Un compte rendu en temps réel des événements du vol United 93, l'un des avions détournés le 11 septembre 2001 qui s'est écrasé près de Shanksville, en Pennsylvanie, lorsque les passagers ont... Tout lireUn compte rendu en temps réel des événements du vol United 93, l'un des avions détournés le 11 septembre 2001 qui s'est écrasé près de Shanksville, en Pennsylvanie, lorsque les passagers ont déjoué le complot terroriste.Un compte rendu en temps réel des événements du vol United 93, l'un des avions détournés le 11 septembre 2001 qui s'est écrasé près de Shanksville, en Pennsylvanie, lorsque les passagers ont déjoué le complot terroriste.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 29 victoires et 58 nominations au total
- Waleska Martinez
- (as Liza Colon-Zayas)
- Deora Frances Bodley
- (as Trieste Dunn)
Avis à la une
For all those who were afraid that this film would be exploitive, propaganda filled Hollywood schlock, I'm sorry to say that could not be farther from the truth.
Though for the most part I'm still at a loss for words I'll do my best to give you a short and sweet overview.
Paul Greengrass has done the seemingly impossible by making a Hollywood film about this subject everyone is afraid to touch, but made it in such a way that it's hard to find fault, despite everyone's initial misgivings. No 'rah rah' patriotism. No veiled political stances. No cartoonish villains. No making the enemy sympathetic. Just a brilliantly executed look at what did happen and what 'might' have happened on that fateful day.
What makes it more effective is that all throughout you don't recognize any of the actors. They may as well be "real people". You're never thinking to yourself, 'oh that's Nicolas Cage', conscious of the fact that it's acting. And come to find out, many of the air traffic controllers and military personnel are playing themselves! This makes it all the more real and draws you in and takes you back to that day.
And when the passengers decide to fight back? There's no swelling of violins or slow motion shots. They don't have a rallying cry or 'lets do it for Uncle Sam' type speech to motivate everyone. No, these passengers were reacting spontaneously to the situation as it played out and were acting on their survival instinct. You can't help but think how you would react in that situation and makes it all the more compelling and powerful.
I won't say this film is for everyone. It IS hard to watch at times. But I'm so glad I did see it. Very cathartic in a way. And trust me, this film couldn't have been done in a more professional, classy way. This feels genuine; of course they are going to 'profit' off it, but you get the sense that the filmmakers and everyone involved poured their hearts into this project and did this to tell a story. A more dignified and heroic story I don't think I've ever seen.
Its objective, to hit the White House, was thwarted by a group of individuals that were flying home to San Francisco from Newark on that fateful flight. The plane crashed in a field in Shanksville, Pennsylvania.
We know this to be true. But what Writer/Director Paul Greengrass (Bloody Sunday, Bourne Supremacy) did was take a sensitive and controversial subject and turn it into a drama that is both stunning and powerful. It brings to light the heroic actions taken by the passengers and crew to try and overtake a plane they knew was on a one-way trip to a terrorist act. We get insight of the real-time actions taken by the military, air-traffic and flight control personnel and how they tried in vain to take control of the situation (and ultimately grounding every single plane in flight that day).
However well the movie portrayed the crew and passengers, I found the portrayal of one of the hijackers (the pilot) a bit discomforting. Hopefully, Greengrass had some inside knowledge to make the viewer feel some sympathy for him and that it wasn't done just for the sheer entertainment value.
United 93 is a serious portrayal and memorial to those whose brave actions saved a Capitol but, unfortunately, was unable to save themselves. As the 5th year anniversary of 9/11 nears, take some time to remember these and the rest of those that died on that terrible day.
United 93 is a truly inspiring tale about the 4th hijacked plane that crashed in Pennsylvania. I remember seeing this on the news on September 11th, we heard so many different things, that it was shot down, the passengers gained on the hijackers, and to be honest I'd rather believe that the passengers stuck together and prevented more lives from being perished that day. These people were truly incredible and the thing that I loved about the film was that it was made to show that they were not victims, they chose to not be so, they knew what they were facing and unfortunately died trying.
