Petits suicides entre amis

This is one of the best movies I've seen in a while! It's also one of the funniest movies I've seen recently.

The beginning definitely sets you up for the action to come and adds shock value. The first half hour or so was hilarious, filled with nice little humorous tidbits. Then it launches into the whole road trip scheme and focuses a lot more on the characters' emotional journey.

What's also neat for anyone who's spent a lot of time in Los Angeles and the valley is that you can recognize most of the scenery. This brings the plot into our world a little and makes it sort of familiar. The characters bring you along with them on their journey.

Patrick Fugit was fantastic in his role, as were all of the other actors. There were even a few surprise castings that had the audience roaring with laughter and cheering towards the end of the film.

This is truly a character-driven film of the type that you don't find much anymore. You won't regret any minute of it!

Spent the evening up at the beautiful Sundance Ski Resort. Wristcutters: A Love Story was playing. I had a list of 4 or 5 films I wanted to see this year, but the only one available when I could attend (after work) was Wristcutters. As a warning - I talk some about movie content - but not really any more than is already available in the movie blurbs distributed by Sundance.

It is the result of the ongoing Sundance Institute's efforts at nurturing up and coming filmmakers. This film began at the institute 2 years ago when the director / screen writer, Guran Dukic took a screenwriters course. For his screenplay he choose a novella by an Israeli, Etgar Keret "Kneller's Happy Campers". All the particulars of the film making process Dukic covered during the Q&A after the film.

As a brief summary, this is a story about a young man (Fugit) who, after his girlfriend leaves him, cuts his wrists. He suddenly finds himself in the afterlife in the same, if not worse, situation than he was in life. After quite some time of pointless existence (who knew they had pizza in the afterlife?) he learns that the woman (Bibb) he ended his life for, missed him so much, she too suicided. He immediately decides he must go looking for her. The afterlife is filmed in an overexposed way, making everything look dusty, dirty and washed out. (It was all filmed in and around the LA area.)It was actually fairly effective in making this seem - as Dukic described it "like this world only a little worse". This place is peopled by other suicides, all miserable, all mostly alone. Their main topic of conversations is "so how did you off yourself?" A strange assortment of characters eventually come together as each one explores the issues that led them to suicide in the first place, and through associations, experiences, etc. they start to work through these issues. These characters include Shannyn Sossamon, who did a fairly good job, though at times seems strangely stiff; Shea Whigham as a Russian rock-n-roller (he was great!); Tom Waits as Kneller who runs a "camp", I loved his part and character - though his time in the film was too brief. Will Arnett's part was almost cameo-like.

Interesting theme, and actually fairly unique. The underlying storyline that suicide really solves nothing - just takes your pain and problems to another level is one that many should hear. "What can I do about it now, kill myself again?" -Zia talking about his miserable afterlife.

The filming was pretty well paced, not too long at 91 minutes, with enough comedy thrown in to keep it from being maudlin and enough drama to keep it from becoming clownish. The direction was classic art-house style, with cut aways, closeups, erratic use of music, etc. The direction was pretty clear and concise, though without the polish I'm sure Dukic will pick up with experience. The music worked fairly well. Dukic specifically picked the music played throughout the afterlife by bands that had experienced suicide at some point. There was some beautiful "northern" music as well - you'll know what I mean when you see it.

The language was raw, it would definitely earn an "R" rating. The only concern my friend, who went with me, had was about the love story. She's a middle school teacher and thought that the love story aspect would glamorize suicide as a way to find your "true love". I think they'd be smarter than that - but then we are talking about teenagers! I enjoyed the film, meeting the cast members (Whigham, Lazarev, Dukic, and the producers, etc. were there). I don't know if this is "movie house" quality. I do foresee the day, however, that Dukic will make that leap, he obviously has talent - I just don't think "Wristcutters" is quite there yet. I suppose it will make it to art houses and smaller theaters that show art films. I would recommend it, it was an enjoyable evening.

