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IMDbPro

Prête-moi ta main

  • 2006
  • Tous publics
  • 1h 30min
NOTE IMDb
6,7/10
6,8 k
MA NOTE
Charlotte Gainsbourg and Alain Chabat in Prête-moi ta main (2006)
ComédieRomance

Luis, 43 ans, célibataire, décide d'embaucher une femme pour que sa mère et ses cinq sœurs arrêtent de s'occuper de sa vie sentimentale. Emma doit jouer la comédie jusqu'à leur faux mariage ... Tout lireLuis, 43 ans, célibataire, décide d'embaucher une femme pour que sa mère et ses cinq sœurs arrêtent de s'occuper de sa vie sentimentale. Emma doit jouer la comédie jusqu'à leur faux mariage et disparaître le moment venu.Luis, 43 ans, célibataire, décide d'embaucher une femme pour que sa mère et ses cinq sœurs arrêtent de s'occuper de sa vie sentimentale. Emma doit jouer la comédie jusqu'à leur faux mariage et disparaître le moment venu.

  • Réalisation
    • Éric Lartigau
  • Scénario
    • Alain Chabat
    • Philippe Mechelen
    • Laurent Tirard
  • Casting principal
    • Alain Chabat
    • Charlotte Gainsbourg
    • Bernadette Lafont
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    6,8 k
    MA NOTE
    • Réalisation
      • Éric Lartigau
    • Scénario
      • Alain Chabat
      • Philippe Mechelen
      • Laurent Tirard
    • Casting principal
      • Alain Chabat
      • Charlotte Gainsbourg
      • Bernadette Lafont
    • 17avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 4 nominations au total

    Photos7

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    Rôles principaux51

    Modifier
    Alain Chabat
    Alain Chabat
    • Luis Costa
    Charlotte Gainsbourg
    Charlotte Gainsbourg
    • Emma
    Bernadette Lafont
    Bernadette Lafont
    • Geneviève Costa
    Wladimir Yordanoff
    Wladimir Yordanoff
    • Francis Bertoff
    Grégoire Oestermann
    Grégoire Oestermann
    • Pierre-Yves
    Véronique Barrault
    • Catherine
    Marie-Armelle Deguy
    • Axelle
    Katia Lewkowicz
    • Carole
    Louise Monot
    Louise Monot
    • Maxine
    Luce Mouchel
    • Marie
    Christiane Millet
    Christiane Millet
    • Françoise Messier-Lalande
    Aïssa Maïga
    Aïssa Maïga
    • Kirsten Hansen
    Tatiana Gousseff
    Tatiana Gousseff
    • Francine Lebrun
    Alix de Konopka
    Alix de Konopka
    • Sandrine Philippi ex-Bourrague
    Eric Debrosse
    Eric Debrosse
    • Beau-frère 1
    Fred Bianconi
    Fred Bianconi
    • Beau-frère 2
    Christophe Kourotchkine
    • Gaël
    Virginie Bordes
    Virginie Bordes
    • Annick, la serveuse
    • Réalisation
      • Éric Lartigau
    • Scénario
      • Alain Chabat
      • Philippe Mechelen
      • Laurent Tirard
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs17

    6,76.8K
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    Avis à la une

    8peru1-595-630106

    Comedy farce reluctant bachelor snared by his emotions.

    First this movie (with its ending) is a formula comedy romance but well done. European movies often take a standard American fare (Doris Day Phone Game or Emails) and add 15 IQ points and stretch it out in a way that leaves you guessing a little---which over all is a much more satisfying experience. Europeans are also a little more cynical and the Hollywood moral nanny= never can a bad guy get away is not a wall they won't cross.

    The ending seals this as stock kitsch/comedy but getting there had a lot of twists and good writer(s). I didn't find the main actor so great as the other reviewers did---he is too clownish rather repelling looking. One of my great puzzlements is why the French for less than handsome actors?? If you speak French the shocking bad language of the female actor makes it especially funny.

    It so much the luck of the draw--I have Netflix streaming and they don't have most of the famous or popular titles...it is always a gamble. This one paid off.

    If you want another good comedy try Mid August Lunch. It is totally unique and much better---or The Big Picture (in US) by this same director which is much better than this film. Well much higher production values and thriller story I like.

    RECOMMEND
    8rodris08

    Good movie!

    "I Do: How to Get Married and Stay Single" is an extremely funny film. I really enjoyed watching a family try to control a 43 year-old's life. It seems to be such a foreign idea that a family would go through such extremes but makes for a great movie. I also enjoyed seeing how the director and scene writers decided to make the main character use his heartbreaks as encouragement for a career. The fact that he was able to channel those feelings into making perfumes that reminded him of the women who broke is hear was incredible.

