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I just arrived home after having seen a screening of this film. It's very strong and moves well. It is very emotional, but is balanced well with humor. Even better it's true to life humor, things that would actually happen. you are drawn into the "family" that is the class and you are led to see the changes taking place in people, instead of having it shoved in your face like your too basic to understand.

I would also like to note the music. It was wonderful and did what music is meant to for movies, setting the moods the score was present in the background but not overwhelming (as in so many other movies lately) the music didn't overshadow the story that was unfolding in any way.

Overall a very good movie that I will be happy to see again, and even happy to pay full ticket price (which is saying something!). Great job and thank you to all who worked on this movie, in my eyes it's a winner. ^_^

"My badness" *chuckle*

I saw this film on December 13th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival's Truly Moving Picture Award. A Truly Moving Picture "…explores the human journey by artistically expressing hope and respect for the positive values of life." Heartland gave that award to this film.

Woodrow Wilson High School is located in Long Beach, California. The school is voluntarily integrated, and it isn't working. The Asians, the Blacks, the Latinos, and a very few whites not only don't get along, but also stay with their own and are part of protective and violent gangs. There isn't much teaching or learning going on at the school. It is a warehouse for young teenagers until they can drop out or are kicked out.

With this background, an idealistic teacher (Hilary Swank) arrives to teach Freshmen English. She is very educated, pretty, middle class, non-ethnic, well-dressed, and smart. From day one, she doesn't fit in the classroom with these tough kids, and she doesn't fit in with the faculty, who have all but given up and resigned themselves to being the keepers of the student warehouse.

But our idealistic teacher will not give up. She slowly and painfully tries to teach by first learning about "…the pain…" the students feel. She encourages each of her students to keep a journal of their painful and difficult life, and then to share the journal with her. She also attempts to get the four ethnic groups to come together by getting them to recognize what they have in common; specifically, their music, their movies, their broken families, and their broken community surroundings.

While struggling with the students, she has to deal at the same time with two complicated and demanding male relationships. Her husband (Patrick Dempsey) is often supportive, but often jealous of her time commitments. Her father (Scott Glenn) is often disappointed of her career choice, but often proud of her courage and tenacity.

This story feels real. It is beautifully done. The acting of Swank, Dempsey and Glenn is professional and believable. More importantly the story highlights our society's challenges in schooling the children of poor and one-parent families.

The movie doesn't give miracle answers. But it does give hope. And in the end, sincere effort appears to count for something … maybe everything.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Films about our educational system have been moneymakers from The Blackboard Jungle, to Up the Down Staircase, to Stand and Deliver and now Freedom Writers. This film and Hilary Swank's lead performance in it have an honored place among those previously mentioned.

If you noticed the common thread running through all the films mentioned and this one is that it seems to take a neophyte teacher to shake up the system and try something new. And that's what Hilary Swank is in Long Beach High School a newly racially mixed school where all the kids seem to be balkanized.

The real miracle that was wrought in Freedom Writers is that Swank gave these kids a vision of the wider world. And that vision showed that as young people they had far more in common than the race and ethnicity that divided them. The writing came when she had them keep diaries that could be read on a volunteer basis.

I had a few good teachers like Hilary Swank in my youth. Some of them were just time servers and not terribly inspirational. Those are the folks the educational system ought to treasure.

I'd expect nothing less than the best from a two time Oscar winner and Ms. Swank does deliver. She gets good support from Patrick Dempsey as the husband who becomes estranged from her with her single minded devotion to her kids and from Scott Glenn as her father.

What was for me the best was having those kids read about the troubles of another young person who they could relate to. That would be Anne Frank and her diary. And the meeting of Swank's class with Holocaust survivors was tender and touching indeed.

I wish she'd been my teacher and given me The Diary of Anne Frank to read. Better than reading Silas Marner.

What a wonderful movie - my teenage daughters enjoyed it as much as I did. Not an easy to feat to accomplish! I had seen "Bobby" in the afternoon and went home and cried like a baby. Then, a few hours later took my daughters to a screening of Freedom Writers and left feeling so uplifted. The movie made be believe in the power that one person can hold to improve the lives of others. Education and empathy are also powerful tools in eliminating prejudice and intolerance. The movie made me feel that the time I spend volunteering at my children's' schools is so worthwhile, but maybe I could do more! Let's use this holiday season to help others as we help ourselves.

"Everyone who remembers his own educational experience remembers teachers, not methods and techniques. The teacher is the kingpin of the educational situation." Sidney Hook, Education for Modern Man

It would be easy to criticize Freedom Writers as just another cliché-infested classroom redemption story, more Blackboard Jungle than History Boys. But because it is based on a true story of at-risk students attending Woodrow Wilson High in Long Beach, a voluntarily integrated school, I have to avoid accusing it of being derivative and offer that it relates the essential truth about education: Most students have a voice if a teacher can find it; most students can thrive when a teacher creates a sense of family amid chaos, as Emily Gruwell did in the early '90's of Rodney King riots in Los Angeles. The diaries her students wrote inspired students around the country to do the same.

Seeing the photo of the real Gruwell with her students as the end credits roll, I can understand cynics saying this is typical Hollywood—no teacher can look like Hillary Swank! But rising above the petty carping that includes skepticism about transformation of unruly kids into real students within a year, I have to admit it happened because of the transforming power of love and words. As in Charlotte's Web, both ingredients are potent reformers of the disaffected.

Gruwell sacrifices, as cases of true love sometimes require, her personal freedom and loses her marriage for the higher good of the young people she teaches. Admittedly, her slacker husband, Scott (Patrick Dempsey), doesn't deserve such a gifted wife, and her crusty dad, Steve (a monumentally weathered Scott Glenn), has some stereotypical responses to his daughter's choices. Most of all I object to those actors as students: They are way too old to be playing 14 and 15 year olds. Surely there are gifted teens who could do the job! Overall, however, the film rings true about the magic a dedicated teacher can do with rebellious but malleable teens.

For those of us who still toil in the fields of education, Freedom Writers reminds us why we love a profession that gives us a chance to save souls in the only way we can certify outside the uncertain faith of religion. This film is a superior entry in a long history of teaching brought to its ideal form in film.