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The Treatment

  • 2006
  • Not Rated
  • 1h 26min
NOTE IMDb
5,8/10
1,2 k
MA NOTE
Ian Holm, Famke Janssen, and Chris Eigeman in The Treatment (2006)
ComédieDrameRomance

Ajouter une intrigue dans votre langueJake Singer is at loose ends in New York City, and neck deep in psychoanalysis with the outrageous Dr. Morales, when he meets the enigmatic and beautiful widow Allegra Marshall.Jake Singer is at loose ends in New York City, and neck deep in psychoanalysis with the outrageous Dr. Morales, when he meets the enigmatic and beautiful widow Allegra Marshall.Jake Singer is at loose ends in New York City, and neck deep in psychoanalysis with the outrageous Dr. Morales, when he meets the enigmatic and beautiful widow Allegra Marshall.

  • Réalisation
    • Oren Rudavsky
  • Scénario
    • Daniel Saul Housman
    • Daniel Menaker
    • Oren Rudavsky
  • Casting principal
    • Chris Eigeman
    • Ian Holm
    • Famke Janssen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,8/10
    1,2 k
    MA NOTE
    • Réalisation
      • Oren Rudavsky
    • Scénario
      • Daniel Saul Housman
      • Daniel Menaker
      • Oren Rudavsky
    • Casting principal
      • Chris Eigeman
      • Ian Holm
      • Famke Janssen
    • 10avis d'utilisateurs
    • 29avis des critiques
    • 54Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos23

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    Rôles principaux31

    Modifier
    Chris Eigeman
    Chris Eigeman
    • Jake Singer
    Ian Holm
    Ian Holm
    • Dr. Ernesto Morales
    Famke Janssen
    Famke Janssen
    • Allegra Marshall
    Stephanie March
    Stephanie March
    • Julia
    Peter Vack
    Peter Vack
    • Ted
    Griffin Newman
    Griffin Newman
    • Scott
    Josh Caras
    Josh Caras
    • Phil
    • (as Josh Barclay Caras)
    Matt Stadelmann
    Matt Stadelmann
    • Chris
    Lindsay Johnson
    • Walter Cooper
    Roger Rees
    Roger Rees
    • Leighton Proctor
    Stephen Lang
    Stephen Lang
    • Coach Galgano
    Thomas Bubka
    • Other Coach
    Maddie Corman
    Maddie Corman
    • Patty Mcpherson
    Stephen Lee Anderson
    Stephen Lee Anderson
    • Bill Daniels
    Tyrone Mitchell Henderson
    Tyrone Mitchell Henderson
    • Gerry Leonard
    Elizabeth Hubbard
    Elizabeth Hubbard
    • Claire Marshall
    Ellen Maguire
    • School Nurse
    Peter Hermann
    Peter Hermann
    • Steve
    • Réalisation
      • Oren Rudavsky
    • Scénario
      • Daniel Saul Housman
      • Daniel Menaker
      • Oren Rudavsky
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    5,81.1K
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    Avis à la une

    7Richard_vmt

    Worth Seeing

    I grabbed this off the shelf without much thought but was generally pleased with it as a selection. It is the story of a single Manhattan high school teacher who is in psychotherapy. The film makes good use of fantasy by startling us with

    imaginary interventions by his extraordinarily aggressive and ribald therapist at dramatic junctures during his day.

    While the leading character, Jake, has experienced a romantic disappointment in an earlier relationship, the main thrust of his therapy seems directed at a battle against mediocrity. Apparently, a

    career as a high school teacher does not count as success. Apparently also, the elderly therapist considers a year without sex a major red flag. Apart from these shortcomings, Jake seems to conduct himself cautiously but extremely well, leaving me wondering about the correctness of his mediocrity.

    This film does a good job of representing older people, for example the therapist and Jake's father, as well as others, as something else besides useless. Here they are accepted enough to assert themselves, their intelligence is respected and occasionally heeded.

    The plot held my attention through its twists and turns. Two points I felt were a lapse into hackneyed stereotypes involved the feminism of his lover, Allegra. To begin with, she initiates the first sex (even though things seemed to be proceeding along nicely) and routinely assumes the aggressive role after that as well. I questioned whether this would really be cool in real life. I suppose this could be taken as the otherwise lacking evidence of his neurosis by accepting it except that it is all her actions.

    Secondly, after they have had frequent and mutually gratifying sex, get along great, he well on his way to being accepted by her two children, and to cap it all off she is about to lose custody of her young daughter because the adoption stipulated a two-parent household-- with all this in play she rejects his heartfelt proposal of marriage because she is 'not ready' just a year after becoming a widow. These two facts might suggest that she, a rich woman, was using him as a convenience. However, the rest of her character as portrayed does not support that at all. Instead the flick is merely waving a PC flag of liberated woman-- even when it is absurd-- to garner brownie points.

    Ultimately however, all such complexity of living is suddenly swept away in a traditional happily-ever-after romantic ending--but one so hasty that I definitely felt they were running out of film. I don't want to sound like I would entirely re-engineer the film, but I definitely felt it was going somewhere else.

