Ajouter une intrigue dans votre langueA hate crime on the campus of a New England college puts the school's dean in a position where she has to examine her own feelings about race and prejudice, while maintaining her administrat... Tout lireA hate crime on the campus of a New England college puts the school's dean in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration's politically correct policies.A hate crime on the campus of a New England college puts the school's dean in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration's politically correct policies.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
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From the opening credits, this movie made me cringe at almost every scene. The movie centers around a racial incident on the campus of a fictional small rural Vermont college. Of course the college stands in as a symbol of a majority White community, and the racial incident unavoidably escalates into a small media frenzy. Thus the stage is set for all the players to act and reveal their views on the issue of race. Of course the viewer immediately sees through the "characters", and starts interpreting the views of the writers and producers themselves. That's the whole issue about race: people are very aware of the differences between their views and other people's views about it. So, as the story unfolds and more and more stereotypes about race and stereotypical reactions to race are paraded out, I asked myself, who does this movie serve? Who does this movie not offend? It was obvious the script tries to represent both sides of the fence, in an "equal-time" manner. Amazingly enough, they even voiced the politically incorrect side, in a qualified way. Everyone in the movie is a caricature of their race. Largely, though not entirely predictable as you watch it, it still fits the stereotype of how race is allowed to be discussed in film. But ultimately, outside any moral of "racism is inevitable", or "racism is bad", the film makes no point itself. Sure, it might succeed on the level about getting "people to talk about race", but as the movie shows, why is that such a great idea?
You know, there could have been a decent story here, but so many "isms" and trite dialog (like a very bad David Mamet play "Oleanna" about sex discrimination....very trite and pointless. Forced dialog that NEVER occurs in real life does not a film make.
Beau Bridges as Dean of a Vermont college, reciting the story of "Little Black Sambo"?.....it doesn't ring true and SJP while sometimes good, overdoes the fake agenda here...:"I used to be a decent person, then avoided black men on the subway".... Have we regressed yet again to 1970?.
The final hour of this film is simply awful for anyone with an I.Q. who has lived or worked in a city, any city in a real world. Frankly, I am tired of SJP and that "Carrie Bradshaw" is representative of NY women who are caring, open, emotional, but get hurt when they wear their heart on their sleeve. Trite and awful. The audience deserves better.
Beau Bridges as Dean of a Vermont college, reciting the story of "Little Black Sambo"?.....it doesn't ring true and SJP while sometimes good, overdoes the fake agenda here...:"I used to be a decent person, then avoided black men on the subway".... Have we regressed yet again to 1970?.
The final hour of this film is simply awful for anyone with an I.Q. who has lived or worked in a city, any city in a real world. Frankly, I am tired of SJP and that "Carrie Bradshaw" is representative of NY women who are caring, open, emotional, but get hurt when they wear their heart on their sleeve. Trite and awful. The audience deserves better.
This movie's concept is thought-provoking, however the execution of the point it is trying to make gets lost somehow. In some way I think it is the actors chosen for this film -- maybe it would've worked better if they were mostly unknowns. Because what the viewer needs here is the ability to understand that the characters depicted in the story are not stereotypes. And yet they are portrayed as such to a great extent and it just didn't add up to the kind of depth that ought to be there to sufficiently address racism. Anyway the movie felt stunted, and for some reason I found it hard to believe that the actors themselves, for the most part, believed what the characters they portrayed were saying. Yes, there was the attempt to portray how hypocritical the college professors and professionals were and how sensitive the minority students were to prejudicial slights. I just got the impression that something more intrinsic to the entire situation was missing.
Interestingly Sarah Jessica Parker did eventually come across as believable. Everyone else i thought was on another planet and it all felt disjointed.
This film is not bad per se -- the story itself is intriguing in that it does try to depict racism. I found it hard to believe on some level that a college would react so oddly.
Interestingly Sarah Jessica Parker did eventually come across as believable. Everyone else i thought was on another planet and it all felt disjointed.
This film is not bad per se -- the story itself is intriguing in that it does try to depict racism. I found it hard to believe on some level that a college would react so oddly.
Sarah Jessica Parker steps away from her Carrie Bradshaw character and plays a Dean of Students at a small liberal arts college in Vermont. The film has an all star cast including Beau Bridges and Miranda Richardson as the other deans. James Rebhorn is always welcome on screen as the President of the College. Mykelti Williamson plays a local reporter. The story about a racism incident at the college creates a stir among the faculty and students. Parker's Dean character faces her own issues about race and her history in Chicago at a largely African American college, Lancaster College. In this film, Parker does a decent job but the script is weak and poorly adapted from the stage. Parker has her best moments when she confronts her racist views and feelings. While the cast is all star, the script weakens the film. To me, not much happens at all.
Nah, didn't like this one at all. Political correctness on campus is the subject. There was some decent moments but there were many more ridiculous ones.The guy that is gonna be given a 10,000 dollar scholarship comes to mind. The scholarship is especially for minorities, and hes practically already been given it but he's got to write in his ethnicity on the form - he says 'new yorican' or something like that. Teacher says write hispanic or Porto rican. He doesn't want to. She talks him into it - I mean, come on man, you're gonna get 10 grand - Anyway, he agrees on Porto rican...But then he comes back again and again with the same problem - wants his ethnicity to be written as new yorican. The scene seemed ridiculous the first time... but to have the same scene come up 2 more times made me want to cry.
I didn't feel anything for any of the characters - Bad script, bad acting - All a bunch of cardboard cut outs. On the whole, a poor film, poor plot.Only watch if there's eff all else on the box.
I didn't feel anything for any of the characters - Bad script, bad acting - All a bunch of cardboard cut outs. On the whole, a poor film, poor plot.Only watch if there's eff all else on the box.
Le saviez-vous
- AnecdotesMichelle Beck and Betsy Beutler's debut.
- Bandes originalesAmerican Pie
Written by Ryan Howe and Mark Davis
Performed by Madd Flo and Richard Stites
Produced by Ryan Howe and Mark Davis
Played as theme song during end credit role
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Spinning Into Butter
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 8 064 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 534 $US
- 29 mars 2009
- Montant brut mondial
- 8 064 $US
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