Rescue Dawn
- 2006
- Tous publics
- 2h 5min
La lutte épique pour la survie d'un pilote de chasse américain après avoir été abattu lors d'une mission au-dessus du Laos pendant la guerre du Vietnam.La lutte épique pour la survie d'un pilote de chasse américain après avoir été abattu lors d'une mission au-dessus du Laos pendant la guerre du Vietnam.La lutte épique pour la survie d'un pilote de chasse américain après avoir été abattu lors d'une mission au-dessus du Laos pendant la guerre du Vietnam.
- Récompenses
- 1 victoire et 6 nominations au total
James Aaron Oliver
- Jet Pilot
- (as James Oliver)
François Chau
- Province Governor
- (as Francois Chau)
Teerawat Mulvilai
- Little Hitler
- (as Teerawat 'Ka-Ge' Mulvilai)
Avis à la une
The film is based on the story of the American pilot Dieter Dengler (Christian Bale) and his crushing fall onto the territory of Vietnam. Active warfare during the Vietnam War will not be shown here, but you will see the inner side of the horror of the war - the brutal everyday life of the military captivity of American soldiers in the depths of the wild Vietnam jungle, where it is almost impossible to escape and stay alive.
The script is very consistent and rich. Christian Bale, as almost as always, is incomparable and delightful in his role. You believe him and empathize. During the movie, he turns from a self-confident guy into a man who has understood, in his own skin, the difference between educational practice and the reality of war. Other actors also play with a high quality.
The only drawback for me is how poorly was shown of the plane crash at the beginning of the film, there were obviously problems with the special effects during the shooting of the film )
Someone may decides that the film is tightened and there is little action, but behind such silence lies the deepest drama. You can feel the lack of budget and there are some drawbacks, but the message and the idea are much higher than commercial success. You should only feel a little stronger desire of the heroes to live, to fight for their lives, to overcome obstacles and not to despair, and you as a spectator will not remain indifferent.
After getting shot down in Laos, Dieter Dengler is captured, tortured, and eventually transported to a remote POW camp where he is united with fellow American pilots with the same problem. With the arrival of Dengler, a new spirit emerges among the group, and an escape plan soon hatches. RESCUE DAWN is a story of struggle, friendship, keeping one's sanity, and survival amidst a war-brewing Vietnam and its inhospitable jungles. Werner Herzog does a great job with his direction, giving his actors full reign as well as inspiring them to their creative peaks. Each actor in the film does their best with each role; none becoming too hammy or extreme in their techniques; with Bale, Zahn, and Davies all shedding flesh as well as comfort in preparation for their tasking roles. Great cinematography throughout, as the Laotian backdrop is realized vividly; looming stone cliffs and walls of vine add further quality to the prison feel, and empty fields and lush rain forest paints the wild of Vietnam effectively. The music is excellent, and serves the film nobly, never trying too hard for tears or pity. RESCUE DAWN is a feel-good movie without really trying to become one, which is where so many survival and hardship movies fail; but any imperfections this film does have, is certainly overshadowed by its obvious technical genius, excellent acting, and courageous story.
For me, Werner Herzog will always be remembered for his haunting 1979 remake of "Nosferatu." Next to the silent-era original, it's probably the greatest artistic statement ever put to film on the myth of the vampire. Apart from that, he's been one of those fascinatingly enigmatic European infant-terrible directors, brazenly going against the studio system and doing whatever he damn well pleases, be it documentaries or bizarre art films. "Rescue Dawn" comes as a huge surprise, and proving that he still does whatever he pleases, is a dramatized version of the true story of Vietnam POW Dieter Dengler that Herzog previously filmed as a documentary in 1997 entitled "Little Dieter Needs to Fly." Masterfully realized, "Rescue Dawn" emerges as Herzog's most accessible film. After over 30 years of film-making, he's gone "Hollywood" but has done it on his own terms.
"Rescue Dawn" features classical and feverishly transcendent direction from Herzog, breathtaking cinematography of Laos and Vietnam from Peter Zeitlinger, a triumphant and evocative music score from Klaus Bedelt, and Oscar-worthy performances from an amazing cast. In the lead role of Dieter, Christian Bale once again puts his whole body into the character (as he did in "The Machinist"). Bale has become one of those rare actors whose every role seems to be the performance of his career. Also noteworthy are Jeremy Davies ("Saving Private Ryan," and "Ravenous") as Eugene from Eugene, Oregon, who seems to always get cast as the most emotionally unstable soldier, and a shockingly good and sympathetic Steve Zahn as Duane. Herzog puts the cast through the ringer in artistically rendered depictions of torture, horror, and survival in the harshest of conditions. Even in some of the most cringe-worthy scenes, Herzog turns what could've been wallowing on its head--witness the fantastic transition from Bale eating live worms and one crawling in his beard to a beautiful caterpillar leisurely making its way across a leaf in the peaceful jungle.
