L'assassin professionnel Chev Chelios apprend que son rival lui a injecté un poison qui le tuera si son rythme cardiaque baisse.L'assassin professionnel Chev Chelios apprend que son rival lui a injecté un poison qui le tuera si son rythme cardiaque baisse.L'assassin professionnel Chev Chelios apprend que son rival lui a injecté un poison qui le tuera si son rythme cardiaque baisse.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
Laurent Schwaar
- Man in Garage
- (as Laurent Schwar)
Avis à la une
Fast. Hyper. Action-packed. Drug-induced. Insane. Crank is all these things, and extremely entertaining too. No doubt a movie made just for the guys, it's filled with guns, car chases, sex, random humor, nudity, Amy Smart, Pedro from Napolean Dynamite, sex, nudity, etc. The only thing missing were some hand-to-hand fight scenes that would have made this movie complete. Instead, we do get a nice confrontation where one person is armed with a butcher's knife... but I shan't spoil that one.
But yes, this is a live-action video game on the big-screen. Google Maps zooms into the next location Chev visits and on screen text gives you its name ala a video game's "next level" sequence. Chev's girlfriend thinks he is a video game programmer. The opening titles for "CRANK" are shown in the blocky, pixellated style of a 1980's Atari game. Chev is just trying to get to the boss at the end of the game.
And a tip for those of you yet to see it- STAY THROUGH THE CREDITS. It reinforces everything I just said.
But yes, this is a live-action video game on the big-screen. Google Maps zooms into the next location Chev visits and on screen text gives you its name ala a video game's "next level" sequence. Chev's girlfriend thinks he is a video game programmer. The opening titles for "CRANK" are shown in the blocky, pixellated style of a 1980's Atari game. Chev is just trying to get to the boss at the end of the game.
And a tip for those of you yet to see it- STAY THROUGH THE CREDITS. It reinforces everything I just said.
Wow, this is surprisingly excellent. I mean, it's crap, but it's good crap, and that's worth a lot. The premise is basically Speed meets D.O.A. (the 1950 movie starring Edward O'Brien). Jason Statham (of the Transporter movies) is a hit-man who has a lethal Chinese poison coursing through his veins. If he slows down, if his adrenaline level drops, he drops dead. In his last moments, he rushes to find his killer and others responsible, snatching as many energy drinks and drugs as he can get his hands on along the way. This is some fun stuff, and hilarious, too. The editing is the MTV-style of many modern action movies, so avoid it if you can't stand that. I hope the directors, who also wrote the script, succeed even more so in the future.
This is my first review and I've been reluctant to write one because I don't really think anyone will read it... but here it goes.
Crank is fun, really fun. In the way of Snatch and Lock, Stock, and Two Smoking Barrels (kind of) it's got its violence and action tossed into a mountain of humor. The writers (and directors) took these three things, tossed them into a movie blender, put the blender on puree, and came out with this movie.
The directors (and writers) did some visually awesome things with this film. People on the other side of phone calls appear on walls, rear-view mirrors, and other things. Random words from a person's dialogue appear on screen along with their part of speech in parenthesis afterwards (ep-i-neph-rine (n), man). This visual style I have declared... accidytrip-o-vision.
Other movies with accidytrip-o-vision: Easy Rider and A Scanner Darkly.
In conclusion, Crank is an action-filled, blood encrusted, comedy haywire, accidytrip-o-vision, adrenaline-pumping achievement.
Kudos to Statham and the rest of the team for the new bible of popcorn flicks.
Crank is fun, really fun. In the way of Snatch and Lock, Stock, and Two Smoking Barrels (kind of) it's got its violence and action tossed into a mountain of humor. The writers (and directors) took these three things, tossed them into a movie blender, put the blender on puree, and came out with this movie.
The directors (and writers) did some visually awesome things with this film. People on the other side of phone calls appear on walls, rear-view mirrors, and other things. Random words from a person's dialogue appear on screen along with their part of speech in parenthesis afterwards (ep-i-neph-rine (n), man). This visual style I have declared... accidytrip-o-vision.
Other movies with accidytrip-o-vision: Easy Rider and A Scanner Darkly.
In conclusion, Crank is an action-filled, blood encrusted, comedy haywire, accidytrip-o-vision, adrenaline-pumping achievement.
Kudos to Statham and the rest of the team for the new bible of popcorn flicks.
The movie had my attention from the first moment, how it started and how the movie continued having my attention and forcing me to focus without passing a scene, a great acting from Jason Statham.
Such good work at all.
Such good work at all.
I walked into "Crank" with low expectations, as I do with many films. The previews made it look like it had a clever story, but I was worried that with Jason Statham playing lead, I might just get a re-hash of his "Transporter" films.
