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Metal: voyage au coeur de la bête

Titre original : Metal: A Headbanger's Journey
  • 2005
  • R
  • 1h 36min
NOTE IMDb
8,0/10
13 k
MA NOTE
Metal: voyage au coeur de la bête (2005)
Home Video Trailer from Warner Home Video
Lire trailer1:40
1 Video
9 photos
Music DocumentaryDocumentaryMusic

Ajouter une intrigue dans votre langueAn examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.

  • Réalisation
    • Sam Dunn
    • Scot McFadyen
    • Jessica Joy Wise
  • Scénario
    • Sam Dunn
    • Scot McFadyen
    • Jessica Joy Wise
  • Casting principal
    • Tom Araya
    • Gavin Baddeley
    • Blasphemer
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,0/10
    13 k
    MA NOTE
    • Réalisation
      • Sam Dunn
      • Scot McFadyen
      • Jessica Joy Wise
    • Scénario
      • Sam Dunn
      • Scot McFadyen
      • Jessica Joy Wise
    • Casting principal
      • Tom Araya
      • Gavin Baddeley
      • Blasphemer
    • 60avis d'utilisateurs
    • 27avis des critiques
    • 73Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos1

    Metal: A Headbanger's Journey
    Trailer 1:40
    Metal: A Headbanger's Journey

    Photos8

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    Rôles principaux69

    Modifier
    Tom Araya
    Tom Araya
    • Self
    Gavin Baddeley
    Gavin Baddeley
    • Self
    Blasphemer
    • Self
    Randy Blythe
    Randy Blythe
    • Self
    Joe Bottiglieri
    • Self
    Eric Bryan
    • Self
    Jackie Chambers
    • Self
    Monte Conner
    • Self
    Alice Cooper
    Alice Cooper
    • Self
    Denis D'Amour
    • Self
    • (as Denis 'Piggy' D'Amour)
    Pamela Des Barres
    Pamela Des Barres
    • Self
    Bruce Dickinson
    Bruce Dickinson
    • Self
    Ronnie James Dio
    Ronnie James Dio
    • Self
    Malcolm Dome
    • Self
    Rose Dyson
    • Self
    Robert Ezrin
    Robert Ezrin
    • Self
    • (as Bob Ezrin)
    George Fisher
    George Fisher
    • Self
    • (as George 'Corpsegrinder' Fisher)
    Gaahl
    • Self
    • Réalisation
      • Sam Dunn
      • Scot McFadyen
      • Jessica Joy Wise
    • Scénario
      • Sam Dunn
      • Scot McFadyen
      • Jessica Joy Wise
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs60

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    Avis à la une

    8ecatalan98

    Where is "Thrash Metal"?!?!

    METAL: A HEADBANGER'S JOURNEY is probably the best documentary EVER on the Heavy Metal scene. It encompasses virtually all of metal sub-genres like Hard Rock, Glam, Black, Power (although I have trouble with defining this sub genre in particular), death, prog and thrash. The film's mastermind, 31 year old Sam Dunn, does an excellent job dissecting the genre, from its classical and blues origins, to why the Scandinavian black metal scene is so evil. He even goes out of his way to set up a genealogical tree for metal! For the metal fan who enjoys or enjoyed some of the metal sub genres presented here, he/she will be full of ecstasy and for the uninitiated, this is a good place to start. Interviews with SLAYER, MOTLEY CRUE, EMPEROR, IRON MAIDEN, MAYHEM, DIO, BLACK SABBATH, RUSH, SLIPKNOT, KORN, ARCH ENEMY, TWISTED SISTER, etc. will only leave you wanting for more and more. There's a nice flow to the documentary and, in my humble opinion, wasn't bored in the least.

    What I didn't like too much was the fact that Sam Dunn barely talks about thrash metal. Yeah, he mentions METALLICA, MEGADETH, and there's the SLAYER interview, but this sub genre is the one that gets least mentioned (taking into account today's biggest metal band, METALLICA, arose from the thrash movement).On the other hand, black metal and death metal receive more film time. Maybe Sam Dunn wanted to leave the thrash part less explored due to the upcoming thrash documentary, "GET THRASHED", which has been in the making for at least 4 years.

