[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Inland Empire

  • 2006
  • Tous publics avec avertissement
  • 3h
NOTE IMDb
6,8/10
67 k
MA NOTE
POPULARITÉ
3 316
69
Laura Dern in Inland Empire (2006)
Regarder Official Trailer
Lire trailer1:55
2 Videos
99+ photos
Drame psychologiqueÉpiqueFantastique sombreSuspense et mystèreThriller psychologiqueTragédieDrameFantaisieMystèreThriller

Lorsqu'une actrice ne fait plus la distinction entre son personnage à l'écran et la réalité, sa vie devient cauchemardesque et surréaliste.Lorsqu'une actrice ne fait plus la distinction entre son personnage à l'écran et la réalité, sa vie devient cauchemardesque et surréaliste.Lorsqu'une actrice ne fait plus la distinction entre son personnage à l'écran et la réalité, sa vie devient cauchemardesque et surréaliste.

  • Réalisation
    • David Lynch
  • Scénario
    • David Lynch
  • Casting principal
    • Karolina Gruszka
    • Krzysztof Majchrzak
    • Grace Zabriskie
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    67 k
    MA NOTE
    POPULARITÉ
    3 316
    69
    • Réalisation
      • David Lynch
    • Scénario
      • David Lynch
    • Casting principal
      • Karolina Gruszka
      • Krzysztof Majchrzak
      • Grace Zabriskie
    • 454avis d'utilisateurs
    • 147avis des critiques
    • 73Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 20 nominations au total

    Vidéos2

    Official Trailer
    Trailer 1:55
    Official Trailer
    Remembering David Lynch
    Clip 1:46
    Remembering David Lynch
    Remembering David Lynch
    Clip 1:46
    Remembering David Lynch

    Photos140

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 132
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Karolina Gruszka
    Karolina Gruszka
    • Lost Girl
    Krzysztof Majchrzak
    Krzysztof Majchrzak
    • Phantom
    Grace Zabriskie
    Grace Zabriskie
    • Visitor #1
    Laura Dern
    Laura Dern
    • Nikki Grace…
    Jan Hencz
    Jan Hencz
    • Janek
    • (as Jan Hench)
    Ian Abercrombie
    Ian Abercrombie
    • Henry the Butler
    Karen Baird
    • Servant
    Bellina Logan
    Bellina Logan
    • Linda
    Peter J. Lucas
    Peter J. Lucas
    • Piotrek Krol
    Amanda Foreman
    Amanda Foreman
    • Tracy
    Jeremy Irons
    Jeremy Irons
    • Kingsley Stewart
    Justin Theroux
    Justin Theroux
    • Devon Berk…
    Harry Dean Stanton
    Harry Dean Stanton
    • Freddie Howard
    Cameron Daddo
    Cameron Daddo
    • Devon Berk's Manager
    Jerry Stahl
    Jerry Stahl
    • Devon Berk's Agent
    John T. Churchill
    • 1st A.D. Chuck Ross
    • (as John Churchill)
    Phil DeSanti
    • 2nd A.D. Tim Hurst
    Chamonix Bosch
    • 3rd A.D. Sally Irwin
    • Réalisation
      • David Lynch
    • Scénario
      • David Lynch
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs454

    6,867K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    6gavin6942

    My Least Favorite Lynch Film

    An actress's perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

    David Lynch is an inspiration for those who want to do their own thing. He started with some creepy, surreal short films, moved on to the bizarre "Eraserhead" and has made numerous strange films since, seemingly with little regard for what critics or box office receipts say. While he has done some stories that border on normal, there is always an element of the bizarre, and trying to make sense of a plot in a Lynch film is an intellectual landmine. I fell in love with Lynch after seeing "Lost Highway" and "Twin Peaks", but find it hard to justify my love.

    "Inland Empire" continues the madness. Opening with a beautiful shot of a record player in black and white, then of a couple making love... we are soon greeted by a family of anthropomorphized rabbits, and two gentlemen having a discussion in some foreign language, apparently Polish. How any of these things are connected is unclear thus far, and that is only the first ten minutes of a three hour film. How well they make sense by the end is hard to say.