Essentially what we have here is the war-movie version of Milos Foreman's "One Flew over the Cuckoo's Nest" as Herzog depicts a group of average men who were slightly crazy already becoming increasingly more mad through involuntary imprisonment. While Bale's character refuses to be held down and is constantly trying to keep his brain and skills sharp through plotting an escape, some of his fellow prisoners are rendered hopeless as they have turned their own minds into the most impenetrable walls. Herzog does a great job of depicting tiny bits of humanity and dignity shining through in the most inhumane conditions, and how the will to survive can triumph over death. He's somehow crafted a movie that is both boldly anti-establishment and unapologetically pro-soldier and patriotism. Being based on a true story where the ending is known to the viewer doesn't take away from the white-knuckle suspense and human drama. Unlike Foreman's classic from the 1970's, where Jack Nicholson (mirrored here by Bale) flew over the cuckoo's nest and disappeared into his own insanity, Herzog gives up hope. One flew over the bamboo hut...and he made it.
"Rescue Dawn" features classical and feverishly transcendent direction from Herzog, breathtaking cinematography of Laos and Vietnam from Peter Zeitlinger, a triumphant and evocative music score from Klaus Bedelt, and Oscar-worthy performances from an amazing cast. In the lead role of Dieter, Christian Bale once again puts his whole body into the character (as he did in "The Machinist"). Bale has become one of those rare actors whose every role seems to be the performance of his career. Also noteworthy are Jeremy Davies ("Saving Private Ryan," and "Ravenous") as Eugene from Eugene, Oregon, who seems to always get cast as the most emotionally unstable soldier, and a shockingly good and sympathetic Steve Zahn as Duane. Herzog puts the cast through the ringer in artistically rendered depictions of torture, horror, and survival in the harshest of conditions. Even in some of the most cringe-worthy scenes, Herzog turns what could've been wallowing on its head--witness the fantastic transition from Bale eating live worms and one crawling in his beard to a beautiful caterpillar leisurely making its way across a leaf in the peaceful jungle.
Essentially what we have here is the war-movie version of Milos Foreman's "One Flew over the Cuckoo's Nest" as Herzog depicts a group of average men who were slightly crazy already becoming increasingly more mad through involuntary imprisonment. While Bale's character refuses to be held down and is constantly trying to keep his brain and skills sharp through plotting an escape, some of his fellow prisoners are rendered hopeless as they have turned their own minds into the most impenetrable walls. Herzog does a great job of depicting tiny bits of humanity and dignity shining through in the most inhumane conditions, and how the will to survive can triumph over death. He's somehow crafted a movie that is both boldly anti-establishment and unapologetically pro-soldier and patriotism. Being based on a true story where the ending is known to the viewer doesn't take away from the white-knuckle suspense and human drama. Unlike Foreman's classic from the 1970's, where Jack Nicholson (mirrored here by Bale) flew over the cuckoo's nest and disappeared into his own insanity, Herzog gives up hope. One flew over the bamboo hut...and he made it.
A no-nonsense(no bragging about 'Uncle Sam') and sombre depiction of a spasming survival. While the film has a few disturbing historical inaccuracies, the whole experience is gripping. I guess after 'Platoon', I was impressed by this movie's jungle 'fear-factor', the cinematography deserves applause. The background score gives justice to the setting of the movie. Christian Bale has put his heart into the role and well supported by the rest of the cast. There are these rare 'straight stories' that make a mark in a gentleman's way, this movie is one ...
I saw this at the world premiere last night, and it was really great. Not my favorite Herzog movie, but overall his most well rounded one and definitely his most mainstream. It has a chance of doing quite well at the box office. The acting is all around terrific, and the camera work beautiful.
Most Herzog movies seem like these flawed masterpieces; movies that are worth watching for several moments of intense brilliance. Rescue Dawn had these moments of brilliance, and the rest seemed like a very well made thriller / action movie. However, it didn't quite pack the same punch as the best moments of Fitzcarraldo or Aguirre. Still, I gave it 5/5 on my voting ballot.
Most Herzog movies seem like these flawed masterpieces; movies that are worth watching for several moments of intense brilliance. Rescue Dawn had these moments of brilliance, and the rest seemed like a very well made thriller / action movie. However, it didn't quite pack the same punch as the best moments of Fitzcarraldo or Aguirre. Still, I gave it 5/5 on my voting ballot.
Le saviez-vous
- AnecdotesThe film was shot in reverse continuity so Christian Bale, having worked hard to lose weight for the role, would appear the gauntest at the end, and then could simply gain the pounds back over the course of filming, working backwards through time so that when Bale returned to his average weight he would be filming his scenes as Dengler prior to being taken prisoner.
- GaffesDuring his captivity, Dieter is shown wearing his gold wedding band - it is generally regard as something no American pilot would do. However, on the DVD Walter Herzog explains a deleted scene where Dieter's ring is almost stolen. When the guards are transporting Dengler to prison they stop at a village. A man there threatens to kill Dieter unless he gives him his ring-a gift from his fiancée. When they leave the village Dieter tells the guards his ring was stolen and they return to the village. The guards cut off the villager's ring finger and return Dieter's ring to him. This is a factual event that haunted Dengler the rest of his life.
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- How long is Rescue Dawn?Alimenté par Alexa
- Did Bale really eat those bugs?
- In the last scene, there were men dressed wholly or mostly all in red, all in yellow, all in purple, and all in blue. Why was that?
- What is with the cheesy ending?
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Giải Cứu Lúc Bình Minh
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 5 490 423 $US
- Week-end de sortie aux États-Unis et au Canada
- 110 326 $US
- 8 juil. 2007
- Montant brut mondial
- 7 177 143 $US
- Durée2 heures 5 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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