Ajouter une intrigue dans votre langueKaren, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there'... Tout lireKaren, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there's a problem. They're still alive.Karen, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there's a problem. They're still alive.
- Réalisation
- Scénario
- Casting principal
Chloë Grace Moretz
- Emma
- (as Chloe Moretz)
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If you are looking for a really scary movie, this is not the case. I am always amazed how some directors/producers thinks cliché + dark locations results in good terror movies when it is not so easy.
The plot of this movie is not too much imaginative (working kids of a mining complex in the 1900's are killed in an explosion and seeks revenge against the descendants of the mine's owner. A windows with her two girls goes to the house near the mine and you know the rest of it).
Dialogues are weak, actors are so so, no fx at all, poor characterization and just a little tension all along the movie, none really scary moment and a dull ending.
If you're looking for a light terror movies for watching in a lazy Wednesday night or with friends just for fun of watching a terror movie with your buddies, this is the right choice.
The plot of this movie is not too much imaginative (working kids of a mining complex in the 1900's are killed in an explosion and seeks revenge against the descendants of the mine's owner. A windows with her two girls goes to the house near the mine and you know the rest of it).
Dialogues are weak, actors are so so, no fx at all, poor characterization and just a little tension all along the movie, none really scary moment and a dull ending.
If you're looking for a light terror movies for watching in a lazy Wednesday night or with friends just for fun of watching a terror movie with your buddies, this is the right choice.
Wicked Little Things sets itself up to be a decently tense little thriller - but it's unimaginative execution of little kids killed in the mines back in the day just doesn't pull through. Think B grade Hallmark Horror.
Great camera work. Great set work. Great acting. The story is every cliché from the hard starting engine, the kooky locals, the 4 teenagers in the car hearing a noise outside, on up. But I think if we are honest with ourselves... it is what we want from a horror movie. The cliché haunted house.... the dark woods.
But the zombie kids... they are about as creepy as a bunch of french mimes. Ignore the fact that they look like school children in their Sunday best and not mine digging zombies, enjoy the atmosphere, watch it in the dark, and it is definitely worthwhile.
But don't look for any originality here. I mean none.
But the zombie kids... they are about as creepy as a bunch of french mimes. Ignore the fact that they look like school children in their Sunday best and not mine digging zombies, enjoy the atmosphere, watch it in the dark, and it is definitely worthwhile.
But don't look for any originality here. I mean none.
Cardone working from a Davidson script is definitely the stuff of nightmares. But not in a good way.
Having spent all of her money caring for her terminally ill spouse, recently widowed Karen Tunny (Lori Heuring) moves with her two daughters Sarah (Scout Taylor-Compton) and Emma (Chloe Moretz) to her late husband's run-down family home in rural Pennsylvania, where local legends speak of zombies who roam the woods at night.
Just seeing the names of this film's writer and director in the opening credits was enough to send shivers up my spine: Boaz Davidson is the 'genius' responsible for penning the scripts for such STV titles as Octopus 1 & 2, Spiders and Crocodile, whilst J.S. Cardone gave us the godawful 'video nasty' The Slayer and dull vampire flick The Forsaken. With such dubious talent responsible, I didn't expect much from Wicked Little things.
And having just finished the film, I'm glad I kept my expectations low.
Although the movie looks good at times, with lovely use of the eerie woodland locale, and the cast give reasonable performances given the clichéd drivel that they are working with, the plot is so laboured, poorly written, and derivative that it's impossible to be enthusiastic about. Most importantly, perhaps, the film's killers, undead children who rise each night from the mine in which they died, aren't in the least bit scary, a smudge of makeup, black contacts and some crappy joke shop scars doing very little to add to the sense of menace. Scout Taylor-Compton and company do their best to look afraid of the tiny terrors, screaming convincingly with every confrontation, but their admirable attempts to instill a sense of fear in the audience is to little avail: the little blighters just ain't got what it takes to chill the blood.
