La Cité interdite

I had the pleasure of seeing this film with special personal appearances by Zhang Yimou and Gong Li... I have to say I was blown away by it! I was not expecting a story with such depth...The cinematography, the art direction, and the sheer enormity of the visuals were staggering. Great sword work... exquisite wire sequences... and HUGE battles - but all done with an intensity that's stunning. And even more, the acting was superb - Chow Yung Fat is a master, and his scenes together with Gong Li are beautifully emotional. Gong Li is more beautiful than ever in a role that demands huge range from the first scene and never lets up... She does her best work ever! I have nothing but praise for this film. I can't wait to see it again.

Me and my girlfriend watched this in Guangzhou, China. It isn't exactly a feel-good movie..

It's hard to describe what this film does, without spoiling the movie. And that structure is it's strength. Suffice to say, this is a very strongly woven movie, a movie where direction and production are the stars.

And that is also "Curse of the golden flower"'s weakness. This is, after all, a movie. Moviegoers are used to seeing the full spectrum of a movie; varied scenery and ambiance, multiple stories, realistic characters, a realistic society portrait, and so on. Certainly, this movie has strong characters, but like the imperial court setting, they are puppets. They never change their directions, they are forced to play the drama. Most of the action happens on the same 3-4 scenes, with the same characters. Like an opera; stereotypic, but intensely dramatic and glorious.

That said, this movie had an effect on me, and as mentioned, it is very well crafted. Without a doubt, it shows Yimou Zhang's skills in his profession, and I do recommend it. But don't expect a "movie" in the classical sense, expect Greek tragedy or opera-style drama.

Despite the millions of chrysanthemum flowers, ten thousand soldiers and three prominent male cast (Chow Yun Fatt, Jay Chou and Liu Ye), one thing will capture your attention. Make that two.

Gong Li and her titillating assets have almost overshadowed everything else in the movie. While it may not be historically accurate for 10th Century Tang Dynasty palace females to dress so scantily, director Zhang Yimou obviously wants to make a stylistic statement right from the opening scene.

His play with colours was apparent from Hero. Curse of the Golden Flowers presents a kaleidoscope in its grandeur palace setting and elaborate costumes. The final fighting scene lead by Prince Jai (Jay Chou playing Jay?) the prince with golden armored warriors trampling over chrysanthemum is nothing short of impressive.

Jay Chou had a difficult time playing Prince Jai, which required more complexity than a cool rider in Initial D. While emotional scenes with Gong Li drew some laughter from the audience, his final scene was noteworthy and articulation has improved.

Kudos goes to Chow Yun Fatt and Gong Li. Chow has improved on his accent tremendously (which was very strange in Crouching Tiger) and portrayed the Emperor with magnitude and hysterical outrage. Look out for the scene as the usually mild mannered Chow punishes his son with both rising temper and hair.

While the film obviously banks on Gong Li's bosoms, they shouldn't distract audience from her exceptional acting. It may be over-the-top at times, but she shows that nobody else can play this vengeful and solitary empress better than her. At this moment, she is the queen of the Chinese cinema.

The story of betrayal, illicit affairs, chilled relations and dysfunctional families may be run on the mill and overdone. Drawing parallels with The Banquet by Zhang Ziyi is inevitable. Both are about an obsessed empress who craves for a relationship with the prince (Interestingly, both well-known for playing gay roles) and demands for more power from the emperor.

Curse of the Golden Flower is not just soap drama but a period epic to impress with colours, opulence and sheer indulgence.

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This is a highly charged docudrama epic, instead of the gladiator/hero-ish action flick its marketing led people to believe. With that said, this is a very gripping film, almost to the point of eerie realism, for those of us who are familiar with ancient royal family politics. Betrayal, back-stabbing, assassination, adultery, family tragedy,... everything that could go wrong in the the royal court happened, and were woven in a way that made the complicated plot that much more involving. More than once, I felt real tangible emotions as events with each character/turning point deepens the tragedy. The one aspect I don't like was the intensity of this film... its almost like watching films the likes of Saving Private Ryan... more like a stressful experience than simple entertainment.

However, if you go in expecting extravagant sword fights, kung-fu, battles, you are going to be disappointed.

Chinese filmmakers have a double curse. They have this tradition where individuals only matter in context, so when there is a spat between a man and his wife, it can only be illustrated in large sweeps of society. This is compounded by the ability to marshal (real, human) extras and extravagant sets on a scale unmatchable anywhere else.

I liked this filmmaker's earlier projects. "To Live" really was able to show the inside of a man by mapping it to lurches and sweeps in the world around him. "Daggers" was at least a masterpiece of ballet. And "Hero," probably my favorite, was the most cinematic, expressing real human qualities in luxurious cinematic terms. Who can forget the spatial existence of discovered deceit in the flickering flames in front of the throne?

This is a wholly different formula in how the internals of a family sweep into the environment. The setup is an extraordinary web of relationships between two families. Some commentors think this is drawn from soap opera, but I think they have a common ancestor instead. This is Greek, and though on daytime TeeVee you will get similar relationship complexities, they will have their tethers to the cosmos broken. They will be single souls adrift in the world.

These are souls that command the world, apparently. It could have worked.

Why it didn't I think is because the filmmaker decided to root himself in the magisterial. It probably was influenced by the fact that he is a former lover of the female star and there are some reflections between that situation and what we see. Its "Annie Hall" with flying ninjas instead of lobsters. Breasts instead of the swirling of engagement. Narrative mistrust where Woody had open exploration and experimentation. Diane and Woody were in a place, a city that colored them. These characters here ARE the city.

Ted's Evaluation -- 2 of 3: Has some interesting elements.