    Minor complaints aside, this documentary rocks and if you're a fan of the genre you'll do no wrong in getting this essential film in your DVD library. Thrash on!!!
    7Quinoa1984

    a good subjective approach to the many strands and off-shoots of an under-looked genre of music

    Actually, to say that heavy-metal music is just a genre of music is almost insulting in some circles. As someone who's too eclectic to really be solely a metal-head, but has been in the realm of the metal world to see how it goes, I can empathize with Sam Dunn's main intention with the documentary; this music should not be seen as just some goofy, crude, offensive, or dangerous off-shoot of old-time rock n roll (not that the last one doesn't apply in one or two cases). It's to show how personal this music, and how this 'way of life' can be for a person, and how it affects personality but not necessarily in the perceived negative light. Dunn, of course, has his head totally together, which is how he can go head-to-head with metal legends &/or notorious sorts like Tony Iommi, Bruce Dickinson, Lemmy, Alice Cooper, Dee Snider, Dio and Rob Zombie (Geddy Lee is also among the big known interviewees, though it's strange to see him here when he's not really 'metal', at least in league with these guys).

    But through him and his collaborators, he is able to get inside not just the off-shoots and specifics of the world of heavy-metal. The look, the style, the attitude, the controversies both domestic (i.e. Dee Snider's battle with Tipper Gore) and foreign (a superlatively done look at the Norwegian black-metal scene, which is both tense and hilarious), the women bands in the world, and how it helps some people really get better on with life either to hear it or play it or, of course, both. Dunn's look is good if, by necessity perhaps too, too brief, as he at one point lists a kind of heavy-metal family tree of sorts- all too quickly to really see every single one- and barely scratches the surface in the 96 minute running time. Maybe there is only so much that can be covered in a feature-length film, but the subject matter serves to be even more looked into; VH1 had also done a heavy-metal documentary, and it lasted four hours. On the other hand, Dunn and his people actually do get some material here that is more precious, and more enlightening. The juxtaposition of the 'true believers' and horrors in Norways black-death-metal scene with a band like Slayer, who are bad to the bone and have fans who go toe limit, is interesting.

    It's the kind of documentary that really does work for that it's worth, but not enough of a good thing is explored for fans. Non-fans may get just enough that they can handle, a mix of the basic facts and key points (i.e. the coining of the term 'metal', the roots in the blues, the devil horns, and a look at outrageous album covers). It's good subjective film-making, though edging a little much on trying to get enough history along with the personal history.
    9Musagetes

    An insightful and respectful tour of metal's wide landscape

    I saw this film on September 22 at the Atlantic Film Festival. I was with some people who had never heard anything heavier than KISS and wouldn't know Black Sabbath from the Black Label Society. It's a mark of this film's excellence that they really enjoyed it and felt they had gained an understanding of the metal scene.

    This is no gushing fan-tribute. Well, it is in part, but I couldn't stay objective either were I given the chance to sit down with Bruce Dickinson at the Hammersmith Odeon. Seriously, it rises far above the fulfillment of a metal fan's dreams to explore many different elements of what makes metal both an enduring artform and one that remains on the fringes.

    The structure of the film follows distinct topics - Gender, Censorship, Death & Violence, and more. Each area is thoughtfully explored with comments from many musicians and some outside observers. From the calm commentary of Rob Zombie to the wry humour of Dio to the laughable minimalist interviews with Norwegian black-metal players, there's a broad range of experiences and opinions.

    This is an excellent documentary in every way.

    I knew it was going to be great when I got my first glimpse of the big chart of metal bands that correctly put KISS far away from the actual musicians. Ronnie James Dio further obliged with a running commentary on Gene Simmon's preference for money over music.

