The Fall

Its been 5 days since i saw this film now, and I'm still thinking about it. It achieves an intense feeling of epic grandeur with its fantasy scenes, which are visually mesmerising. The casting was excellent, i thought the acting was very good, especially since all the actors/actresses are fairly unknown, especially the girl who plays Alexandria - an incredibly natural performance; this can probably be attributed to Tarsem's approach.

This film will make you laugh and cry simultaneously and has a profound effect on the viewer.

I actually found viewing it somewhat humbling, i just tried to appreciate it tot he best of my ability.

In the beginning of the Twentieth Century, in the pediatric wing of a hospital in Los Angeles, the talkative five year-old girl Alexandria (Catinca Untaru) is recovering from a broken arm. Alexandria works with her family of immigrants in the harvest of oranges and she has just lost her father. When she meets the injured stuntman Roy Walker (Lee Pace) recovering from a fall and also brokenhearted with the loss of his girlfriend to the lead actor, he begins to tell a fantastic tale about six heroes and their common enemy, the hideous Governor Odious. Black Bandit that lost his brother Blue Bandit that was killed by Odious' men; the expert in explosives Luigi that was outcast in his town by Odious; the Indian that lost his gorgeous wife that was abducted by Odious; the former slave Otta Benga that lost his twin brother in the fields of Odious; Charles Darwin that receives a rare "Mistica Americana" butterfly killed by Odious; and Mystic that hated Odious that destroyed the fauna and flora of his lands, join forces to defeat the evil Odious. While Alexandria fantasizes the story projecting the images of her acquaintances in the characters, the heartsick Roy uses her innocence to ask the girl to still morphine and medicines from the dispensary for him to commit suicide.

"The Fall" is one of the most original films that I have recently watched. This adventure has a stunning opening sequence in black and white and slow motion with the Allegretto from Ludwig van Beethoven's (1770-1827) Symphony # 7 in A mayor, Opus 92 in the soundtrack. The story entwines reality and fiction, burring the situations in a certain moment, and may be understood in many layers; therefore this dramatic feature can also been seen by children and is a great family entertainment. The cinematography sets and locations are very beautiful and bright with intense use of colors. This is the type of movie that deserves to be watched more than once to have the full understanding of all situations. My vote is eight.

Title (Brazil): "Dublê de Anjo" ("Stunt of Angel")

This has three things to recommend it. Any two would be remarkable. All three make it a must see.

The most striking aspect of course is how lush the thing is. We may never see another film like this, one that uses real locations and practical effects but which has all of the other benefits of technology. Just the scope in impress of the thing makes it a thrill. Not only do we skip from one profound space to another, but Singhhas selected what seems to be the very best location for the eye. Often these are Tarkovsky-like so that we can see some action in the foreground and with a pan other action in the background. I doubt his DP made these decisions, so the choices are more remarkable.

"The Cell" had some powerful images, but they were incoherent, as if they were designed by competing art departments. No such problem here. Not only do the imaginary sequences have the same color palette (as it changes) even though the locations are a bewildering variety, but all the other artistic values do as well. We could well have different continents mixed in the same few minutes without a situational shift. That alone is a rare and worthy experience.

A second striking aspect is the narrative folding. At first glance it is simple and ordinary: a nested story with blended elements. But overlain n this is a parallel nesting about stories and movies, being a movie about movie-making. And falls, deliberate and staged, with some deep ambiguity about which is which. And which are physical and which emotional. It isn't great art, but its head and shoulders above most.

And finally we have the little girl. Now, I usually revolt when these are used to elicit the standard response. I gagged at "Miss Sunshine," because it was a weak project supported by cuteness. But this is a wholly different thing. This girl is fantastic. There are parts of the script that are embarrassing, and the end is a travesty of a story setup. But she pulls it off and we hardly notice.

This has one of the most impressive title sequences I have ever seen. It alone deserves praise.

I would trade ten "Pan's Labyrinth"s for one of these.

Ted's Evaluation -- 3 of 3: Worth watching.

The Fall is a charming, fantastical story with a haunting undertone and features the most endearing child actress since Jacques Doillon's Ponette... what more could a film boast? Moreover, this film could be watched on mute and still make a lasting impression on the viewer through its striking imagery. The Fall is the story of Alexandria, an injured immigrant child wandering the hospital where she is being treated. The viewer is drawn, with Alexandria into a dark and extravagant world through the story of a maimed stuntman who she befriends. The skilled interaction between the finely divided reality and fantasy is reminiscent of David Cronenberg's eXistenZ. I can not recommend this film any more strongly.

This movie needs a 4k UHD Blu ray release. I can't think of a movie that would shine in 4k more. Great movie and stunning visually