Vol 93

A most cathartic experience came over me when I viewed the much publicized "United 93". At once speculative and realistic, the 111-minute film will surely bring back the pall of fatalistic inevitability one feels about 9/11, but its more defining characteristic is revealing the untapped heroism and humanism of people caught in the most malevolent of circumstances. Masterfully written and directed by Paul Greengrass, this relentlessly intense movie covers that fateful morning when United Airlines Flight 93 departed Newark for San Francisco with 33 passengers and seven crew members on board.

As it turns out, Greengrass's heavy background in documentaries turns out to be a blessing in this treatment, as he tracks the subsequent events in real time and uses either under-the-radar actors or actual aviation personnel to play the real-life characters. Instead of focusing on the higher profile passengers to provide an emotional locus, which a more commercial filmmaker would have done, he encompasses all the passengers within the emotional purview of the film, including the four hijackers who killed the pilots and took control of the plane. The key dramatic difference is that we get to know not the people but the situation at hand. Consequently, we get a more realistic sense of the scale of the events that may have occurred on that flight. That's not to say it is any less devastating. In fact, the last half-hour is harrowing in the most personal sense as the inevitable becomes reality.

The power of the film comes from its surprisingly apolitical perspective and the inclusion of the ground personnel trying to comprehend the scope of all the redirected planes that day, in particular, Ben Sliney who effectively plays himself that day, the just-promoted supervisor of the National Air Traffic Control Center in Herndon, Va. None of the actors stand out because the film cumulatively achieves a verisimilitude that simply knocks me out. The film also does not pretend to be the definitive version of what happened on the last few moments of the flight. In an emotional sense, it is rather moot as we are talking about degrees of detail at that point. This is truly essential viewing.

Frozen, speechless, devastated. That's how I was at the end of the film and judging by the silence in the auditorium the whole audience felt the same. A remarkable achievement. Not a single cheap shot. Knowing, as we all know, what happened on that fatal September 11th. The time lapse between the first plane hitting the World Trade center and the second seemed interminable. The faces of the passengers, without even knowing their names, are still vivid in my mind. Extraordinary. Not to mention the terrorist's faces. So real, so human. Tears were running down my face as a chill run down my spine witnessing the terrorists as well as the passengers praying. God, seen through a different optical at different times for exactly the same reasons. The brave decision of the passengers to die trying to protect all of us is something that we in the ground we seem to have forgotten. We could all stand together as well in everybody's name for everybody's good. You see, here I am, inspired and aspiring to inspire.

This movie approaches an incredibly sensitive subject in an entirely appropriate manner: with subtlety and understatement.

The actors look like real people and talk like real people talk. There are no dramatic exclamations. Even the signature "Let's roll" line is stated almost in passing without any special significance being brought to it. The movie was utterly convincing in portraying how real people would have responded. There were no Bruce Willis or Wesley Snipe types amongst the passengers; they were ordinary folk in extraordinary situations, responding the best way they could.

Kudos to the filmmakers for not allowing this to become an overwrought melodrama. Instead, we saw a glimpse into the confusion and pain of people in the middle of the events of 9/11. Because it was understated, because it felt real, the impact was much stronger and gut-wrenching.

I was nervous to see any movie on September 11th due to the fact that in some ways I felt that it was too soon, seeing how we just had the 5th anniversary. Not to mention, I didn't want to go through that depression again and watch those horrifying events happen again, a girl at work had mentioned how she saw United 93 and World Trade Center, she said it was nothing like what you would expect of an action movie, it's more dedicated to those who lost their lives that tragic day.

United 93 is a truly inspiring tale about the 4th hijacked plane that crashed in Pennsylvania. I remember seeing this on the news on September 11th, we heard so many different things, that it was shot down, the passengers gained on the hijackers, and to be honest I'd rather believe that the passengers stuck together and prevented more lives from being perished that day. These people were truly incredible and the thing that I loved about the film was that it was made to show that they were not victims, they chose to not be so, they knew what they were facing and unfortunately died trying.

