The Last Hangman

I'd just been through a run of watching many poorly made, uninspiring and disappointing films in the last year, then luckily I saw this film Pierrepoint aka The Last Hangman which restored my faith in cinema.

Like all excellent films, it a simple story, expertly performed by a very strong cast. The other great element of a quality film is that it can be interpreted in many different ways by its viewers.

It shouldn't be explained as a portrayal of a man who hanged people although that is exactly what he did, what made him famous and what he will be remembered for.

For me Pierrepoint is more about working life. The job was always going to be a vocation as his father had been a hangman before him and he wanted to live up to a man he admired. We see the ends that he goes to, to be the best in his chosen field and I must admit I thought this was shown brilliantly; his care, his attention to the task, his desire to see the job done right. In the period of time that this story is set your job was something you took pride in not something you exploited to get better money and benefits while doing as little effort as possible.

It is impossible to be completely accurate when making a biographical film as you are condensing a persons lifetime into a couple of hours of screen time so therefore the director, writers, editor and producers need to shorten, edit and take a certain amount of artistic license.

Fortunately I knew nothing about Albert Pierrepoint before I watched this film so I didn't know what had been left in and left out of this account of his life, since then I talked to my father who knew many things about the man as he had lived and worked in London just after hanging was abolished and had seen Pierrepoint interviewed. He told me about a few things that weren't shown in the film, things that would have given my father an opinion about what type of person this famous hangman was. I've asked my father to see the film as I want to know how the celluloid depiction compares to his memories of the real man; even if he believes it to be inaccurate I'll still watch it again.

It is a dark, sad film which wouldn't be a great date movie but maybe a film you should watch the next time you have a bad day at work.

This film details the life and career of Albert Pierrepoint, the Lancashire hangman and owner of the pub 'Help the Poor Struggler' from the 1930s through to the 1960s. His profession is in the blood - following in his father's footsteps - but until the war he stayed anonymous, not even discussing matters with his wife.

Timothy Spall does well in the lead, although the historical accuracy is questionable in places. As a character study it works well, but ultimately it is a fairly depressing watch. The quotation at the end makes clear that Pierrepoint did become disillusioned with his quick and dispassionate job, moving from pride in the speed of his work to the feeling that something is inherently wrong with one person causing another's life to end with deliberate calculation.

Pierrepoint is a film which raises a lot of questions, but ultimately treats them in a superficial way. Historical cases well documented such as Evans and Ellis pass by without much note, which depersonalises them and makes their inclusion something of a lost opportunity.

Albert Pierrepoint was Britain's most prolific executioner, overseeing the hanging of more than 600 condemned men and women including Derek Bentley, Ruth Ellis and Lord Haw Haw. Adrian Shergold's film starring Timothy Spall in the title role is a dark period piece exploring the stark relationship between compassion and work ethic.

Pierrepoint approaches his grisly duties with pride, professionalism and a stoical detachment – a third generation hangman, he is well accustomed to checking his personal life at the prison gate while he gets on with the job at hand.

But duty and morality are constantly battling in the back of his mind - a struggle neatly illustrated when he is seconded to Germany after the War and tasked with dispatching Nazi war criminals. His clinical work here is deliberately and uncomfortably linked to the crimes of the Nazis who gassed their Holocaust victims with the same brutal precision.

Back in England, as liberalism begins to take hold and high-profile executions enrage a population bubbling with discontent, Pierrepoint's reputation in the eyes of the public slides swiftly and irretrievably from British war hero to callous murderer – a bewildering descent perfectly captured by Spall's mesmerising performance. Juliet Stevenson is not bad either as Pierrepoint's loyal wife gradually embittered by years of turning the other cheek at her husband's double life.

The film celebrates dignity and humanity but is laced with a uniquely British attitude evocative of Vera Drake and The Remains of the Day. Like these earlier social dramas, Pierrepoint culminates memorably in a momentary quivering of its previously resolute stiff upper lip.

The movie tells the story of Albert Pierrepoint, Britain's most prolific hangman. This may sound like the plot of a cheap exploitative movie but I can assure you this is a fantastic movie which respects the man, the profession, the people executed and deals with the conflicts this strange profession carries. Thimothy Spall, a fantastic and very underrated actor, gives one of the best performances of his career. I've seen this movie twice before and should definitely see it again. Highly recommended

When documenting a true story, criticism is often levied at the film-makers for condensing and twisting true-life events to suit their needs. That may well be the case. Unless the viewer has read first hand accounts of such true-life stories, then the film versions of these events appear stilted and fanciful.

Albert Pierrepoint's story has been well documented in not only his autobiography but by numerous historians and writers. With key events in the film being followed as closely as possible, it must have been nigh on impossible to keep everyone happy. Casting for this film must have been quite an exciting process. With people like Timothy Spall in the lead role, he showed all the care and attention that Pierrepoint was famous for. His wife, played by Juliet Stephenson, was a highly touching character. Although Mrs Pierrepoint never stood out in the original autobiography, Stephenson brings us a strong yet gentile woman, the driving force behind The Hangman. Eddie Marsan's portrayal as 'Tish' was casting at it's best.

A supporting cast of physically interesting character actors blended with superb lighting and set design, make a highly enjoyable and thought provoking film about the rights and wrongs of capital punishment.

The fact that the makers of 'The Last Hangman' managed to cram a fascinating life-long career into 90 minutes must serve as a tribute to their skill and craftsmanship.