    The film goes "normal" after that, through we enter a world with odd camera angles, mismatched close-ups, and conversations that do not flow... a murder accusation, an agent on the telephone... and all words spoken in an unusual manner. Almost in an amateur way, but clearly professionals trying to be amateur, with emotions not matching the events. And then there is William H. Macy as an announcer...

    On top of already being a lengthy and interesting film, the DVD comes with a second disc with several hours of supplemental material. My only complaint is that, despite all this, the film only has subtitles available in French. I like subtitles. Maybe I am in the minority, but as a visual learner, I follow a story better when I can read along. And I cannot read French well.

    Lynch veteran Laura Dern stars (and co-produces), which is beneficial to the film, because she knows exactly what sort of weirdness Lynch is looking for. I think the film fails, or at least falls short, though. The running time is a bit too long and it is hard to stay focused for this length. Also, the film just does not seem to have enough. While starting out strong, it gets slow and monotonously as it carries on, and any intelligent point hidden in there is missed by the audience's boredom. I appreciated the inclusion of the randomness, such as the "Locomotion", but of all the Lynch films I have seen (which is many) this is my least favorite.

    If you must see every David Lynch film, see this film. If you can survive without that goal, do not see this film. I cannot recommend it to anyone except his biggest fans because everyone else will be lost, bored and leave with a lower opinion of the man than he deserves.
    8manythings711

    I would like a red plumb floating in perfume served in a gentleman's hat.

    Much can be said about David Lynch but I think the mistake most people make is to think that he is trying to create a coherent and straight forward narrative structure. He is working on a subconscious level in his mind. The idea comes before the reason behind the idea. In many ways this is how art should be created because any other way will feel forced and pretentious.

    David Lynch is not just trying to f*k with you. Its not meaningless and its not pretentious. If you've ever seen his interviews he is one of the most humble and soft spoken directors I've ever seen. Justin Theroux did a Q & A after my screening of Inland Empire and he described working with lynch as light hearted and fun. The complete opposite of what its like to watch some of his films which are often dark, terrifying, and disturbing.

    Inland Empire is a sister film to Mulholland Dr. As my wife put it, "Watching Mulholland Dr. helped me to understand Inland Empire." They are two sides of the same coin. Lynch still seems to want to take a stab at the evils of Hollywood. His concern for the well being of actors is strong but this time instead of a new comer (Naomi Watts) he deals with one older actresses come back role and like Mulholland Dr. their are the evil producers behind the scenes and even the added possibility of a cursed set.

    I am a huge Lynch fan. I don't find his films hard to understand. I am not a very intellectual person but Lynch's themes are so simple. The visuals are to be enjoyed on their own terms especially when they seem not to fit with the rest of the film. A lot of lynch's trademarks return, the dual personalities, time folding in on itself, gratuitous nudity, and another tragic murder mystery.

    While this film does feel like a retread of Mulholland Dr. it also stands on its own especially since it contains a much more upbeat ending and perhaps four layers of storytelling,good luck figuring out which is which. He also continues to experiment with sound and even sings the vocals to a song in the film.

    I got exactly what I wanted from Inland Empire. The downside to this is that Lynch is sort of repeating himself and I hope that doesn't mean he's out of ideas or perhaps Mulholland Dr. did not yet exercise his disdain for the studio system. The film is part murder mystery and part lucid dream. It has dream logic and has a lot of fun with some of its bizarre dialog and incredible visuals. This film also has much in common with Eraserhead in that he's completely free to explore his ideas. No one is telling him to shorten the film, cut out scenes, or that it doesn't make sense. Its uncompromising and truly art without boundaries.

    My only other criticism is that the digital video is just ugly at times. When the shot is static the amount of detail in the picture can be incredible but when its hand held and moving around its grainy and looks pretty terrible. I miss the polished look of his older films but I guess that is going to be another thing that sets this movie apart from the others. I highly recommend this film to the Lynch enthusiast and to no one else. If you aren't in on the joke then I cannot imagine you leaving the theater happy after three hours of pure, free from concentrate, unpasteurized lynch. I went to see this with my wife and my best friend needless to say only I loved it. Take that as you will.

