Ex Machina
Un jeune programmeur est sélectionné pour participer à une expérience novatrice d'intelligence synthétique en évaluant les qualités humaines d'un humanoïde doté d'intelligence artificielle à... Tout lireUn jeune programmeur est sélectionné pour participer à une expérience novatrice d'intelligence synthétique en évaluant les qualités humaines d'un humanoïde doté d'intelligence artificielle à couper le souffle.Un jeune programmeur est sélectionné pour participer à une expérience novatrice d'intelligence synthétique en évaluant les qualités humaines d'un humanoïde doté d'intelligence artificielle à couper le souffle.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 74 victoires et 162 nominations au total
- Jasmine
- (as Symara Templeman)
- Amber
- (as Lina Alminas)
- Office Worker
- (non crédité)
- Office Worker
- (non crédité)
- Office Manager
- (non crédité)
Résumé
Avis à la une
The story is a modern telling of Bluebeard's Castle as the correct version of Beauty and the Beast. In other words, it seems to be about impotence. Except that this is geek love, love at an impossible distance, that is eroticism. And the movie itself tells you all you need to know about eros.
The insight. Ex Machina is ostensibly about Turing's Test, the thesis that a machine might be so human as to fool a human being. Does Ava pass this test? Depends on how you perceive the test. Ex Machina actually implies a more relevant Test: could a machine seem so human as to make the human being inteacting with it come to believe that he himself is a machine?
And the insight? It might be that the solution to the AI/human interface may not involve the humanising of robots, but the robotisation of humans.
Only 8/10 because it is not clear that this insight was actually part of the plot. But whether you find eros or AI in this movie, you will have a rewarding journey.
Le saviez-vous
- AnecdotesThe location of the house in the movie is the Juvet Landscape Hotel in Norway.
- GaffesWhen Ava and Kyoko meet in the corridor, there are masks on the wall. At the end of the scene, the masks are gone. Correction: The camera angle is not a reverse shot along the same corridor with the masks. The camera has moved to where Kyoto is standing, turned 90 degrees right and is looking down the corridor she came from. When Nathan finds them, he is looking from the other end of the corridor where Kyoto came from.
- Citations
Nathan: One day the AIs are going to look back on us the same way we look at fossil skeletons on the plains of Africa. An upright ape living in dust with crude language and tools, all set for extinction.
Caleb: I am become Death, the destroyer of worlds.
Nathan: There you go again, Mr. Quotable.
Caleb: There you go again. It's not my quote. It's what Oppenheimer said after he made...
Nathan, Caleb: ...the atomic bomb.
Nathan: Yeah, I know what it is, dude.
- Crédits fousThe end credits starts with a single dot in the background which then grows and various patterns emerge from it.
- Versions alternativesThe alternatively censored cut released in China featured frequent blurs of nudity and, on occasion, violence. One scene towards the end also seemed to be zoomed for no apparent reason.
- ConnexionsFeatured in Film '72: Épisode #44.2 (2015)
- Bandes originalesSchubert Piano Sonata No.21 in B Flat Major, D.960
Composed by Franz Schubert
Performed by Alfred Brendel
Courtesy of Decca
Under license from Universal Music Operations Limited
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Ex Máquina
- Lieux de tournage
- Juvet Landscape Hotel, Alstad, Valldal, Norvège(Nathan's mountain retreat)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 25 442 958 $US
- Week-end de sortie aux États-Unis et au Canada
- 237 264 $US
- 12 avr. 2015
- Montant brut mondial
- 37 394 629 $US
- Durée
- 1h 48min(108 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1