After...

Director David L. Cunningham takes the audience on a rough-edged ride with three extreme thrill-seekers, running us out of the blocks with a dramatic BASE jump and hauling us into Moscow's underground subways, chiefly the infamously secret Metro-2 line purportedly built in Stalin's time. Guerrilla-style in the actual tunnels, this is head-spinning film-making, an experience where rushing trains rattle your teeth; when a character scratches his neck, your neck itches too; and you feel irradiated an hour in. Without giving it away, the movie's a head- flip on a story level too, as screenwriter Kevin Miller and Cunningham rope in themes of love, guilt, regret, and bottomless loss so densely with the adventure that you're still sifting through them long after the credits have played.

The sharp intimate scenes and claustrophobic mood are highly suited for DVD view.

This movie keeps your attention. I didn't like the extreme camera angles. Guess that is how this kind of movie is suppose to be. But it made it hard to focus on what was happening. The lighting was amazing, however.

The acting seemed flawless. I am not an expert on these things, but over all the actors and all seemed good. I saw it at a special screening and many people seemed to like it even better than myself. Loved the music of course - GO Crystal Method!!! I wanted a more uplifting story - that probably would seem cheezy in a movie like this though.

Some movies are critically panned and deserve it; they're poorly made, badly acted, directed or written. There are others that are simply misunderstood. "After" is one of these. At first glance, it's another film about a hedonistic group of thrill-seekers in a dangerous, surrealistic environment. The mood of the film is established early on through the use of POV "Blair Witch" style camera work. The nervous, frenetic movements of the frame convey the adrenalin rush of the characters as they infiltrate buildings, tunnels and other forbidden places, "…simply because they can." The action moves to Moscow where the mission is to explore Stalin's legendary "Metro 2" underground. Seen through the point of view of "Nate," the journey quickly becomes a nightmare as the line between what is real and unreal disappears entirely. I found the dreamlike sequences fascinating, especially the effect of characters disappearing as though they were digital ghosts. After's unusual style of direction kept me slightly off-balance, right to the end. The truth remains out of reach, like the indistinct walls of the tunnel just beyond the light. A good movie lingers on in memory, giving food for thought…After.

The movie had a slow start but it had a very interesting perspective after a bit. It sort of introduces you to the whole urban explorer thing then gets into the story heavily. Very dynamic ending and exciting twists.

I feel sorry for the girl, she had it that hardest, will sort of. : 0 That would be one hell of a way to spend your vacation. Sort of a bit of hell meets extreme sports adventure. Either way it was fun to watch. Just wouldn't want to go there myself.

I think this is one of those movies that will be very interesting to watch a second time on DVD. There is so much going on!

I thought AFTER... was a well conceived film. The foreshadowing was well executed. I like the "passengers" traveling with you under 16 reference. The chemistry between characters was good. I don't understand why they didn't turn off their lights doing scenes where they could be caught. His guilt was well established throughout as well.

Like I said about the lights and stuff, I guess the situation of "where" we were in the film explains much of it. It makes sense in the end.

All the locations looked really good, too.