Faussaire

Saw a sneak preview of this earlier this evening. Not bad as some other comments would have you believe, but not perfect either. The historical details are a bit inaccurate in some areas, but those are relatively minor ones which don't affect the story too much. At it's core, the film focuses on the lies told by Clifford Irving and how he charmed everyone into believing them. The lies don't just affect his writing career, but also the lives of those around him and eventually comes to the point where it's difficult to distinguish fact from fiction in what Irving says, a task which is made all the more difficult given the eccentricity of nearly everything done by Howard Hughes during that period of time. Overall, the film isn't too bad, the main characters are nicely developed, the plot is interesting, and the acting isn't bad. The subtle 1970s touches (vintage Coca Cola and Tab cans, news footage, hairstyles, commercials, cars, Watergate, etc) also make it fun to watch. Overall, the story, acting, and the attention to detail force me to give this a 8/10 despite the few flaws here and there. Definitely a must see for the Howard Hughes buffs along with "The Aviator".

Lasse Hallstrom has directed a compelling recreation of Clifford Irivng's novel in "Hoax". It is a retelling of the risky writing of the fake autobiography of Howard Hughes, the eccentric billionaire from Texas. Richard Gere gives a satisfying performance in his torn character of Clifford Irving himself. He is also convincing in his ability to show his simultaneous success and guiltless feelings in writing his so-called autobiography. Alfred Molina gives an emotional performance as Dick Suskind, Irving's loyal friend and co-writer. Marcia Gay Harden is a genuine Edith Irving in this disturbing story. And Julie Delpy is exquisite as Nina Van Pallandt, the paramour that Irving drags into his ploy. It makes for a nice cinema, and likely a good read.

'The Hoax' is an endlessly charming and witty film, blending comedy with drama for great and successful results. Richard Gere is at the top of his game as he commands the screen, prosthetic nose included. Lasse Hallstrom's, whose films included 'Chocolate' and 'The Cider House Rules', keen sense of direction keeps the film fresh and engaging. It ultimately makes for a genuinely pleasant experience and one of the year's better pictures.

Desperate for success and wealth, Clifford Irving is about to pull off the hoax of the century. Set in the 1970s, Irving has pitched and sold his idea of a Howard Hughes biography to a premiere publishing company. Problem is, none of it's true. Irving, with his friend Dick Susskind at his side, will spin an intricate web of lies as he sets out to compile a fraud biography of Hughes and set-up staged interviews with the wealthy recluse. He soon becomes so deep in all of his lies that it seems inconceivable that he'll find his way out. But with each twist and turn, Irving matches with one of his own.

What makes 'The Hoax' work? It appears to be nearly flawless. Director Lasse Hallstrom keeps viewers in the moment with a nice, speedy pace. And so 'The Hoax' never wears out its welcome. It's such a quirky and original project that entertains without taking itself too seriously. It's light, witty humor mixed with dramatic effect to create what is at times a film with a dual personality, but it works out just right. 'The Hoax' has an intelligence that's sharper than most, keeping the elaborate and offbeat heist cleverly afloat rather than becoming dull and over worn. An outrageously true story of an outrageously true crime.

You may say that 'The Hoax' ultimately works because of one man, and that's Richard Gere. His best performance in years, Gere commands the screen as the man behind the heist (and nose). He's sharp, humorous, tragic, and flawed. The whole package. He almost forces you to emotionally invest in his character, because he's almost too charming not to. You'll find yourself rooting for him and his cause. It's one of the best performances of the year. Alfred Molina, Hope Davis, and Marcia Gay Harden all benefit from a great script. Molina stars as the humorously bumbling sidekick who possesses what Gere does not: a conscious. Davis is wonderful as the publishing agent, and while Harden's role doesn't present her with much screen time, she delivers a strong outing with what she's given.

'The Hoax' is a remarkably well-made, well-told account of a bizarre heist. The truth is stranger than fiction, and while it's wildly strange, it's wonderfully fun and silly yet tragic and serious when it has to be. 'The Hoax' is no hand-me-down of the heist genre, but rather a worthy and memorable addition. It's one of the year's best films, and no doubt you'll get a kick out of 'The Hoax'.