    You'll get to see and hear a lot of great bands, from the standard warhorses like Maiden, Metallica, Motorhead and Slayer to the less-mainstream stuff like Voivod.
    8rhicik-1

    Color me impressed

    I saw the film today and was mighty impressed. The film captured the buzz in the '80s when heavy metal became the biggest thing going. It was good to see Iron Maiden and Judas Priest contrasted to current bands such as Slipknot to show how the spirit of the genre is thriving. Tony Iommi, Dee Snider and Ronnie James Dio all give standout interviews with Dio's digs at Gene Simmons being especially revealing. It was also great to see '80s curiosities Accept and Quebec's own Voivod being represented. The segment contrasting the grunting, leather-clad bands such as Man O War with the lace-wearing bands such as Poison and Cinderella was unexpected and fascinating. Showing the closeted Rob Halford performing in full cruising gear for a rabid hetero audience was quite poignant. I especially like how the film stresses how the music let its fans dream, cope and find solace. Those like myself, whose interest in metal may have flagged in the intervening years would do well to view it and remind themselves what all of the fuss was about.
    8paulmartin-2

    And what a journey!

    I don't like heavy metal music; in fact I hate most heavy metal music. I loved Metal: A Headbanger's Journey. It had all the best components of a good documentary, one of the best released in a long time and a good companion piece on a par with Metallica – Some Kind of Monster.

    Co-director Sam Dunn is both a metal aficionado and a student of anthropology. He knew how and where to delve into the culture with a healthy reverence for his subject matter, but with the objectivity to examine in a way that outsiders could glean appreciation. I found it fascinating.

    In a systematic, well-structured manner, heavy metal's origins and history were examined, as was the disparity between its followers and detractors. Fans, band members and industry experts were interviewed. The questions and answers were intelligent. Historic file footage was used. The culture and its many sub-genres was analysed. The relationships between heavy metal and gender, sex, religion, Satanism and violence were all covered in a most interesting and enlightening manner.

    It was shot on location, including at various concerts, across North America, UK and Europe. I found Dee Snider of Twisted Sister, Tony Iommi of Black Sabbath and Ronnie James Dio of Dio (accredited as the inventor of the devil horn sign) the most compelling interviewees, though there were many others too numerous to mention. The sum of the whole turned out a rich result.

    Unlike many documentaries of late, where the primary goal appears to be light entertainment using celebrity heads, this film is truly insightful, intelligent, balanced, educational, funny and entertaining! Whatever your taste in music, I highly recommend it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In one of the film's oft repeated moments, Dunn attempts to interview Mayhem's Necrobutcher at a festival, who clearly appears aggravated at the suggestion that black metal is not as popular as it once was. In 2015, Dunn would interview Necrobutcher again for his Metal Evolution series' "Extreme Metal" episode about the same subject, with a considerably more laid-back Necrobutcher admitting that Dunn's point about black metal being "fractured" to a more melodic and a rawer contingent is a valid one.
    • Gaffes
      Dunn also mentions the "Filthy 15", a list of artists with lyrics considered obscene in one of a number of ways. Sam mentions that, of the 15, 8 are metal bands- he has miscounted. Upon reviewing the list, Danish black metal band Mercyful Fate make the list but bump the count to 9 bands. They are also not highlighted like the other metal bands sharing spots on the list.
    • Citations

      Sam Dunn: Ever since I was 12 years old I had to defend my love for heavy metal against those who say it's a less valid form of music. My answer now is that you either feel it or you don't. If metal doesn't give that overwhelming surge of power that make the hair stand up at the back of your neck, you might never get it, and you know what? That's okay, because judging by the 40,000 metalheads around me we're doing just fine without you.

    • Connexions
      Features Heavy Metal Parking Lot (1986)
    • Bandes originales
      The Number of the Beast
      Written by Steve Harris (as Stephen Harris)

      Performed by Iron Maiden

      Licensed courtesy of EMI Records

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    FAQ17

    • How long is Metal: A Headbanger's Journey?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 juin 2006 (France)
    • Pays d’origine
      • Canada
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Metal: A Headbanger's Journey
    • Lieux de tournage
      • Canada
    • Sociétés de production
      • Seville Pictures
      • Banger Productions
      • 235 Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 300 000 $US (estimé)
    • Montant brut mondial
      • 5 095 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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