    The director in this movie, Eric Lartigau, brought his skills from working not only as a director but also as a former co-writer, assistant director, and actor to this movie. Though he was more involved with directing TV series, his knowledge brought him great success in this movie. Following this film, he continued with his career and got nominated for a Cesar Award as Best Adapted Screenplay for the movie "The Big Picture."

    This movie brings up the involvement family members have in each other lives as well as the extremes people go through for their families to back off. These ideas seem to be the most interesting because they are working against each other. On one hand, Luis (the main character) is trying to get his nagging sisters and mother off of his back in finding a wife because they are just annoying him while all they want is for him to have a wife to be happy and do things for him. It is a bit of a Catch 22 because you want your family to be happy, but at what expense? Will you nag them to death because you think it is best for them? Hopefully not.

    The setting of this movie was very modern. It gives the audience a great full view of their lives. It made the movie more believable and realistic by having such a broad and diverse setting throughout the film. It shows multiple sections of the office wear Luis works as well as his house, mother's house, etc. I also think Lartigau did a wonderful job in directing. He also got the actors feel believable. By the end of the movie, you feel a sense of a connection with each person. You feel exactly how they do and grow a sense of respect for each character.
    6Balthazar-5

    Gainsbourg grates

    I love romantic comedies. I love French cinema. Charlotte Gainsbourg was fine in Claude Miller's La Petite Voleuse. But since then, her charmless personality seems to be the death-knell for everything she touches.

    This is a theoretically fun movie, in which a middle-aged guy tries to get one over on his domineering family. And, being a romantic comedy, we know the way it's going to go. But Gainsbourg seems so affected as the hired-in fiancée, and so emotionally wooden, that even if she had the 'nichons' that her partner would have preferred (as I would), it is doubtful that she would have saved this forlorn if not totally lost film.
    7wonjoomin

    A Pleasant Surprise in Waiting

    Didn't know anything about the movie before watching and I think it was the "no expectation" factor that helped me endure at first and later like it more than I anticipated.

    The setting was interesting, strange but interesting. The storyline had gaps/jumps that I think throws the audience off a bit. There's no great soundtrack playing in the background, creating the "romantic" ambiance. BUT they all didn't matter.

    The chemistry between Emma and Luis was simply exquisite. There was some inexplicable strange chemistry that I couldn't resist; I fell in love with it and here I am, writing this review. The subtle love portrayal by the two actors was superb, and I believe, that is the core of this movie.

    This movie is not an everyday romantic comedy; in fact, not all of us will appreciate it. I had to sit a while and then slowly began to comprehend the little things I didn't catch at first. I cannot guarantee everyone will like it, but I hope YOU do.
    10alistairp-1

    Packed full of five star performances and brimming over with laughter

    From the opening shots of the lead actor, we are given a early view on how so many mens lives are run by the women in them, and the humour that comes thru with all that goes on in the day to day of 'normal' life.

    Eric Lartigau, the director picks up on how so many European men feel that they are in complete control of their lives, yet without the help/support of the women around them cannot seem to make things work. The use of facial image throughout the film is superb, and his clever positioning of the senior member of the family (mother) is spot on.

    While there are more than enough laughs in the movie, it still deals with single parents/adoption and the strength of family in society. Truly rewarding to watch, and again one that only the French seam capable to make.

    So far one of the best 50 or so Films I have seen this year, and well worth a five start rating. I look forward to adding this one to the DVD collection when it is released and highly recommend it to all ages.

    Centres d’intérêt connexes

    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      In the scene where Emmanuelle is in the kitchen with Luis' sisters cutting the coriander, one of them corrects the way she is wearing her dress. They adjust it so it becomes off the shoulder on one side. The scene cuts to Luis and as soon as it cuts back her dress is back to being on both shoulders.
    • Connexions
      Referenced in La femme invisible, d'après une histoire vraie (2009)
    • Bandes originales
      Gimme Gimme Gimme (A Man After Midnight)
      Written by Benny Andersson and Björn Ulvaeus

      Performed by ABBA

    Meilleurs choix

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    FAQ17

    • How long is I Do: How to Get Married and Stay Single?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 novembre 2006 (France)
    • Pays d’origine
      • France
    • Site officiel
      • Mars Distribution (France)
    • Langue
      • Français
    • Aussi connu sous le nom de
      • L'amour est un bouquet de violettes
    • Lieux de tournage
      • Pantin, Seine-Saint-Denis, France
    • Sociétés de production
      • Chez Wam
      • StudioCanal
      • Script Associés
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 8 900 000 € (estimé)
    • Montant brut mondial
      • 30 178 449 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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