"The Hoax" is a rollicking good time at the movies. It's a strongly written, competently directed, and well acted character study of a pathological liar, Clifford Irving. This amazing true story details the complex hoax staged by Irving, a man who in the 1970's fooled a major publisher and LIFE magazine into thinking he was writing an authorized biography of Howard Hughes. Most of the fun emerges from the extreme lengths Irving (Richard Gere) and his best friend and partner (Alfred Molina) go to pull off the hair-brained scheme. The more outrageous the lies they concoct, the more believable they become and the more money gets thrown at them.

Richard Gere has never been that good of an actor, but he's always had an arrogant charm that makes him oddly likable, and he uses that to its full extent in what is probably his most mature performance here as Clifford Irving, a arrogantly likable and charming liar. He's surrounded by a fantastic supporting cast in Alfred Molina (as his sympathetic and often comical side-kick), Marcia Gay Harden (donning blonde hair and a European accent as his long-suffering but eager to con wife), and Hope Davis (playing his publishing industry connection). Davis probably gets the best line in the film when she says to a coworker who unwittingly foils a "staged" face-to-face meeting with Hughes, "Pray that you drop dead."

The film starts slowly and plays things for "winks and laughs" and light drama. It gets slightly bogged down in the final act as the hoax crumbles under its own preposterous weight and some scenes get heavy on the melodrama. There's also some wishy-washy "conspiracy" theories floating around about the Nixon administration and Howard Hughes that maybe somewhat true, but might be another figment of Irving's fanciful imagination as this is based on his "memoirs" of the events.

These few flaws, however, don't sink the ship as the playful cast and sure-handed direction from Lasse Hallstrom (in what his probably his best work since "Cider House Rules") keep the hoax firmly afloat. What the film ultimately excels in is the connections it makes with Irving's pathological personality (that ultimately leads to severe paranoia and delusions of grandeur), the paranoia of the Nixon administration (that mirrors nicely the modern Bush administration), and the alleged over-the-top eccentricities of the infamous Howard Hughes. In his mind Irving intertwines himself with these two powerful and tragic men. The film highlights how Irving saw himself and Hughes as smooth-talking, larcenous megalomaniacs, and truly believed he was going to be a major player in world history with the take down of Nixon even though he never had direct contact with either man and based his story on gossip, hearsay, and innuendos. It's really not much of a stretch to imagine Hughes bribing Nixon and wielding power like the wizard behind the curtain in Oz, and it makes for a well told tale. Whether we believe the story ultimately lies in how much power we allow each of these men to have. In his image, Irving thought Hughes held power over everyone, and for Irving, his tiny part in all that was the greatest story of all.

Now here's a movie almost doomed to the back pages of cinema history. Only playing at one cinema in my area and having grossed a mere 3 million in two weeks at the box office, it might just be only a matter of time before this movie fades away and is forgotten. That would be quite the shame as the Hoax is quite the movie, and a real treat for the very few people who are actually willing to give it a chance.

"The Hoax" is the story of Clifford Irving, a struggling author pitching ideas to the McGraw-Hill company. As his most recent novel is blasted by critics before release, a desperate Clifford promises his editors and publishers the story of the century, without having precisely figured out what that is. That is until he stumbles onto it (literally). Clifford decides to con the whole world into believing that the reclusive enigmatic billionaire Howard Hughes has commissioned him to write his autobiography.

What follows is an intriguing and enthralling romp through the mazes of lies and deceptions that Clifford and is "co-author" Dick Suskind have spun. Eventually, the fictitious story snowballs past anything the two writers could believe as revelations into accounts of fraud and blackmail begin to penetrate the highest offices, and it all begins to come crashing down.

"The Hoax" is a character driven drama of the highest caliber. The sharp direction and writing, and excellent casting make it hard to ignore. Richard Gere and Alfred Molina give career high performances, and the supporting Hope Davis and Marcia Gay Hayden just round the film off nicely.

This is one of the best movies of 2007 so far. It may not have as wide an appeal as other outings, but it's thoroughly enjoyable all the same.

4.5/5