Trente ans, trois générations et une vie plus tard, le cinéaste primé Ralph Arlyck retourne à San Francisco à la recherche de Sean, le garçon qui a fait l'objet de son documentaire controver... Tout lireTrente ans, trois générations et une vie plus tard, le cinéaste primé Ralph Arlyck retourne à San Francisco à la recherche de Sean, le garçon qui a fait l'objet de son documentaire controversé de 1969.Trente ans, trois générations et une vie plus tard, le cinéaste primé Ralph Arlyck retourne à San Francisco à la recherche de Sean, le garçon qui a fait l'objet de son documentaire controversé de 1969.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Avis à la une
I stumbled upon this film on Netflix while perusing the documentary section and I'm very glad I did. This was very moving and thoughtful film, the filmmaker weaves his own life story into that of the subject, who was a precocious four year old boy in the Haight Ashbury sixties and now an adult trying to figure out his own place in the world. A very quiet meditation on life, relationships, the impermanence of everything we think will last forever. It was like watching years fly by in the blink of an eye, which in a way they actually do, both beautiful and depressing. Possibly not for everyones taste but as someone who didn't live in the sixties or have anything to do with those times it was still a fascinating peak into life at the time and the people who lived during that era.
10dazzlem
I don't know if it was the mood I was in or what, but I just had a wonderful time with this movie. It's scope is epic. It covers 60 years of counter culture adventures big and small in 90 minutes. The film maker's whole life is here. The thing is decades in the making. We jump back and forth through space and time meeting a cast that runs the gambit from hero of the American Communist movement to capitalist Russian Trophy bride. FAR SUPERIOR to the similarly subjected over-hyped "Tarnation" of a few years ago. I guarantee you will like this movie. It's a great story told in a very cool way. A documentary that engages the way fictional narrative engages. This gets tossed around a lot in reviews but; It is a remarkable achievement.
Selah.
Selah.
I know we tend to rate most highly those movies we've seen most recently, but I cannot recommend _Following Sean_ too highly. Engaging, funny, brilliant, simultaneously comforting and uncomfortable, and observant, the movie asks us to confront our own lives' narratives; received wisdom about the 1960s and more recent American history; the meaning of adulthood, and a thousand other things. It made me think in a way films rarely can -- the way books more often can -- but couldn't possibly give me a headache. And as for technical elements, the editing and narration are perfect, and the granular texture of the film itself complements that of the families' stories. I actually loved _Following Sean_, and came to IMDb to look for information about whether it will ever be released as a DVD. (The message board says it'll be released as a DVD in Oct. 2006.) I rarely buy movies, but I'll buy this one.
This was a good film with some major flaws. I was drawn to the film because of its purported primary subject, depicted on the cover - Sean. I read the back-story, which serves as the premise for the new film, and assumed we'd be delving into the life of this compelling character.
While there were many satisfying tidbits throughout, we aren't introduced to 'modern-day' Sean until we're more than 20 minutes into the movie. This should serve as an indication of the film's primary flaw. Bottom line: For a film entitled, "Following Sean," we're not really given much time with the title character. We're left guessing about his true thoughts about his hippie upbringing, his parents' decision to allow him to experience said hippie culture unabated at such a young age, and many of the details of his adolescent years and early adulthood. We're given only fleeting glimpses of his parents, both in 1969 and 2005.
What the film fails to acknowledge is the basis for its own appeal - we're drawn in by that little child who is obviously in need of adequate parenting. What were his parents thinking? Why would they allow him to be filmed making references to using drugs at four years old? What sort of backlash did the film's release cause for them? Did it contribute to the breakup of their marriage? Do they wish they had done things differently? I never got the sense that the filmmaker got close enough to his subjects to truly answer any of these questions. Instead, we're given updates on Arlyck's life since the original film's release - almost in slideshow form at some points. It felt, at times, like getting a family update letter that had arrived at the wrong address. You take it all in on a curious level, while all the while realizing it wasn't really meant for your eyes.
We're also not given enough of the 15 minute original short. If we had known our subject, his parents, and even the filmmaker a little better, we could have invested in the updates on a deeper level.
That said, the film is nicely shot, and contains a great soundtrack. Its strongest suit is its title character. I only wish we'd gotten to know him a little better.
While there were many satisfying tidbits throughout, we aren't introduced to 'modern-day' Sean until we're more than 20 minutes into the movie. This should serve as an indication of the film's primary flaw. Bottom line: For a film entitled, "Following Sean," we're not really given much time with the title character. We're left guessing about his true thoughts about his hippie upbringing, his parents' decision to allow him to experience said hippie culture unabated at such a young age, and many of the details of his adolescent years and early adulthood. We're given only fleeting glimpses of his parents, both in 1969 and 2005.
What the film fails to acknowledge is the basis for its own appeal - we're drawn in by that little child who is obviously in need of adequate parenting. What were his parents thinking? Why would they allow him to be filmed making references to using drugs at four years old? What sort of backlash did the film's release cause for them? Did it contribute to the breakup of their marriage? Do they wish they had done things differently? I never got the sense that the filmmaker got close enough to his subjects to truly answer any of these questions. Instead, we're given updates on Arlyck's life since the original film's release - almost in slideshow form at some points. It felt, at times, like getting a family update letter that had arrived at the wrong address. You take it all in on a curious level, while all the while realizing it wasn't really meant for your eyes.
We're also not given enough of the 15 minute original short. If we had known our subject, his parents, and even the filmmaker a little better, we could have invested in the updates on a deeper level.
That said, the film is nicely shot, and contains a great soundtrack. Its strongest suit is its title character. I only wish we'd gotten to know him a little better.
This movie should be called following Ralph. The director/narrator does include quite a bit of Sean, but it really becomes a means to discuss himself. I don't think this is a narcissistic move as much as an attempt to make a full length documentary out of some very intriguing and very short footage of a young Sean. The documentary is based around the director's old footage which is somewhat interesting, but it stretches thin when the director tries to pull it out into a full length.
The premise is also intriguing. After seeing the footage of a young Sean I was very interested to find out who he had become as a man. And who he has become defeats expectations, not in such an uplifting way as surprising.
I love a good documentary, especially one that is a character study. But in the modern vein of Michael Moore documentaries, the filmmaker too often becomes the film, or at least the voice that tells you what to think or how to feel about the subject matter. And this documentary makes those mistakes to the point that the subject isn't exactly followed as much as it meanders. If you haven't seen all of the Maysles brothers documentaries, watch those, see how a real documentary is made... and then maybe, consider seeing this.
The premise is also intriguing. After seeing the footage of a young Sean I was very interested to find out who he had become as a man. And who he has become defeats expectations, not in such an uplifting way as surprising.
I love a good documentary, especially one that is a character study. But in the modern vein of Michael Moore documentaries, the filmmaker too often becomes the film, or at least the voice that tells you what to think or how to feel about the subject matter. And this documentary makes those mistakes to the point that the subject isn't exactly followed as much as it meanders. If you haven't seen all of the Maysles brothers documentaries, watch those, see how a real documentary is made... and then maybe, consider seeing this.
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- ConnexionsFeatures Sean (1970)
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Détails
- Durée1 heure 27 minutes
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