Another thing that I appreciated is that I think we did forget about those planes that were hijacked and the horror that the passengers must have gone through. We usually only think of the World Trade Centers when we think of September 11th. I could never imagine what thoughts were racing through those passenger's heads. It truly was devastating to just think what the families were going through when they received phone calls from their loved one's and having to say good bye. We can't forget those who were so brave to help others and those who unfortunately who crashed into the World Trade Center and Pentegon, nothing could be strong enough to say about them, my sincere condolences to the families.
I was wrong about these films, they truly are important. Even though it's fresh in most of our memories, let's not forget those who died trying to save others. God bless the souls on Flight United 93, you truly are hero's and will never be forgotten.
10/10
As it turns out, Greengrass's heavy background in documentaries turns out to be a blessing in this treatment, as he tracks the subsequent events in real time and uses either under-the-radar actors or actual aviation personnel to play the real-life characters. Instead of focusing on the higher profile passengers to provide an emotional locus, which a more commercial filmmaker would have done, he encompasses all the passengers within the emotional purview of the film, including the four hijackers who killed the pilots and took control of the plane. The key dramatic difference is that we get to know not the people but the situation at hand. Consequently, we get a more realistic sense of the scale of the events that may have occurred on that flight. That's not to say it is any less devastating. In fact, the last half-hour is harrowing in the most personal sense as the inevitable becomes reality.
The power of the film comes from its surprisingly apolitical perspective and the inclusion of the ground personnel trying to comprehend the scope of all the redirected planes that day, in particular, Ben Sliney who effectively plays himself that day, the just-promoted supervisor of the National Air Traffic Control Center in Herndon, Va. None of the actors stand out because the film cumulatively achieves a verisimilitude that simply knocks me out. The film also does not pretend to be the definitive version of what happened on the last few moments of the flight. In an emotional sense, it is rather moot as we are talking about degrees of detail at that point. This is truly essential viewing.
Le saviez-vous
- AnecdotesTo make the movie as authentic as possible, director Paul Greengrass cast a number of real-life participants in the events of September 11, 2001, to play themselves. The principal "real-life role" in the movie is Ben Sliney, the FAA's National Operations Manager, who made the decision on 9/11 to shut down all air traffic operations in the United States. Sliney had just been promoted to the National Operations Manager position, and September 11, 2001 was his first day on the job. That explains the applause from the FAA flight monitors when he walks into the control center in Herndon, VA, at the beginning of the movie. Several officials who were with Sliney in the FAA control room on 9/11 play themselves, including Tobin Miller, Rich Sullivan, and Tony Smith. In the scenes at Newark Airport, several air traffic controllers who were in the Newark control tower on 9/11, and who witnessed the air attacks on the World Trade Center, play themselves. At the air traffic monitoring centers in Boston, New York, and Cleveland, the air traffic monitors are all played by real-life air traffic controllers, including several who were at these locations on 9/11, and who monitored the hijacked flights. At the Northeast Air Defense Command Center (NEADS) in Rome, NY, most of the military personnel are played by real-life military air traffic controllers, including several people, notably Major James Fox, who were at NEADS on 9/11. Also, on United Flight 93, the actors playing the pilots in the movie are real-life airline pilots, and the flight attendants are played by real-life flight attendants, some of whom work for United Airlines.
- GaffesAt the start of the movie, passengers arriving at the gate at Newark Airport are clearly at the domestic departure gates at Stansted Airport, Essex, UK. The scene includes BAA signage, seating at the gate (17), the rail link to the international departure gates (seen through the glass at the security checkpoint) and a "2 for £25" advertisement on the passenger walkway towards the gates.
- Citations
Honor Elizabeth Wainio: Hi, Mom, it's me. I'm on the plane that's been hijacked. I'm just calling to tell you that I love you, and goodbye. This really kind woman handed me the phone and she said to call you.
- Crédits fousThe very last line of closing credits states that the movie was "not sponsored by, or in any way affiliated with, United Airlines."
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best of the Year... So Far (2006)
Meilleurs choix
- How long is United 93?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Vuelo 93
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 31 483 450 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 478 360 $US
- 30 avr. 2006
- Montant brut mondial
- 76 700 659 $US
- Durée
- 1h 51min(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1