. Both in his personal loyalties and those of his interesting, full of life characters, bursting with individuality, personality and beautiful DIALOG...YES! So much incredibly wonderful dialog.

The unique and enduring music of W.G. Snuffy Walden adds such depth of emotion and intent to Studio 60. Music that moves us and causes us to feel with the characters we laugh and cry with and love to see again and again.

Sorkin and Schlamme bring actors we thought were pretty good, some we already really liked a lot, many we didn't even know their names - but now we do...and we always will. Because their talent has been revealed in the most profound way. And, after the pilot, I felt I knew them well and loved them each - a lot.

People enter from stage right and left - set builders, camera people, runners and a fantastic PA played by Merritt Wever who won my heart in the first episode. And I thought...only Sorkin would use this lucky girl in this way and she'll be so great...is so great...

And there are the cameos. Judd Hirsch, Ed Asner. Precious bits of time. As in The Wrap Party where the famous Eli Wallach was exquisite as the old writer/veteran who was once blacklisted in Hollywood. I cried. Very brave lines here, wonderfully acted by all involved. What a piece of film!

And with so much story and so many personalities, there is always room for one more...and one more that amazingly fills a new important space. No fillers here. Enter Christine Lahti...pure class. One more of the unique women in his script. Women who are strong, intelligent, interesting, funny...as well as loyal and led by their integrity. They vary in personality, careers, education, physical appearance and age. They are each absolutely beautiful in ways that most writers/producers/directors haven't seemed to notice nor use yet.

And there are the love scenes between Matthew Perry and Sarah Paulson. Truly amazing, awesome love scenes. Filled with depth and respect; fired with emotion and among the most beautiful ever filmed.

Week after week the story builds, the characters deepen and the anticipation of what is to follow is delightful...because we know the foundation will always be there. We know we can trust Sorkin to always be true.

The most recent: Nevada Day was absolutely great. One of the funniest things I've seen in years. I laughed until my sides hurt. What wit! and what an amazing ability to take real life people and their situations, examine truth and controversy while at the same time making us laugh out loud. And John Goodman, who would never disappoint us if all he did was enter the room...he is so good...was perfect as the judge from Pahrump...yeah Pahrump Nevada. Well, you've just got to watch this one.

The content always is intelligent, honest and courageous. The writing, directing, set design, costume, makeup - all pure talent, pure art. The acting is as acting should be - believable and strong: Perry, Whitford, Peet, Paulson Busfield, Hughley, Weber, and every one in between. Each actor is excellent and important. The show is important. I only hope there will be 130000 episodes.

Thank you Aaron Sorkin and Thomas Schlamme and a most incredible ensemble for giving us your very best every time. You knock our socks off.

It is funny, smart, articulate, and touched the heart all at the same time. So of course word is that is has been canceled! It ran so briefly before getting pre-empted several times, that it barely got seen, yet NBC saw fit to shoot it down, and will be putting on several live game shows and other reality garbage of that ilk. Worse than that, they now torture us with the last new episodes, so that we might be bereft when it is gone. I wish there was a way to save the show, but networks rarely let shows live long enough to find their audience. NBC barely let it run long enough for anyone to find it. I think the best episode was the "Disaster Show," and watching Allison Janey and former "West Wing" lover Tim Busfield work together. What a hoot. What a waste that such a clever show will be lost to TV history.

I have emailed NBC twice about canceling this show. One of the few intelligent, well written, thought provoking shows I have seen in a while. What's the alternative, Singing Bee or watching women compete for a date? I have looked forward to viewing this show and am very disappointed in it's cancellation. Was it an air time problem or another season needed to gain viewer ship? I enjoyed it's complication-a good story along with great acting is becoming so rare these days. To hear statements that contain some reference as to what people are really thinking is such a refreshing switch from the pc crowd.Perhaps another network will see it's possibilities and pick it up. I just wish all those who made Studio 60 could know that some of us admired their work and will miss the show.

Saw the pilot on NetFlix, and it's everything one should expect from Sorkin, Schlamme and this cast...sharp, tense, funny, and exhilarating television. Even if you don't care about behind-the-scenes drama or live TV or Saturday Night Live (which the show is based on), check this out...it's got a ton of drama, heart, and fun. Hopefully Sorkin will take time to develop each character. My only issue with the episode is that there's too much to cover, so we only get quick glosses of characters, but it's just a pilot, so it's OK to serve as an introduction. Matthew Perry, Amanda Peet, Brad Whitford, Timothy Busfield are all perfectly cast and show new range. Can't wait for the season to get going.

I will forever be mad that NCB cancelled this show. Studio 60 is the perfect example of a show that would've thrived on a streaming service, sadly it was ahead of its time. Is it perfect, no. Is it Sorkin's best, no (but that is a tall ask), but it is a million times better than the majority of shows renewed for a second season and deserved better. The pilot episode and the Christmas episode are two of the finest hours of television ever made. It is my second favourite of Sorkin's shows and the short one season makes for excellent comfort viewing. The cast is phenomenal, so nice to see Matthew Perry in a more dramatic role, he's excellent. Bradley Whitford, Amanda Peet, Steven Webber particularly shine with Sorkin's dialogue. The main complaint I see against this show is that the sketches are not funny, and to that I say the Dateline Santa from the Christmas episode of Studio 60 was funnier than any sketch I've seen on SNL in recent years. It's a travesty this show wasn't given the chance it deserved, I believe with a second season it really would've found it's audience, but I will rewatch it forever because it's perfect to me.