Qui a assassiné les ombres?

I have never seen such a good movie, including GORA, after the legendary Turkish movie, "Eskiya", whose player is the best player in Turkish movie history, Sener Sen.

Haluk Bilginer shows his tremendous performance ability in this movie. The young shining star Beyazit Ozturk has also a good player and his acting in this movie is remarkable.

I love the scenario, which is mostly entertaining and also finish with a tragic end.

In this movie you can watch the first signals and also source of the fall of the Great Empire, Ottomans, at the first phases. This movie is a must watch with wonderful musics, acting and video quality.

Rivayetlere göre yasamis iki kisisin hüzünlü sonu.. Güzel film tadinda.

Hacivat and Karagöz is a comedy team in Turkish culture.They are usually known as all Turkish people.They acted during the first years of Ottoman Empire.Despite having many fans they were also criticizing the system of state and governors.So they were punished and killed by government.

And the movie.Ezel Akay and Levent Kazak really created a good studio for this film in my opinion.Studio looks realistic and city life looks so dynamic.Although the film is not claiming to become a comedy ,many people were waiting to laugh.This looks impossible.At least for me.All the actors made a good job.Especially Haluk Bilginer performs his best.Costumes are also fine but movie's language may be a bit hard for young people.

In short Hacivat and Karagöz Neden Öldürüldü is not a must seen film.But it is worth every penny you give and especially second 1/2 of movie is better.You can go see this movie and learn why they died?Why people who criticizes system die?

"Karagoz Hacivat Neden Olduruldu" is Akay and Kazak's take of the legendary personalities Karagoz and Hacivat who are the main characters of Turkish shadow theater. Although their life stories are not known, Akay and Kazak tell a very plausible story that could easily be true. True or not, their story fits exactly what they symbolize - the synthesis of crude and sophisticated humor freely targeting dishonesty, corruption, unfairness and inequality in society.

The setting is the early 14th century, when Byzantian and Seljuk Empires were in shambles following the destructive Mongolian invasion. At the Muslim/Christian borderlands, and out of the reach of the now weakening Mongolian power, the Ottoman State is at its infancy, rapidly expanding at the expense of the neighboring Byzantian and Turkish principalities. Since the cultural homogenization is not as fast as military conquests, a colorful, eclectic intermixing of cultures is underway. This is the perfect breeding ground for the elements Akay seems to take his inspirations from, and he weaves them into his story so masterfully.

Ezel Akay seems to reach his maturity at a very early stage. With his second movie, he already has a signature style and an efficient formula to make the audience laugh and cry with only a snap of a finger. He has absolute emotional control over the audience, thanks to his masterful use of visuals and music.

He also owes a lot to Haluk Bilginer (Karagoz), who is an acting genius. (His talents seem to include Mongolian throat singing if my ears did not deceive me). Beyazit Öztürk (Hacivat) is not as talented an actor, but he is the wisest choice for the role. Another good casting is Güven Kirac as the villain. He has such a wide acting range, he gave me the impression that he could have played almost all the roles in the movie.

Like Akay's earlier movie 'Neredesin Firuze', the music is outstanding - Central Asian Turko-Mongolian tunes yet to be "contaminated" by Middle Eastern influences, beginning to clash with already eclectic Eastern Roman-Judaic melodies. The dynamic synthetic nature of the music parallels with the cultural synthesis what early Ottoman state and society building is all about.

With its plot, actors, and artistic direction, there is no doubt that this movie is the best of Turkish cinema. The historical background is well studied, surveyed and depicted with a whimsical style. A true expression of the 13th Century Anatolia with its turmoil in the region is illustrated with fantastic humor and warm acting.

Although the movie does not claim to be a pure comedy, with its wit, satire, and critical humor, it is also one of the best Turkish comedies.

The most powerful part of the movie are the dialogs between the main characters "Hacivat" and "Karagoz" who are now the lead characters of Turkish traditional shadow play. Their lives unknown, they are remembered to be two contrasting characters, one of which coming from the educated class, and the other from the nomadic illiterate tribes.

Despite its historical setting, the story is still valid today considering the political setting in the world and freedom of speech.