I got a pleasant surprise. From the very beginning, the film moves. And moves damn fast. Not in an obnoxious way either. In the first minutes of the film we are set up with a possible story of corruption between hit men, a botched job, and the set-up for the whole movie-- Statham's Chev Chelios being fatally poisoned with a Chinese-made serum that slows his heart rate, and will eventually literally make his heart stop, killing him. The only solution-- get the adrenaline pumping and keep his heart rate up! The whole movie is like one long action sequence, with pauses for story elements. This is the common thing now in films, but in other movies, it generally doesn't work so well. But, with the premise of "Crank" being the need for speed (Literally), the idea of all-action, little-plot actually works. And works well.
However, don't be mistaken, there is genuine plot in the film. Clever stories about the pasts and workings of crime-lords and their cronies, and how they all relate to Chelios. Some of it went over my head because of the constant action, but I was able to understand everything enough to enjoy the film.
The direction and editing is something I want to talk about briefly before I wrap this up. For a film like this, one would expect flashy camera work and crazy fast cutting, but I must say, the director/writer and the editor went beyond the call of duty. The film is shot as though the cameraman himself was the one who was poisoned, with the camera flashing and moving around nearly constantly, only settling during the slow scenes. Quite a genius use of camera-work to emulate the story. And the editing certainly adds a lot to the already excellent camera work. We get cutting when necessary and when not necessary, to further illustrate the needs of the main character.
Overall, I would say "Crank" was the coolest movie I've seen in the last several years, leaps and bounds beyond the standard Hollywood action flick. I would recommend to any action-fan or adrenaline junkie, because take it from me, this film is the ultimate rush!
I got a pleasant surprise. From the very beginning, the film moves. And moves damn fast. Not in an obnoxious way either. In the first minutes of the film we are set up with a possible story of corruption between hit men, a botched job, and the set-up for the whole movie-- Statham's Chev Chelios being fatally poisoned with a Chinese-made serum that slows his heart rate, and will eventually literally make his heart stop, killing him. The only solution-- get the adrenaline pumping and keep his heart rate up! The whole movie is like one long action sequence, with pauses for story elements. This is the common thing now in films, but in other movies, it generally doesn't work so well. But, with the premise of "Crank" being the need for speed (Literally), the idea of all-action, little-plot actually works. And works well.
However, don't be mistaken, there is genuine plot in the film. Clever stories about the pasts and workings of crime-lords and their cronies, and how they all relate to Chelios. Some of it went over my head because of the constant action, but I was able to understand everything enough to enjoy the film.
The direction and editing is something I want to talk about briefly before I wrap this up. For a film like this, one would expect flashy camera work and crazy fast cutting, but I must say, the director/writer and the editor went beyond the call of duty. The film is shot as though the cameraman himself was the one who was poisoned, with the camera flashing and moving around nearly constantly, only settling during the slow scenes. Quite a genius use of camera-work to emulate the story. And the editing certainly adds a lot to the already excellent camera work. We get cutting when necessary and when not necessary, to further illustrate the needs of the main character.
Overall, I would say "Crank" was the coolest movie I've seen in the last several years, leaps and bounds beyond the standard Hollywood action flick. I would recommend to any action-fan or adrenaline junkie, because take it from me, this film is the ultimate rush!
Le saviez-vous
- AnecdotesJason Statham did all of his own fight and car stunts.
- GaffesThroughout the movie, references to "Chinese" items and characters are continually made. "Don Kim" is said to be Chinese though Kim is traditionally a Korean name. In the "Chinatown" section of the movie, when the school girls are interviewed for the news, they are speaking Korean. Also in the warehouse the workers also speak Korean. A hint that this is a purposeful "mistake" by the director/writer is made when, in the hospital, a page is heard calling for anyone who can speak Korean.
- Citations
Chev Chelios: I'm looking for something that starts with E.
Pharmacist: England?
- Crédits fousAt the very end of the credits, we see "Crank" as if it was a retro video game. Chev shoots two henchmen, then he takes a needle containing drugs and goes into RAMPAGE mode and runs fast. He runs into another henchman who injects him with "The Bejing Cocktail", the camera zooms in on Chev's heart which explodes and blood splatters on the screen. And the words "Game Over" appears on the screen.
- Versions alternativesGerman FSK-16 version is cut for violence (97 seconds). Uncut version is rated "Not under 18".
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #18.105 (2010)
- Bandes originalesBring Us Bullets
Written by John Reis, Jason Crane, Paul O'Beirne, Petey X. (as Peter Reichert), Mario Rubalcaba
Performed by Rocket from the Crypt
Courtesy of Vagrant Records LLC under license from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Muerte anunciada
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 27 838 408 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 457 367 $US
- 3 sept. 2006
- Montant brut mondial
- 42 931 041 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
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