Another thing that I appreciated is that I think we did forget about those planes that were hijacked and the horror that the passengers must have gone through. We usually only think of the World Trade Centers when we think of September 11th. I could never imagine what thoughts were racing through those passenger's heads. It truly was devastating to just think what the families were going through when they received phone calls from their loved one's and having to say good bye. We can't forget those who were so brave to help others and those who unfortunately who crashed into the World Trade Center and Pentegon, nothing could be strong enough to say about them, my sincere condolences to the families.

I was wrong about these films, they truly are important. Even though it's fresh in most of our memories, let's not forget those who died trying to save others. God bless the souls on Flight United 93, you truly are hero's and will never be forgotten.

10/10

There are two reasons why people go to the movies. They either go to be amused, entertained or distracted from the pressures of the real world; it's called escapism. The other is to learn, experience, educate, inform and face what our world is all about. Films like Schindler's List, Black Hawk Down, Saving Private Ryan, All the President's Men, and this week another film joins that list; Paul Greengrass' visceral and heartbreaking United 93. Some say it's too soon for a film about 9/11 to come out, but I disagree. I think this film is a bold and important reminder of why we're still fighting to this very day, and it puts us up close and personal with our very enemy; face to face. I don't think I've had such a profound and sober movie going experience like this since I saw The Passion of the Christ, and when the film was over how did the audience react? Applause.

United 93 is shot entirely with hand-held cameras to perfectly capture the realism of the events that happened that day. The film was written and directed by British filmmaker Paul Greengrass, who's previous films include 2004's blockbuster hit The Bourne Supremacy and the critically acclaimed 2002 docu-drama Bloody Sunday, and every frame of his vision is unflinching, intense and heart pounding from it's quiet beginning to it's nerve-wracking and stomach turning finale. The film is never exploitive of the events of 9/11 and always remains respectful to the memories of those on board that fateful plane.

Everybody knows the story, and everybody knows how it's going to end, but that never stops the film from being suspenseful. The film is pretty much void of any character development, and the film never, not even for a second feels like a movie, it looks like a documentary. And I'm sure the way Greengrass has captured the shock, confusion, chaos and panic of that morning is how it must have gone down. The cameras cover the action from all perspectives; from the National Air Traffic Control Center, airport towers, regional air traffic stations, and a military command room where soldiers try to figure out if and when they have the authority to shoot down a necessary target in order to protect Washington. One of the amazing things about United 93 is its casting. The casting of the film includes a number of real life United pilots, stewardesses, air traffic controllers and military personnel, many of them actually playing themselves. The cast of passengers are a group of largely unknowns, which lends great respectability and reality. We are seeing these people for the first time, with no previous knowledge of them as actors and it only works in their favor.

The film opens quietly with several hijackers going through their morning rituals, reading aloud from the Koran; praying to God and kneeling on the floor of their hotel room and then packing their things to head to the Newark airport. And from there we are introduced to several different air traffic controller technicians and we watch as they discover that two planes have been hi-jacked and eventually discover that they've hit the World Trade Center. These scenes are heartbreaking and feel somewhat surreal. But it's not until United flight 93 takes off that the towers are hit and the plane is up in the air when the terrorist's plans are set into motion.

The final fifteen minutes of United 93 will leave you speechless and paralyzed, as a group of passengers plan to attack and over throw the terrorists and try to take back the cockpit. It's intense, violent and overwhelmingly inspiring. The film is a well done memorial, dedicated to those who were killed on September 11th, and I truly believe that the film was done with the utmost respect to those involved and with amazing passion and sensitivity to "get it right". Director Paul Greengrass does get it right, and I honestly believe that it would have been impossible for it to have been done any better than it is here. United 93 is absolutely amazing, and to see a better or more important film this year seems very unlikely, and I think this film should be required viewing for all Americans, but when they feel that they are ready for it, because this is as real as it gets. This film is responsible film-making of the highest level and the experience is both sobering and cathartic.