    4/5
    bob the moo

    Is it brilliant or rubbish? Well, for my money it is both and worth seeing regardless

    Whenever I saw Mullholland Drive I enjoyed it because it was such an experience but yet had much for me to try and figure out – as hard as it was to do so. Funny then to watch Inland Empire and think that in the future, if it continues this way, that we will look back on Lynch's earlier films as his pre-weird period, which is strange when you watch Wild at Heart, Blue Velvet etc. However this is the place we now find ourselves with Inland Empire, a film that not only shuns narrative tradition but behaves as if such a thing has never existed. And to watch the film, well, you just need to accept this and deal with the fact that if you have even a slight grasp on the story then you should consider yourself lucky.

    If you can accept this then the film is flawed genius; however if you cannot accept this then the film is a shambles that will make you hate it almost as soon as you realise you will not be able to get to the bottom of it just by watching it tonight. The funny thing is that both camps are right in their comments on this film because it is at once brilliant and terrible – Jonathon Ross summed it up surprisingly well when he said it was a "work of genius – I think" because the impression left on me was just this.

    On one hand the film is almost impossible to follow and it is not just a glib remark to say that this does make Mullholland Drive feel like an episode of Eastenders in regards accessibility. The plot starts out as a mystery but pretty much disappears into a series of semi-connected fantasy (?) sequences where characters complete switch worlds and identities, terrifying characters loom large but yet are invisible to the viewer and a sitcom featuring rabbits is watched by a girl crying in her room. There is little here to help the viewer and there is simply no foundation for you to put one foot one and say "right, no matter what happens I know I am on firm ground here"; the film doesn't pull the rug from under the viewer – there is simply never a rug to begin with. To many viewers this will be the end of discussion but for my money I already suspected this would be the case and what I actually came for was the experience.

    In this area the film is both brilliant but yet flawed. It is brilliant because it literally does feel like you are falling through worlds of dreams. Lynch manages to shoot his scenes with the air of them being slightly (or totally) unreal. The effect is completely unnerving and an example of the power of cinema that he can move the viewer into such a place mentally that even a static shot of three people dressed as rabbits is quite terrifying. It is a skill he is famous for and he shows no sign of losing it. As an experience I found it engaging to a point and, unfortunately, that point was not 180 minutes. It is ironic to praise the film for its freewheeling experience but yet criticise it for being undisciplined but yet here we are because it does feel very much like a film where Lynch needed someone to say "look, you need to make it as tight as it is exhilarating".

    Nobody said this I think and as a result it outstays its welcome at times and the dips are just that much more pronounced. Fortunately it is not consistent but it does come and the conclusion of the film is worth staying for. Not narratively you understand (even though the threads do come together) but some terrifying scenes give way to closing credits of beautiful women dancing to Nina Simone's Sinnerman; does it make sense? Well no, but again it is all about the experience and in this regard it is fairly consistent. Another reason for seeing it is a performance from Laura Dern that only begs the question why she didn't manage to get an Oscar nomination. OK it was a tough year for actresses with Cruz, Mirren, Dench and Streep filling out the list but for my money Dern is as good if not better than all of them. Lynch plays out so much confusion and emotion in her face, with this making some scenes a story without a single word being said. Given how hard it is to understand what is happening in the script, it makes Dern's convincing performance all the more impressive. Below her nobody is as good but everyone does suit the material and Lynch's approach.

    Of course aside from Dern, the star is Lynch and his fans will come to this way the same Bruce Willis' fans come to a film because he is in it. His direction, editing and cinematography is masterful, which only really leaves his writing. Superficially he does fall down but yet he also produces a flow he understands as well as some brilliant specific moments – a line where a black homeless woman says "It's OK, you dying is all" is a wonderfully insightful remark that is all the more impacting for the throwaway delivery of it, a matter-of-fact summary of life on the streets in a tiny part of a bigger film.

    Overall then this is an impressive film that is as brilliantly bewildering as it is frustrating. Some will find meaning but the vast majority will be best served to treat it as an experience rather than a "film" as one would expect from any other director. Even on this basis it is not perfect and is easily too long to sustain but in this regard it is still worth seeing. Not sure if it is entirely enjoyable but for sure it is an experience I'm glad I had.
    7robo042-1

    What the actual f**k.

