In a Dark Place

I was walking past In A Dark Place one day at a rental store and I saw Leelee Sobieski on the cover of the film. It looked something similar to recent movies such as The Return and The Grudge, which I thought both of those films were very satisfying, even though this ended up being nothing like them really, so I decided to give this movie a try.

At first, it looked really cool, when I put it in that is. The first near hour or so were fine, just fine, nothing special, but I was enjoying the build up and performances to an extent. Then, it took a turn for the worst. Everything started going horribly wrong and as the film dragged on I became more depressed, and more depressed with how the outcome of the film was turning out. The storyline just gets so ridiculously poor and overrated, and everything they had built up with mildly entertaining values were thrown out the window near the end of the film.

Why, how, Leelee, I thought you were great! What made you take part in this movie when you saw how the character development is demolished in the last half hour, or did you even notice? Sure, there was some stuff I found in the movie that was entertaining, I have already stated that, but I felt as if my insides were going to explode from how horrible the last half hour of the film was and how horrifically boring and inane Sobieski and everyone elses' character became.

If you love Leelee Sobieski enough, avoid this movie, because I really was expecting more from her and the movie itself seeing as how I enjoy her as an actress. I'm sure her heart will thank you if you don't watch this, for now every time she hears about her role in this film, as often as that probably isn't, I bet she falls to the ground and bursts into tears. . .

In A Dark Place would be classed as a psychological horror/thriller. It stars the underrated Leelee Sobieski or as I like to call her Helen Hunts mini-me.

Telling the story of a girl hired as a nanny of two less than usual children at a wealthy estate and her dwindling mental health.

Also starring long forgotten English actress Tara Fitzgerald from the likes of Brassed Off (1996) this is an utter mess of a film from opening credits to closing.

Immensely boring, poorly written and incredibly crappily made In A Dark Place is an instantly forgettable film with practically nothing going for it at all.

The Good:

Leelee Sobieski

The Bad:

Weak writing

Terrible plot

Bad finale

Awful child actors

Yes, the storyline is something we've all seen before. But what makes the film worth watching is Tara Fitzgerald's performance as the cold, domineering headmistress of the house. Fitzgerald chews through every piece of scenery she's in, and creates a very believable three-dimensional character. Unfortunately her role is wasted on being paired with Leelee Sobieski, who just doesn't seem to grasp what's going on. Fitzgerald, on the other hand, seems to know just the right moves to make Miss Grose unlikable, while at the same time making us care for her. Sadly, there are very few actress today who can do this. I hope to see more of her!

Hollywood is fond of updating classic tales: Shakespeare is the author most often reconfigured, at times with great success, at times not. The intellectually stimulating works of Henry James have been brought to the screen and making visual the inherently cerebral stories come to life. Such, sadly, is not the case for IN A DARK PLACE, a warping and distorted 'update' of one of the finest ghost stories ever written - James' 1898 TURN OF THE SCREW. Screenwriter Peter Waddington adapted the story to place in our faces fully realized interpretations of what James used as suggestion: James realized that the reader's mind could infuse his story with personal demons that would replace the need for detailed description.

Cases in point: the Governess is here an art teacher given a name, Anna Veigh; the occult sexual overtones of the story are played out in full view leaving little to the frightening aspects of James' intentions; the concentration of the story on the governess' mental fragility is forced into clichés and placed in the hands of an actress unable to be subtle; the 'interiority' of the mansion is replaced by equal time outside on the snowy grounds (opening up the story, so they say), etc.

The story is well known, having been adapted successfully before by television, movies, and opera (Benjamin Britten's immensely well written opera TURN OF THE SCREW). Anna Veigh (Leelee Sobieski) is the art therapist turned governess who upon losing her job is hired to care for the children Flora (Gabrielle Adam) and Miles (Christian Olson) in a now deserted mansion whose only other occupant is the secretary/estate manager Ms. Grose (Tara Fitzgerald). Soon enough Anna discovers that the previous governess Miss Jessel (another art therapist who was three months pregnant) was found dead in the lake, and that the prior male butler Peter Quint hanged himself. Anna alone begins to see the ghosts of these newly departed servants, and when she explores the reasons with Ms. Grose we discover the Ms. Grose was in love with Miss Jessel and hated Peter Quint. Anna is frequently visited by nightmares of her own sexual abuse as a young girl and transfers these fears onto Flora and Miles, feeling that they were similarly abused - an explanation for their bizarre behavior patterns. Ms. Grose acts out her sexuality with Anna, confusing Anna even more, and stressing her vulnerable psyche into thinking she can exorcise the demons of the house. And the ending will surprise us all! Director Donato Rotunno needs to re-read the James novella and rely on the audience's intelligence more than to alter the story to become faddist and frank instead of subtle and suspenseful. A major problem with the casting is the far too frequently physically exposed Leelee Sobieski: it feels as though she is reading her rather pedestrian lines from a cue card off camera. It is a sad imitation of the governess. Tara Fitzgerald's Ms. Grose is not the obese, matronly of the original, but instead a very svelte and seductive woman: she succeeds in creating a credible alternative figure very well. The setting and photography are fine, but the musical score by Adam Pendse is a pedestrian mix of incongruous styles. In short, if you are a fan of Henry James, avoid this sloppy work. But then, if Leelee Sobieski is a favorite, then you see more of her as a grown woman than you probably will ever see again! Not Recommended. Grady Harp

The disturbed arts teacher Anna Veigh (Leelee Sobieski) is hired by the busy Mr. Laing (Jonathan Fox), the tutor of the orphan siblings Flora (Gabrielle Adam) and her brother Miles (Christian Olson), to work as governess and raise the children in their huge mansion in Bly with the support of his secretary Ms. Grose (Tara Fitzgerald). Sooner, Anna believes that the ghosts of the former governess Miss Jessel and housekeeper Peter Quint are in the property haunting the children, and she decides to help them to face the spirits and get their souls free.

"In a Dark Place" is an unsuccessful update and unnecessary remake of the classic ghost story "The Innocents". In the original movie, Debora Kerr magnificently performed an ambiguous character while in this remake Leelee Sobieski visibly performs a deranged woman, spoiling the fantastic ambiguity of the original screenplay. If the viewer has not seen "The Innocents", he or she may like "In the Dark Place"; but for those like me that saw the other film, "In a Dark Place" ruins the mysterious atmosphere of the story. My vote is five.

Title (Brazil): "Lugares Escuros" ("Dark Places")