Cherry Crush

Very impressive! I thoroughly enjoyed Cherry Crush. It held my attention throughout and really picked up the pace at the end- just as a thriller should do.

I thought Jordon gave a fantastic, steely performance. I couldn't decide to root for or against him which is a exactly the sentiment you want your audience to feel in this kind of film. In addition to supplying a solid dose of climatic suspense, Cherry Crush was absolutely stunning to watch. Kudos for the cinematography. This is the kind of movie that's so beautiful it MUST be seen on the big screen. I have recommended Cherry Crush to friends.

Nikki Reed (American Gun, Thirteen, "The O.C."), Jonathan Tucker (In the Valley of Elah, Love Comes to the Executioner, "The Black Donnellys"), and Julie Gonzalo ("Veronica Mars") come together in this indy film that has some interesting twists and fascinating characters.

There is nothing you haven't seen before in a film reminiscent of classic noirs of the 40s. People aren't who they seem to be, lying and distrust abound, and the final twist is predictable, but getting there was fun as we follow Jordan (Tucker), a rich kid, and Shay (Reed), as they do their dance, with D (Gonzalo) as the ignored friend who is called upon only when needed, and who comes through as a true friend in the end.

Not DiBella's first film, but certainly the first to get any notice. Looking for more in the future.

This movie is beautiful to look at. Rochester has been transformed into a real live movie venue but that's where the professionalism ends. The story line and characters are under developed and poorly written. Despite the voice over you never learn what dastardly deed the lead character did to turn him into a bad boy and get expelled from private school. The photos he shoots of his love interest are slick, professional and commercially beautiful but don't reveal anything more than a glam shot from a slick magazine does. I kept wanting to see some gritty, 18 year old's idea of honesty, something cutting-edge, and I never got it. I never believe that his family is pressuring him into a life he doesn't want and the women around him look an awful lot like they're from Greece, NY not some fantasy Film Noir landscape.

The entire film noir aspect of the film is only defined by the great music track. The script and visuals are in constant conflict with the premise of the murder mystery. The writing never gives the viewer enough details to provide a great ahh-ha moment at the films end.

The amused audience seemed more interested in catching their own faces and spotting Java Joe's product placement than on the quality of the story. The film looks great but just doesn't deliver.

Here's a different movie. Two murders in an understated plot without the obligatory gore and more. Hmmm....a bit of Hitchcock, but without Grant or Stewart, it relies heavily on cinematography and editing. Good idea. Cherry Crush was terrific and surprising in a number of areas. Beautifully filmed from the photo stills at the beginning to the closing shot. Of course, it didn't hurt to shoot scenes of attractive people in attractive settings. Might have been a 'ten' except..... (I can't believe we're going here).... the lead actor's neck became longer and larger as the movie progresses. OK, shallow shallow me, but you go see the movie and tell me just how distracting the neck is. If you can ignore the neck, you'll find this movie head and shoulders above the usual fare.

Not bad at all, but not quite as good as I was expecting from the comments here. Jonathan Tucker does his best Toby Maguire in this story about a privileged young photographer who gets mixed up with a girl from the wrong side of the tracks.

As I watched this movie I tried to figure out what separates it from The Crush with Alicia Silverstone or Devil in the Flesh with Rose McGowan. While not directly analogous, those movies have the same type of noir lite feeling to them. But the difference is, aside from the fact that this movie really strives for believability and has decent writing, that those movies had lead actresses that really crackled on screen. I mean, you knew you were going to be seeing more of Alicia Silverstone after The Crush, or at least you should be.

Not so with Nikki Reed. She does a nice enough job and there's a restrained quality to her performance--to this whole movie really--that works well. (Too often this type of movie veers toward gushy melodrama and Cherry Crush manages to rein that in.) But again, Ms. Reed is not a show stopper. In fact, I found myself more interested in Julie Gonzalo on screen, even though she's got the boring, goody two shoes role.

What's worse is that there's no real chemistry between Reed and Tucker.

With that said, this movie has some nice touches. The high school seems especially real. The idea of being privileged is handled with respect, not given a superficial treatment. The second half of the movie becomes more involving than you expect and the ending is believable.

Overall, I liked it. But I wouldn't be surprised if I see it in the video store soon. It's better than some USA movie, but it's not quite ready for movie theaters either.