An excellent film and well worth seeing: It defies pigeonholing into a genre; it's a romantic comedy, but not *at all* like the stereotypical romantic comedy, even if it does use some of the same conventions. It's a road movie, but not in the traditional sense. The dynamics and even the plot work and are believable, requiring less suspension of disbelief than I would've imagined. The music and cinematography work well into a story that is darkly/morbidly funny but also a bit sweet, without being saccharine. The acting is well done and the characters believable and quite well developed. This is definitely an art-house film, but one that it really decently pedestrian and accessible, rather than esoteric or exclusionary (that is, appealing to only art-house film lovers). The sound works well, and visual effects are only ever momentarily cheesy.

This is one of "those" movies. You know the kind - like a catchy tune the vibe of this movie stays in your head... the movie had all the chances in the world to be depressing, but it was far from it, there are only a few drama elements and the title is not deceiving, it truly is a love story and a beautiful one at that and also threaded with great humor, when I laughed, I laughed hard. And I would probably cry if the ending was any different.

I won't go into possibilities and impossibilities of metaphysical, because that's absolutely not what this story is about; purgatory, if you will, is only the stage, where the romantic play is performed, with that, it's innovative though actually daring, as it was probably obvious the box office would never explode from what 'Wristcutters' would make. In my opinion, the movie is so well made it would have been great even if it was stripped of suicide thing and it was just a plain love story. Oh and Shannyn Sossamon was so convincing, I think I'm in love with her now. ;)

This is a creative treat that, while boasting of no discernible insight or idealist film-making ambitions, manages thoroughly entertaining – perhaps it is due to the aforementioned low-key approach that Wristcutters fares so well. Balkan director Goran Dukic combines the best of offbeat indie cinema with 'traditional' dark humour, making the film appropriately edgy but never tipping over into 'desperately quirky' like so many "festival type films" fall prey to.

In fact, when I sneaked in as a volunteer to a screening during the Stcokholm International Film Festival, the manager presented the film as one of his personal favourites of 2006. This should serve as a mark of its success and indeed I was pleasantly surprised at how much fun I had. This is highly ironic since both the style and substance of Wristcutters are unspeakably gloomy and sad. Much credit it due to Dukic for making something as tragic as suicide victims into laugh-out-loud catalysts.

But the film perhaps belongs to Patrick Fugit who inhabits the protagonist Zia – a young man who slits his wrists in the first scene of the film and ends up in a 'suicide limbo' of sorts, where all people who have taken their own lives are banished. I say 'banished' because this afterlife is an unreasonably gloomy, grey and grainy nowhere-place that is captured remarkably through a seemingly colourless lens that aptly emphasizes the mundane and depressing state. There are barren industries and vast stretches of desert – nothing else. Oh and no one smiles. Ever.

Zia leads a dull life in this post-apocalyptic hole until one day he finds out that his ex-girlfriend on earth has also committed suicide and ought to be in the same place as him. He sets out on a road-trip with his friend Eugene (a superbly funny Shea Whigham) – a Russian immigrant who lives with his whole family of suicide victims and soon the two are joined by a beautiful newcomer and hitchhiker (Shannyn Sossamon) who claims she got here "by mistake" and is now trying to rectify it by finding the people in charge.

Although much fun is to be found in the creatively barren setting, the central triumvirate is possibly one of the most dynamic mix of characters on film in recent years, no hyperbole. Shea Whigham is gloriously hard-boiled and hilarious as Eugene the Russian and enables the director Dukic to reconnect with his Slavic roots. It is both admirable and puzzling that the film manages so funny without resorting to laughter or smiles (there are two smiles throughout the movie, seriously).

But 'Wristcutters' has problems: it remains a shallow look at an infinitely more layered issue, suicide. It explores no characters to depth nor does it ever bring up what drove them to taking their own life in the first place. In this way, no interesting philosophical notions are navigated and no insights or messages come through other than an overriding 'Pro-Life' attitude – Pro-Life being for living and against suicide which is punished by an eternity in a perpetually gloomy state, a subtle hell of creative proportions.

Thankfully it avoids most of its shortcomings by simply being short and sweet. Of course, this renders Wristcutters: A Love Story an ultimately forgettable little indie romp.

7 out of 10