    No seriously. WTF. Ignore my rating because a movie like this defies any kind of a linear rating scale. My real rating is: WTF stars. Everyone else can write their absurd words about the film but the only thing a normal honest person can say after watching this is... what the actual f**k did I just watch?

    Seriously, watch the film then come back to this review and tell me it isn't the most accurate summation of the film on here.

    Side note: Laura Dern seriously does give an incredible performance. No one quite captures the true essence of WTF like Laura. She really does elevate the film to higher levels of "WTF-ness" than it ever would achieve on it's own.

    For real though. What the actual f**k?
    8illuminousgurkin

    Mulholland Drive on Acid

    I saw INLAND EMPIRE at the Venice Film Festival world premiere last month. I want to keep this review short due to the fact that writing in great detail about this film is useless. INLAND EMPIRE is an experience. An experience not to be written about but to be FELT. It is David Lynch's definitive work. It's everything he has ever wanted to put into a film and it's completely free from anyone else's taming influence. The film is suffocating, dark and endless yet paradoxically contains some of the director's funniest and lightest scenes. I was frightened, uneasy, overwhelmed and moved. My emotions were thrown into disarray several times during which I lost all sense of appropriate reaction. Do not expect the mystery of this film to be solved, but expect it to be finished. Do not expect your head to understand the resolution but expect that your heart and intuition will.

    If you cannot decide whether to see this film or not, I implore you to get up and go. Whether or not you enjoy it, you will never see a film like this again. I also implore you to see it IN THE CINEMA. Do not wait to see it on DVD because the experience won't be half as extraordinary.

    Centres d’intérêt connexes

    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Drame psychologique
    Orson Welles in Citizen Kane (1941)
    Épique
    Doug Jones and Ivana Baquero in Le Labyrinthe de Pan (2006)
    Fantastique sombre
    James Stewart in Fenêtre sur cour (1954)
    Suspense et mystère
    Rosamund Pike in Gone Girl (2014)
    Thriller psychologique
    Casey Affleck and Michelle Williams in Manchester by the Sea (2016)
    Tragédie
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Elijah Wood in Le Seigneur des anneaux : La Communauté de l'anneau (2001)
    Fantaisie
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Marketing executives were so puzzled by the film that they did not know how to promote it. They eventually chose the tagline "a woman in trouble", based on David Lynch's sole explanation of the film as a mystery about a woman in trouble.
    • Citations

      Nikki: The ambulance guys, they say: "What the fuck happened here?" I say: "He come to a reapin' what he had been sowin', that's what." They say: "Fucker been sowing some kind of heavy shit..."

    • Connexions
      Featured in Great Directors (2009)
    • Bandes originales
      Sinner Man
      Traditional

      Arranged by Nina Simone

      Performed by Nina Simone

      Published by Warner Bros. Music Corp. (ASCAP)

      Courtesy of Mercury Records

      Under license from Universal Music Enterprises

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    David Lynch's Movies Ranked by IMDb Rating

    David Lynch's Movies Ranked by IMDb Rating

    See how IMDb users rank the films of legendary director David Lynch.
    See the list
    Production art
    Liste

    FAQ23

    • How long is Inland Empire?Alimenté par Alexa
    • Can someone explain this film?
    • What is with the rabbits and Axxon N?
    • What is the connection to Darkened Room?

    Détails

    Modifier
    • Date de sortie
      • 7 février 2007 (France)
    • Pays d’origine
      • France
      • Pologne
      • États-Unis
    • Site officiel
      • Bim Distribuzione (Italy)
    • Langues
      • Anglais
      • Polonais
    • Aussi connu sous le nom de
      • El imperio
    • Lieux de tournage
      • Lódz, Lódzkie, Pologne
    • Sociétés de production
      • StudioCanal
      • Camerimage Festival
      • Tumult Foundation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 114 878 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 27 508 $US
      • 10 déc. 2006
    • Montant brut mondial
      • 4 308 417 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 3h(180 min)
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.