There are a few lacklustre zombie chow scenes in a futile bid to win over gore-hounds, and the final kill, which sees the victim's blood drench both Compton and Heuring, is suitably tasteless, but on the whole, Wicked Little Things (AKA Zombies in the UK) is instantly forgettable trash—just another clunker in the filmographies of Cardone and Davidson.
Just seeing the names of this film's writer and director in the opening credits was enough to send shivers up my spine: Boaz Davidson is the 'genius' responsible for penning the scripts for such STV titles as Octopus 1 & 2, Spiders and Crocodile, whilst J.S. Cardone gave us the godawful 'video nasty' The Slayer and dull vampire flick The Forsaken. With such dubious talent responsible, I didn't expect much from Wicked Little things.
And having just finished the film, I'm glad I kept my expectations low.
Although the movie looks good at times, with lovely use of the eerie woodland locale, and the cast give reasonable performances given the clichéd drivel that they are working with, the plot is so laboured, poorly written, and derivative that it's impossible to be enthusiastic about. Most importantly, perhaps, the film's killers, undead children who rise each night from the mine in which they died, aren't in the least bit scary, a smudge of makeup, black contacts and some crappy joke shop scars doing very little to add to the sense of menace. Scout Taylor-Compton and company do their best to look afraid of the tiny terrors, screaming convincingly with every confrontation, but their admirable attempts to instill a sense of fear in the audience is to little avail: the little blighters just ain't got what it takes to chill the blood.
There are a few lacklustre zombie chow scenes in a futile bid to win over gore-hounds, and the final kill, which sees the victim's blood drench both Compton and Heuring, is suitably tasteless, but on the whole, Wicked Little Things (AKA Zombies in the UK) is instantly forgettable trash—just another clunker in the filmographies of Cardone and Davidson.
This is definitely the biggest surprise of the festival so far and without a doubt the best the festival has had to offer. I went into this film with little to no expectations after learning that the director was responsible for the awful vampire flick The Forsaken. and I left pleasantly surprised. The film stars Lori heuring of In Crowd fame as a young mother whose husband has just passed. She moves into an old family home in the mountains with her two daughters next to a mine that is a gravesite to overworked children back in the day. Unlucky for them the children return with a vengeance killing and eating everyone in their path. The film works on many levels. It's well done, suspenseful, it has spots of good cinematography and capable performances by Compton especially. The atmosphere is spooky yet slightly underwhelming, the score is decent and the makeup effects are gruesome and simplistic. The film keeps up a creepy and unsettling tone and the kids themselves with pale skin, torn up lips and hollow eyes are pretty scary and unrelenting. The film is original and inventive without being to artsy or complicated. I can't see this film making it into a wide release without some trimming and slight fine tuning. But they definitely have a good product on there hands and should pursue some type of theatrical distribution. However the theatre in which i saw it in was horrible. The sound was dreadfully messed up which i felt took away from the film majorly and it stopped in the middle because they couldn't center it on the screen which killed the mood a bit. All in all though it was the most satisfying of horrorfests entries maybe because it had the least expectations but nonetheless was a welcome addition to genre films.
Le saviez-vous
- AnecdotesBen Cross and Chloë Grace Moretz both starred separately in two different versions of Dark Shadows.
- GaffesThis film is set in Pennsylvania. All of the vehicles featured in this film have Pennsylvania license plates on the front and rear bumpers. In reality, all vehicles registered in the state only have one license plate and they are placed on the rear bumper.
- ConnexionsReferenced in Best Life by Brooke ASMR: My HUGE Movie Collection!!!! (2015)
- Bandes originalesCry A River
(uncredited)
Written by Deborah V. DiFonzo and Scott Schreer
Published by Freeplaymusic (BMI)
Courtesy of Freeplay Music
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- How long is Wicked Little Things?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 321 875 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 482 000 $US
- 19 nov. 2006
- Montant brut mondial
- 392 287 $US
- Durée
- 1h 34min(94 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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