Prémonitions

Relative newcomers, writer Bill Kelly and director Mennan Yapo, have concocted a testy little conundrum of a movie titled PREMONITION: whether the audience decides to step into their little nightmare or reject the premise that powerful emotions can drive the brain to peculiar directions of functioning will be the divisive break in acceptance of the film's premise. It is a fairly well done, thought provoking experience and is carried by some better than average performances by a strong cast.

The Hanson family is introduced as the husband Jim (Julian McMahon) and wife Linda (Sandra Bullock) buy their new home. Jump forward after the credits to a family that now includes two young schoolgirls (Shyann McClure and Courtney Taylor Burness), a seemingly mildly depressed Linda and a workaholic Jim. Abruptly, Linda is informed by a police officer that Jim has died in an auto accident and her close friend (Nia Long) and mother (Irene Ziegler) help Linda through the early moments of the tragedy. Yet Linda continues to 'relive' moments: one day Jim is dead the next he is alive, and all of the pieces of the puzzle that erode Linda's mind become clues to investigate information she doesn't want to know. She encounters a warped psychiatrist (Peter Stormare) and a possible 'other woman' in Jim's life (Amber Valletta), and as she attempts to mold the puzzle pieces to make sense, she learns about the possible 'why' of the mental state in which she is trapped.

The film has problems holding credibility, but then the premise is a novel enough to allow such missteps. Sandra Bullock takes over this role completely, gains our empathy, and in the end the film works because of her. She is becoming an actress who is learning the value of understatement and that aspect of her craft serves her well. No, this is not a great movie, but it is a well-produced little mystery that asks the audience to engage both mind and imagination, and that is a good thing! Grady Harp

Despite the rather thorough drubbing it suffered at the hands of some of the nation's most prestigious critics, "Premonition" is actually a pretty well-thought-out and tightly wound thriller, given emotion and heart by its star, Sandra Bullock. It's not a movie I would be wiling to go to the mat for, but as throwaway thrillers go, this one is really not half bad.

Bullock plays Linda Quinn Hanson, a suburban mother of two, who receives the shattering news that her husband has been killed in an auto accident. However, when she wakes up the next morning, she finds him, strangely, sitting in the kitchen, suddenly alive and well, benignly sipping coffee before heading off to work. The question quickly arises, did she dream the story of his death, is she dreaming now, or is she undergoing some sort of mental crisis precipitated by the shock of her loss? Or is she caught in some sort of bizarre time warp that allows her to jump back and forth between the periods before and after his "death," and, if so, might she be able to step in and alter the course of events to prevent the accident from happening in the first place?

In both concept and form, "Premonition" is pretty much an assembly-line thriller designed to tweak the audience's brain cells for a couple of hours before sending everyone home with not a whole heck of a lot left to think about once it's over. Still, it's intriguing enough while it lasts and only the true nitpickers among us will feel compelled to put its twists and turns in logic under the scrutiny of a critical microscope. Despite a few weak moments in her performance, Bullock actually makes us care about the character and the very strange thing that is happening to her.

"The Premonition" is by no means a classic - or even first rate - chiller, but those with a few spare hours on their hands and a penchant for brain-puzzlers could do worse than check it out.

Sandra Bullock has to try to figure out if her husband is a live or dead as she shifts through time and dream to sort out her life and his possible death.

New Age-y story is too confusing and less than engaging in a Lifetime style supernatural tale for the big screen. TV movie feel aside the film suffers from doubling and tripling back on itself about nine times too many so that when you get to the end, the "THIS IS REAL" moment you really won't care since you'll have ad the wool pulled over your eyes once too often. I saw this in the theater and began to play a video game on my cellphone to pass the time to the end because I didn't care what was happening I just wanted to know what the end really was(and lest you think I disturbed anyone by doing so, I was all alone). Whats worse my reaction at the end was a loud "Thats it?" said in disbelief.

Its movies like this that make you wonder why we go to the movies when they throw such crap at us.

I just saw this in the cinema last night with my girlfriend. First of all, this movie was not even close to as bad as pretty much every review has said. This was a very interesting movie and worked upon an original idea and executed it in an above average manner. The only gripes I had with it were that the priest in the end and Dr. Roth were casted very poorly and detracted from the punch in the end. Speaking of the ending, it wasn't nearly as a let down as people say on here either. Not quite a movie I'd see more than once, but it kept me interested and entertained until the end- what more could you ask for? The scenery and cinematography were excellent and the whole movie seemed like it took place either at sunrise or at sunset, which added a serene and quiet backdrop to it, which I noticed right away. The soundtrack was fantastic and right up there with the Sixth Sense in terms of effectiveness; none of it got in the way of the action.

I highly recommend this movie to families and couples- it's a great way to forget about the outside world for an hour or so! Grade: B-

I went to see Premonition yesterday and I enjoyed it very much, so I can't understand why people say that this is a bad film. It's a good psychological drama with top acting and good directing. It's a movie on which you have to focus, but that goes automatically and it's not so hard to follow when you don't think "What the hell is going on" during the film.

Sandra Bullock is very convincing, as always, and we also get some good performances by Kate Nelligan, Nia Long and Julian McMahon.

So please, don't listen to the critics, they don't know what they're talking about. And as for the rating on IMDb: the only explanation I can think of is that a lot of people don't get this film because it's too complicated (although it's not), or because they didn't like the ending, or maybe because they expected too much. But this is definitely a very good drama, and it's one of those movies that make you think about how important life is.

Everyone who wants to see this movie: see it without any expectations and prejudices, you won't be disappointed.