Engrenages

This 8 part French detective serial is going out un-publicisied on BBC3 in the UK. It has some resemblances to the very darkest American cop shows, but is really grimmer and dirtier. There are unifying themes and tangents which may work into the main plot. It's impossible to explain how different things are from a UK police drama. The legal system is very different and it's fascinating to follow - who has power to do what to whom. The Police and Prosecutors aren't exactly corrupt, but in a way they can't help being. The police look like criminals and work out of what seems like a run-down basement. A brilliantly convoluted thriller, with all the fascination of a really alien legal system, Paris backdrop, washed out colours, general decay. Final episode on BBC next week, but you should be able to see it somewhere. I see from Amazon France that there's a second season.

While the approach is not new, the execution is excellent.

Firstly the stories interweave and become more engrossing with their machinations, the "engrenages".

Secondly the pace is engaging so its impossible to foresee the next part, and that is because it's well written and intelligently for the viewer; not disguised by quick cuts to dazzle the eye but then frustrate by its tedium or obviousness.

Thirdly, the cast is right and well directed. Characters are alive with a range of human flaws. Maybe Albert Camus was the script editor overseeing the lines of each character's arc.

Unlike some police dramas this one doesn't pull its punches - quite literally - and for those of us all too bored with the US legal system, the presentation of the way the French one does its business, is another interesting aspect to the show.(Along with all the slang.) And finally, watching Caroline Proust and Audrey Fleurot (the former plays a strong brigade police captain; the latter plays a lawyer without morality) is the coup de grace.

I've just binged the full 7 seasons, 76 episodes, 57 hours. And every hour, superb.

This highly complex police drama from France is incredibly good. The plots are complex and tightly written. The production values increase with every year, and camera work is very good by season 3.

I love that the police and judges are often flawed, and make sometimes terrible mistakes. In particular, the lead, Caroline Proust, takes incredible stress and presents it on screen wonderfully. I also love how the writers provide redemption for the characters when they are broken or in danger, often through unexpected twists.

There are often amazing twists in the season plots, and each year is constantly fresh and new-feeling. It's extremely rare to see any plot event or dialogue that doesn't ring true.

This is extraordinary television. It's no wonder it's moving now into it's eighth season.

Must see.

Fast-paced, like NY in the 70's, dirty cops with hearts of gold, people you despise but grow to love, there are car chases, bombs, gangs, vice, serial killers, very little glamour, nothing fake (like US TV) - colleagues, family, friends, bereavement, retirement, freemasons, wrong steps, putting the wrong steps right. Oh la la - so much going on and it just keeps on going on, not one slow episode as far as I can remember. I just don't know what I'm going to do when it all ends in a couple of episodes. So sad to be no longer spending my evenings with Gilou, Laure and Josephine.

Series 1:

Magnifique! - gritty French police procedural buried on BBC4, each episode enmeshing you in a darker and darker world of crime, pain, and - as everywhere - a convoluted legal system that is best summed up by a brief exchange mid-series: "It's cruel." "It's only justice." With great performances and a coldly verité mise en scene, this holds its own among the best US & UK police/legal dramas. Oh, and need I say how refreshing it is to see a non-US drama on British screens? A large cast perform excellent dialogue, an engrossing single theme backed up by numerous sub plots, each one driving the characters forward as all the best drama should. The lead characters are attractive/repellent as required, but always interesting, without looking like an advert for a shampoo. In fact there's none of that slippery high-gloss (where every 'goodie' is always right, and never makes a mistake) that has marred some US series. Spiral attracted a good deal of support on BBC comment pages and is already being replayed on BBC4, with series two on the way. If it doesn't get a showing here there may be a riot.

Series 2:

Now season two is over - all too quickly - I'm left actually gasping for more. It's the kind of show that makes the rash of 'CSI' type programmes looking plastic and rather basic. Is it because I'm so cynical that this show suits my way of thinking about the world so well? That dark, messy, morally ambivalent universe they live in is recognisable even past the cultural differences, such as the astonishing blurring of the boundary between investigative police work and judgement – it's not so much uniquely French as uniquely modern. I recognise this world: you could find desperate council estates and desperate police departments just like it all over the less photogenic parts of London and the UK. And as for the relationships – they're as fleeting, unresolved and problematic as everybody's are.

I wasn't sure if they could top the tour-de-force complexity and classy storytelling of season one; and I'm not sure they did; but it doesn't matter - the quality is still so high, and the series-long story arc so engrossing, that you don't waste too much time comparing them. Some familiar faces, and some new characters, keep things ticking along nicely. My only criticism really is that the 'villains' (as if it were really possible to separate them from anybody else!) of season one were so nasty, so venal, so atrociously amoral, that it was always going to be difficult to find new villains that didn't make you wonder where the bad stuff was happening. This lot were kind of old school. The final episode did leave me slightly confused and was I think underwritten in the haste to get to the end. Isn't the crucial difficulty of policing - everywhere - precisely that no one ever does really have that last minute change of heart, so that les flics must tread their dirty path alone?