Cthulhu

This is a terrible adaptation of H.P. Lovecraft's "The Shadow Over Innsmouth." The acting was weak, the direction was weak, and the original content has been butchered. I saw this movie at the Seattle International Film Festival, and that was the worst mistake I made all weekend. If you want to see a film based on "Shadow Over Innsmouth," Stuart Gordon's "Dagon" is mediocre, but it's certainly better than this botched attempt. If you want to see "Call of Cthulhu," the silent film adaptation is great. But this? This film is a waste of time. I suspect the people who are writing 10 out of 10 scores are either friends of the director or shills who worked on the film. There is no earthly way this film is a 10. It stinks like a rotten pile of fish.

This "movie" was terrible. The DP should be shot. They clearly spent no time on development, rehearsal, or scouting locations. That the producer sold belongings to get this movie made is profoundly sad and I hope he received treatment for whatever malady caused him to feel such fervor for this film. Uwe Boll movies MIGHT be better and they are among the worst films around. I was especially disappointed in Cara Buono's performance as I have enjoyed her work before.

Characters smile at inappropriate times for no discernible reason. Camera work to set the mood was a complete failure and annoying in its presentation. Subplots are picked up and immediately ignored. Motivations are hazy at best. No special effects to enhance the story. Absolutely nothing of Lovecraft in this movie except the title. The highlight of the film was when I sent it back to Netflix. Ugh!

The acting is fair enough. There are moments when overacting and underacting bring scenes down, but nothing is ruined. I liked the editing, for the most part. There are times when it makes the story hard to follow, but overall it's well done. The cinematography is beautiful.

My only real gripe with the movie is that the plot is a bit thin. A lot of things happen that feel ultimately irrelevant, and other things happen without much explanation. The conflict gets lost in all the random happenings, which adds to the difficulty of following the story.

I'm not sure where all the hatred for this movie comes from. It wasn't a great film, but it certainly wasn't horrible. The story felt stretched and a bit convoluted, and the title is misleading since the movie has virtually nothing to do with Cthulhu, but I feel like I have to give props to the director for making the film he made. He easily could have made a weightless horror movie with cheap scares, but he attempted something a little meatier.

A true to life portrayal of H.P. Lovecraft's Cthulu mythology has rarely been seen over the past 40 or so years, especially installment with decent budgets. The few attempts to capture this level of pure insanity have all fallen far far short and this rendition is no saving grace. "Cthulhu" centers around and gay college professor returning home for his mothers funeral, only to discover that his once serene hometown is now the backbone of a malevolent cult, and that he himself, plays a key role in their nefarious machinations. I mention the fact the he is a gay man merely because this is what this movie is about. You heard me, "Cthulhu" is more about a mans struggle between family and his sexual orientation, than about cult worship and the resurrection of ancient deities. Imagine if Lord of the Rings was more about the strong homo-erotic undertones between Sam and Frodo, and less about complete salvation of their entire world. If you can picture that, then you have "Cthulhu"; pretty much all 100 minuets of it I would say. The fact that he is gay does play into the overall storyline, but is overly focused upon, thus resulting in a incoherent story plagued throughout with poorly ad-libbed dialog and plot progression. The story involves several intense moments of emotion and terror, but poor writing and performance by the actors leaves these scenes lifeless and disorienting. One scene literally starts with a discussion about monsters and cult worship, and abruptly ends with argument about a severe lack of jelly on his PB&J. Its OK to feel like you need to read that last sentence again. One could argue that these moments are intentionally puzzling, as to capture the sense of insanity that The Cthulhu Mythos is most know for. Sorry guys not buying it. The direction choices are neither clever nor a foundation of the film fundamentals, what ever they may be, but rather a way of filling space between love scenes and ultimately dumbing down the entire film. However, beautiful imagery and a sparse, but superbly conducted soundtrack make for a stunning viewing experience. Unique and creative camera work establish the drama in more ways than the actors themselves, but a sever lack of music during several key points of the film does little to keep audience's attention during dialog heavy scenes. Anyone interested in a career behind a camera should invest the time into this film for its great camera direction, which though stylish and well refined, is not enough to save this film in its entirety. From the start of the film, audiences are left just far enough out of the story loop to leave you guessing. Guessing what? Perhaps whats going on? Perhaps why are some of the actors incredibly loud all the time, while others can barely be heard? Perhaps why am I still watching this movie? Perhaps the eeriness of devout hordes of ancient demon worshipers is a task that can only be handled by big budget studios and a top list cast. Or, maybe, you just need someone out there who actually wants to make a movie about the Cthulhu Mythos, and not just stick a big "Cthulu was here" sticker on a homosexual love story. If your going to make a movie about Cthulhu, make it about Cthulhu. Life, please don't send me deceitful crap like this again.

I'm middle-aged, gay and familiar with the Cthulhu mythos. The problem with this film is everything. It's technically lacking. Only the photography is decent, in an artsy-fartsy but lifeless blue-green two-strip Technicolor cliché-of-the-last-five-years kind of way. The sound mix is so atrocious, there are characters whose words you will never hear and the DVD doesn't come with subtitles so you can't speed-watch the really boring parts while still reading the words. In spite of this, I just had to fast-forward through the forced coupling with Tori Spelling. There is only so much I can take in the name of cinema. I have no problem with the main character being gay. But did he have to be a depressing and depressed highly-strung nellie whose only expression is a kind of impression of a terminally-menstruated Sigourney Weaver in "Alien 3" as rendered by Michael McDonald of "Mad TV"? It's hard enough to watch a film where the hero never manages a smile but must he also seem manic from too much caffeine or possibly crack and generally out of shape and unattractive? Hint to indie producers: Modern audiences generally prefer good-looking people. The editing makes a point of destroying your last chance of actually getting involved in the story and understanding what goes on from one scene to the next, uncomprehensible flashbacks and dream sequences included. The atmosphere is made all the more creepy by the fact that all the actors are extremely amateurish and undirected. Also, this film is not about Cthulhu at all but a failed adaptation of "The Shadow Over Innsmouth". Finally the gayest character in the whole lot is the hero's father, which is itself very troubling. I've only managed to muddle through 50 minutes of the 110 minutes of this film so far. It already seems like an eternity, in a non-Euclidian way. I don't know if I'll make it through... Wish me luck. If you don't hear from me again, please notify my next-of-kin - those that don't have scaly skin anyway. Thank you.