Quatre jeunes hommes qui appartiennent à un héritage surnaturel de la Nouvelle-Angleterre sont forcés de combattre un cinquième pouvoir que l'on croyait éteint.Quatre jeunes hommes qui appartiennent à un héritage surnaturel de la Nouvelle-Angleterre sont forcés de combattre un cinquième pouvoir que l'on croyait éteint.Quatre jeunes hommes qui appartiennent à un héritage surnaturel de la Nouvelle-Angleterre sont forcés de combattre un cinquième pouvoir que l'on croyait éteint.
- Réalisation
- Scénario
- Casting principal
- Waitress Nicky's Bar
- (as Barbara Basia-Jasinski)
- Mr. Hoffman
- (as Vito Defilippo)
Avis à la une
Hot guys who do magic. That's pretty much all you need to know about the movie. The dialogue is crap, most of the acting is so-so, characters are woefully underdeveloped, and the plot is flimsy at best. That said, it was a fun movie. There was exciting action, and lots of fan service for the girls in the audience (Don't worry boys, there are girls in dubious sleepwear, too) It's one of those movies where you sit and watch and say, "This is a really good idea, but even *I* could write a better movie than this." The concept is cool, the execution not-so-hot. But as a break from the grind of class? Definitely good.
The action was cool. The boys were pretty. And, really, what more does a girl need?
Don't watch this. There's really no reason to at all. The fact that I weirdly like it is a definite anomaly. If it happens to be on cable, sure, maybe, you have literally nothing to loose.
I found three metaphors in the film: puberty (get the powers at 13 years old, with full maturation at 18), drugs (the powers are addicting and slowly kill you) and to a lesser extent homosexuality ("my adoptive father caught me using magic when I was 15, and we kept it quiet"). All three were obvious, yet an attempt was still made to obscure them.
The lore and mythology was presented in an un-convoluted way. It's easy to follow and straightforward. So there's nothing inherently wrong with it. It's just simplistic and derivative, with nothing to really get excited about. You could almost figure it out without having even seen the movie.
Harlin seems to have taken a cue from MTV in making this film, adopting the philosophy of "Laguna Beach" that everyone in your high school just got back from a Teen People photo shoot. He must have cast models, as there isn't a shred of acting talent in the entire young cast. At the end of the film I was wondering if I had seen a film comprised entirely of cut footage and rehearsal shots. I was left with the distinct impression that just off camera was a stagehand holding a stack of cue cards for the cast to read from.
And the camera work was straight out of the late 80's to early 90's music video library. Half of it looked like a schlock Ozzy Osbourne video, the other half resembled Madonna's "Like a Prayer." This kind of film-making is completely unappealing. I understand that the core audience is probably 13-18 year old girls, and they most likely find that sort of film-making wondrous and spellbinding. Unfortunately for Harlin, and myself, 13-18 year old girls aren't the only ones who see films. There's a whole world of intense film-making techniques out there that would have made this film more enjoyable and pleasing to the eye. I know. I've seen it. Many have developed and mastered these techniques. But Harlin, no matter how much of a seasoned veteran he is, is making mistakes and "artistic choices" that reek of rookie director.
Not to mention the end fight scene seemed taken punch for punch from the Saruman/Gandalf fight in "Lord of the Rings" or Harry/Voldemort fight in "Harry Potter". I could go on and on about how this reeks of un-originality: "The Craft" with dudes or "The Lost Boys" with witches.
Well, I usually give movies the benefit of the doubt and start from a 5, going from there:
Production: -1 for very obvious audio out of sync, +1 for nicely done special effects, the darkling actually gave me chills, +0.5 for nice colorization (I like the dull blue), -0.5 for the stupid sound track, +0.5 for the opening sequence -- I'm a sucker for stylish compositing and flashy title design.
Story / Script: +1 for decent main idea, -0.5 for DBZ/Matrix/Street Fighter ripoff/pastiche, -1 for not explaining some plot threads very well (spiders, darkling), -1 for boring, predictable ending, -1 for gratuitous exposition, both as words on the screen and as bland monologuing
Acting / Characterization: -0.5 for bad bad acting, although it gets a little better as the film progresses, -1 for lack of character development, especially among all the females
Other: +1 for gratuitous male and female nudity, which is fun to watch, and +0.5 for no sex scenes, which for this genre are usually done very badly and end up being boring rather than hot, +1 for hitting its target audience, teenage sci-fi/horror/thriller fans, even though this movie is not exclusively any of those genres.
Conclusion: This is not a "film," this is a MOVIE. There's really nothing to analyze, it's just good, (relatively) clean fun. Lots of really attractive actors and actresses. Lots of boys fighting in the style of DBZ and Street Fighter. If you like cute actors and actresses, supernatural special effects, and/or mindlessly fun plots, this movie is for you. If you prefer Oscar-worthy, exquisitely-produced film masterpieces with tons of multi-layered, allegorical plot threads and groundbreaking visualization techniques, you probably won't like this film.
Using my twisted logic, this movie gets a 4/10.
Le saviez-vous
- AnecdotesSebastian Stan (Chase Collins) did all of his own stunts.
- GaffesThe tattoos on Sarah's back disappear and reappear throughout the course of the movie.
- Citations
Reid Garwin: [seeing a girl in a short skirt, slapping a twenty on the table] Blue. Cotton.
Tyler Sims: [slapping down a twenty] Pink lace.
Pogue Parry: [slapping down a twenty] Boys, that girl hasn't worn panties since she was twelve.
Pogue Parry: [a gust of wind blows the girl's skirt up, revealing no panties. Pogue walks off with the money, smirking, and hands it to the bartender] Keep the change, man.
- Crédits fousThe opening Production Company; Screen Gems Inc. shows the logo on fire
- ConnexionsFeatured in The Hour: Épisode #7.81 (2011)
- Bandes originalesMore Human Than Human
(Meet Bambi in the King's Harem Mix)
Written by Sean Yseult (as Shauna Reynolds), Jay Yuenger, Rob Zombie
Performed by White Zombie
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Meilleurs choix
- How long is The Covenant?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Pacto infernal
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 23 380 495 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 852 458 $US
- 10 sept. 2006
- Montant brut mondial
- 37 598 767 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1