Nouvelle cuisine

Not exactly a horror film, but definitely not for the squeamish. Dumplings follows the tale of a Hong Kong dumpling maker and a TV actress who feels past her prime (her husband is having an affair with a younger woman). Dumpling maker Aunt Mei has a secret formula that can restore youth and extend life. The audience is gradually let in on the secret ingredient and the details grow more and more gruesomely explicit as Aunt Mei maintains her cheerfully glamorous housewife demeanour. When you know this is a really sick movie, the director piles it on thicker and thicker, casually filtering in lurid details amid a beautiful montage. OK, you've been warned. The description above should tell you whether you want to stay away or make a beeline for the next showing.

The exquisite cinematography (and much of the resulting elegant and sophisticated look of the film) can be attributed to Christopher Doyle, whose work includes such visually stunning gems as 2046, Infernal Affairs, The Quiet American, and In the Mood for Love. Dumplings might be in poor taste, but it is served up with delicacy and finesse, and with much of its 'horror' deriving from the believability of the basic plot.

As you come out of the cinema, other members of the audience may look at you as if you are the most depraved person in the world for sitting through 90 minutes of such stuff, so just remember they did too . . .

Now this is my least favorite segment in "Three Extremes", but seeing how the it's a lot longer than the short segment made me enjoy it a lot more. Now some horror movies are better left with some of the mystery surrounding it and is better left with leaving some stuff out. I personally think that wasn't the case for this film, although I thought some of the stuff in this extended version would have been better if left out, majority of the stuff is a real plus. A lot of the dialogue is interesting that was left out in "Three Extremes", and makes you think about women and there struggle to look young. The film also deals with the one child policy in China and questions how far would someone people go in order to look young. The cinematography was good and it's a well acted, well paced film with a pretty good horror plot. I wasn't so sure about the extended version, but glad it came about. It's a engrossing and disturbing yet interesting while having other elements that will keep most horror fans pleased.

7.6/10

Some people enjoy a more diverse diet than others but diversity has its lines in the sand too and, while it's not uncommon (although still rare) to consume a new-born's afterbirth (apparently), in order to get to that position in the first instance there are those who might explore less palatable hors d'oeuvres - as we find in this disturbing exhibit.

"Dumplings" tells the tale of a former doctor, who operates a dumpling shop from her home with a secret youth creating ingredient. A former actress, past her prime seeks out this special food created by Aunt Mei in order to attract her adulterous husband's attention. Fruit Chan makes no attempt to imply or hide the secret ingredient from the audience, but rather lays out the premise from the beginning, while increasing the graphic details throughout the film. This film explores some disturbingly probable themes, especially how far people will go to reclaim their youth, and the emphasis society places on looking young. He manages to explore the repercussions of this quest for youth, while still leaving some details up to the interpretation of the viewer. The film is exquisitely shot, with some amazing angles and close-ups surrounded by beautiful cinematography, and set design. He manages to bring the viewer into the world of the characters making the theme all the more real and disturbing. Fruit Chan accomplishes this realism by juxtaposing Aunt Mei's blunt and complacent attitude with Mrs. Li's deterioration into desperation. Definitely not for the squeamish, or easily disturbed. To some this topic will be upsetting. However, for those who like something a little different, or fans of such directors as takashi miike or chan wook park, you will love it. I enjoyed it thoroughly.

Sometimes you see a movie where (factual content and (emotional)effect are strongly in opposition to each other. For example, in 'Pulp Fiction' the content includes a lot of random and 'accidental' violence, even against totally innocent people, but the way it is portrayed prevents you from taking it seriously. It is like the violence in a cartoon such as 'Tom and Jerry'. It provokes laughter rather than disgust.

Dumplings is such a movie. It portrays a young (sort of) woman: 'aunt' Mei, who earns her living making dumplings that rejuvenate the eater, effectively giving him or her eternal youth, as long as they are regularly eaten. Now the catch is in the 'special ingredient'. I won't reveal what this secret ingredient is (although it becomes clear very early in the movie) but it is one of the sickest ingredients that I have ever seen, read about or heard of. The unique feature of this movie is that it is able to utilize this horrible element without becoming a movie that is either simply disgusting (like 'Braindead') or slapstick (such as 'Ichi the Killer'). On the contrary, it is actually a quite funny story about the interaction between Mei and her clients and about their increasing dependence on her dumplings.

But what makes the movie really worth it ( to me, at least) is social commentary that it includes. The real issue is not the 'special ingredient' of the dumplings, but the fact that people are so desperate for 'youth' that they're willing to do everything for it. In a society totally focused on the external norms (like wealth, beauty, and appearance) it is no surprise that the internal norms (like law, morals and compassion), atrophy and get discarded like a snake discards his old skin. This externalization of norms, however, is not criticized or punished, but rather advocated (by the film, not necessarily by its maker) as natural and acceptable, indeed inevitable. It is this highly subversive and thought-provoking element of the film that makes it truly worthwhile.