    But these are lapses in authenticity in a film notable for authenticity. It is an engaging and often quite funny flick.
    5theluke311

    Just not enough

    Somewhere between adaptation and shooting, the magic leaped out of this film. The synopsis looked promising and it could have delivered, but it seems that poor casting choices and spotty dialog made it fall short. The leading man isn't quite convincing on film. His technique feels more fit for stage, but when on screen you see an actor and not a character. Famke Janssen and Ian Holm are the two bright spots in the nigh hour-and-a-half feature. Holm was the one actor who garnered a laugh. But they both seem out of place, heavy hitters in a smaller film. It could be that a bigger star was set to play Chris, but dropped out, leaving the film with less studio support while Famke and Ian stayed on. This film has gone on to win some festival awards, which makes me wonder if I missed something, or was simply not in the right mood for the film. Nevertheless, it could have been much, much better.
    5Chris_Docker

    Nice idea, but not an engrossingly enough delivery for a feature film

    The Treatment describes itself as 'a serious romantic comedy about life and love in NYC.' The main characters are Jake Singer, an anxious young schoolteacher who has broken up with his girlfriend and seems resigned to a life of mediocrity; his shrink, Dr Ernesto Morales (Ian Holm), who describes himself as the last great Freudian - 'in a line stretching from Moses to Aristotle;' and Allegra Marshall, a beautiful young socialite that takes a fancy to him.

    The film aims at a serious note with the unrelenting, intrusive and almost sadistic treatment meted out by Dr Morales. Jake's baggage is all too obvious and (although there must be easier routes) the 'treatment' does show signs of working, even when Jake starts wondering if he has maybe just 'hallucinated' the encounters. A sub-plot about adoption tries to bring in some emotional ballast to fill the chasm left by Jake and Allegra's lack of on-screen chemistry.

    The Treatment meanders along like an episode of Sex and the City or Frasier - only where nothing much happens. At first captivating, the endless litany of inconsequential detail and forced humour soon begins to wear. "I thought he was supposed to make you feel more comfortable in your own skin," says Allegra about Jake's analyst. "No, he's more the exfoliating type." In discussing one of Jake's favourite books, Allegra quotes a comment about the author re-drawing the landscape to place equal emphasis on what's not said. Sadly, this film has too much that is said; and that which is not said has too little substance to justify the barely relevant meanderings of school sports halls or Dr Morales' questions about sexual positions. Ian Holm delivers a fine performance, but the script, while not completely without merit, has too little to for such a great actor to get his teeth into. We are told that the lover in Jake is under-nourished and the self-pitying side over-fed: much the same could be said of this bloated, drawn-out and not particularly engaging film.
    9viamillitaris-37591

    Concordia

    " The tratment" is a very well acted romantic comedy that relies on clever dialogue rather than outlandish set-pieces to deliver the laughs. I have to say that this movie particulary like, cause i think that Famke Janssen is one of the most attractive Holywood actresses ever. I was hooked up on her from the moument I saw her like Bond girl in "Golden eye". But many years after she proved that she can take much more seriously and demanding rolles just like in this movie. This creation is psychological romance too, which makes everything more interesting. This movie has the happy ending and strong message that good things happen the people who wait. And ofcourse, love is everything what matters.
    8DaveB1972

    Warm film with clever dialogue. A smart romantic comedy.

    "The Treatment" is a very well acted romantic comedy that relies on clever dialogue rather than outlandish set-pieces to deliver the laughs.

    The story is simple enough - Teacher Jake befriends the young widowed mother of a student and then falls for her. Things are complicated by their different social standings, the fact that Allegra is still grieving for her recently dead husband, and Jake's visits to his psychoanalyst.

    The lead actors are all excellent, but Ian Holm's character gets all the best lines in the movie as a nasty psychoanalyst trying to 'help' Jake Singer (Chris Eigeman) stop undermining his own relationships.

    Famke Janssen is very, very good in this movie and her performance was my favourite of the piece. Considering the other works I've seen her in I was blown away to discover she was such a good actress.

    This is a warm, funny movie that I could happily watch again.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      John Zorn who composed the score for this movie won a MacArthur Foundation, the "Genius" award for his music in 2006.
    • Gaffes
      During the last school lesson before summer, when the camera is panning over the students in the classroom. We can clearly see a student reading his book upside-down.
    • Citations

      Dr. Ernesto Morales: "I suppose, maybe, I guess." Constructing passive sentences is a way of concealing your own testicles lest someone cut them off.

    • Connexions
      References X-Men : L'Affrontement final (2006)
    • Bandes originales
      Peaceful Miles
      Written by Brad Hatfield

      Performed by Brad Hatfield and Ken Cervenka

      Courtesy of Heavy Hitters

    Meilleurs choix

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    FAQ20

    • How long is The Treatment?Alimenté par Alexa
    • When is the US DVD release date?

    Détails

    Modifier
    • Date de sortie
      • 28 avril 2006 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Психоаналіз
    • Lieux de tournage
      • New York, États-Unis
    • Sociétés de production
      • Shrinkwrap
      • Centre Street
      • Oren Rudavsky Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 900 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 83 354 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 14 196 $US
      • 6 mai 2007
    • Montant brut mondial
      • 83 354 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 26min(86 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.78 : 1

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