The Gray Man

This is a very well made biography of the 1920-30's serial killer Albert Fish. I thought the set designers did a fabulous job with the period rooming houses, abandoned farms, and even the detectives police station. This is not a glossy MGM or Warner Brothers expensive film production about a fictionalized serial killer. Instead the director, Scott L. Flynn, developed the story line to provide us his film's audience with what it must have been like to live in the 1920-30's with a deranged child molester and serial killer on the loose.

The film maintains a historical value to it by outlining the known crimes and murders committed by Albert Fish without glorifying his crimes with any sexual deviancy nor with much violence and/or excessive blood letting since Albert Fish was known to be a cannibal.

It is easy to focus on the cat and mouse game between the serial killer Albert Fish (Patrick Bauchau) and the lead Detective Will King (Jack Conley) as Albert Fish seems to be unaware that he is being investigated by lead Detective Will King.

As stated earlier this is not a costly production as with (1991) The Silence of the Lambs, or (2007) Zodiac, but what the film The Gray Man does deliver is a first rate biography of the 1920-30's pedophile and serial killer Albert Fish.

I give the film a well deserved 7 out of 10 IMDb rating.

THE GRAY MAN isn't the complete story of serial-murderer Albert Fish. It's mostly about his encounter with young Grace Budd in 1928, and the ensuing horror of that case. Fish's biography, as well as his unspeakable crimes, are well documented elsewhere.

This is presented as more of a cat and mouse police procedural / drama. Patrick Bauchau is quite good as Fish, a seemingly kind, gentle old man with astoundingly vile proclivities. A first-rate psychological thriller, TGM is also a useful starting point for anyone interested in further pursuing the exploits of this very disturbed / disturbing man...

Considering that this film was supposed to tell the story about one of the most bizarre serial killers in history, it's absolutely amazing that the end result we get served is this tedious muck. Something is definitely wrong when you realize that the film you are watching easily can be labeled " a film for the whole family", a film the Hallmark channel would "proudly present." Instead of a thoroughly deep-dive into Mr. Fish's murky psyche, a proper probing into the mechanizations that drove this deranged specimen of a man, a both tell and show with the slaughter and cannibalizing of Grace Budd, what you get is a badly acted detective-story ( with film-noiresque monologue ), a lead that don't remotely look like Albert Fish, and a misplaced focus on the detective in charge. The gore is of course non-existent, and while this "tell, don't show" approach work excellently in films like The Texas Chainsaw Massacre and Dahmer, here it is sorely missed. Inexcusable. Not to mention that certain liberties is being taken in regards to what really happened.

Bottom line; if you want a scary film for the kiddies ( age 3-12 ), go for this one!! On the other hand, if you want a properly nasty horror-film about good old Albert, you better keep your fingers crossed for a director that truly have the courage to handle this dark material the way it deserves! Hopefully soon one will come along......

This movie was not exactly what I was expecting. I thought it would be a more focused character study of Albert Fish - the kidnapper/murderer/cannibalizer of young children in New York City in the late 1920's-early 1930's. That angle isn't lost here. The movie opens with a depiction of Fish as an abused child in an orphanage, giving some insight into where he developed his sado-masochistic tendencies, but really this movie focused more on the police investigation into one case - the kidnapping, murder and cannibalizing of 10 year old Grace Budd. The Budd case was the one that eventually brought Fish down, and the movie really revolved around Police Detective William King, who headed the investigation into Budd's disappearance.

Fish seems to have been one of the earliest serial killers to prey on young children. The cannibal angle makes the case even more sensational. The movie, thankfully, isn't very graphic, although the details of exactly what was done to young Grace are talked about but not depicted. What we hear is very disturbing. As far as the Budd case is concerned, the movie seems to be a pretty accurate depiction of real events, but really the Budd case is the only one looked at in any detail, even though there were several other child killings that Fish was responsible for.

Patrick Bauchau was pretty convincing as Fish. He captured the part well - the guy was someone we would all think of as crazy, and yet he was sane enough to plan things out pretty methodically. And in a lot of respects he seemed pretty normal and trustworthy - making him even more frightening. Bachau did well. I wasn't entirely taken with Jack Conley as Det. King, and I found the depiction of Grace's mother (Jillian Armanante) to be strange. She was portrayed almost as being more interested in publicity than in her daughter. That may be true (everything else in this seems pretty accurate based on what I've read so I don't know why they writers would make that upon) but it still seems pretty strange to me.

Really, this provides a glimpse into the mind and one crime of a notorious serial killer. A little more depth and insight would have been necessary to make this a truly good movie. (6/10)

A solid thriller about Albert Fish (a very fine performance by Patrick Bauchau), the real life serial killer of children in 1930's America. Fish seemed a harmless old man, but in 1934 he was arrested as the murderer of several missing children he somehow duped their families into leaving him with (using an assumed name throughout). Part character study and part detective procedural, The Gray Man wisely avoids graphic horror and sensationalism (Fish's murders, for instance, are never shown on camera), and while it is rather conventional, it is nevertheless quite chilling nonetheless and it shows a director with a very keen sense of storytelling.