NOTE IMDb
6,6/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueAn IT company hires an actor to serve as the company's president in order to help the business get sold to a cranky Icelander.An IT company hires an actor to serve as the company's president in order to help the business get sold to a cranky Icelander.An IT company hires an actor to serve as the company's president in order to help the business get sold to a cranky Icelander.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 7 nominations au total
Friðrik Þór Friðriksson
- Finnur
- (as Fridrik Thor Fridriksson)
Lars von Trier
- Narrator
- (non crédité)
Avis à la une
Lars von Trier has done a modern comedy that gives (me) associations to the plays of the Norwegian-Danish comedy writer Ludvig Holberg (1684-1754). Even if it is a comedy and Lars von Trier himself in the start of the movie tells we can lean back and enjoy being entertained, the film has a message that - if you are open to it - will give you something to think about regarding moral and ethics. Like all good movies this has a surprisingly ending. "The Boss of it all" has divided the audience in Denmark in 2 groups a group who absolutely dislikes the movie and a group which is rather enchanted with it. As you can understand I belong to the last group.
If we consider this film only for the script, it is just (that's a lot) a brilliant comedy often trespassing into farce. What makes it different is the Von Trier branding, made of evident cuts (one every 3 or 4 seconds), bad framing, continuity mistakes too evident to be real mistakes. Lars underlines in a voice-off this camera mismanagement, but to me it was quite annoying after a while. The second thing that makes the otherwise mainstream comedy based on a clever and very funny idea is the fact that it is oh so Danish. These northerners are very strange and funny to me: I mean, we are used of the American, British or (for me) Italian or French and now also Spanish ways of making us laugh, but those sad and pale faces dimly lit by the Nordic sun are so funny and different and crazy. Also the jokes between the Danish people and a raging Icelander citing sagas and verbally abusing the Danish who "kept Iceland under their heel for 4 centuries" are very exotic but perfectly enjoyable. The impression is sometimes to be watching a madhouse, but it's a different experience I would recommend.
This will be a little hard to understand, for those who are not familiar with Scandinavian office culture and enterprise democracy. For those who are, it's funny.
The unemployed actor gets a job. He's supposed to act as executive, during some sensitive business with an Icelandic buyer. It doesn't develop like he has imagined, but in fact it doesn't develop like anyone has imagined.
There's lots of kicking here in every direction and not at least against cultural snobbism. It's von Trier back to the basics, but not that easy to grip for people outside a Scandinavian environment.
The unemployed actor gets a job. He's supposed to act as executive, during some sensitive business with an Icelandic buyer. It doesn't develop like he has imagined, but in fact it doesn't develop like anyone has imagined.
There's lots of kicking here in every direction and not at least against cultural snobbism. It's von Trier back to the basics, but not that easy to grip for people outside a Scandinavian environment.
This movie is undoubtedly an ideological departure from the recent LVT endeavours. It has no tear-jerking aspirations, except as a matter of laughs. In a way, it is self-ridiculing, adding an extra layer of hilarious logical traps. It is a bit slow in the third quarter, but then picks up. Special noteworthy inventions: the Icelandic buyer (a riot!), his translator, mythical Gambini and the "Hanged Cat"! Acting, acting, acting is very witty and plastic. It makes the piece (with mostly indoors setting) less cinematic, more of a filmed play (which is undoubtedly the intention of the director). Good entertainment and fairly original.
The Danish lawyer Ravn (Peter Gantzler) owns the high technology company IT that he founded with the money he borrowed from his six directors. However, he invented a fictitious and powerful president named "The Boss of It All" to cover the unpopular policies of the company with the employees. When he decides to sell up the company to the Icelandic entrepreneur Finnur (Fridrik Thor Fridriksson), the buyer demands to negotiate directly with the president of IT. Ravn hires the unemployed actor Kristoffer (Jen Albinus), who is a fan of the actor Antonio Gambini, to perform the role of president of IT under a contract of confidentiality. Along the days, Kristoffer gets close to and emotionally involved with the employees of IT. Sooner he finds that the lawyer of Finnur is his ex-wife that tells him that Ravn is tricking his colleague that will lose their jobs and rights. Kristoffer tries to persuade Ravn to confess his business to the co-workers until he finds that Finnur is also a fan of Gambini.
The witty "Direktøren for det Hele" is a surrealistic dark humor comedy of Lars von Trier with a funny story of greed and vanity. I am a big fan of this director and I liked this movie, but I lost many jokes since I am not familiarized with Danish humor and culture. The conclusion is very sarcastic and I believe not easy to be understood. My vote is seven.
Title (Brazil): "O Grande Chefe" ("The Big Boss")
The witty "Direktøren for det Hele" is a surrealistic dark humor comedy of Lars von Trier with a funny story of greed and vanity. I am a big fan of this director and I liked this movie, but I lost many jokes since I am not familiarized with Danish humor and culture. The conclusion is very sarcastic and I believe not easy to be understood. My vote is seven.
Title (Brazil): "O Grande Chefe" ("The Big Boss")
Le saviez-vous
- AnecdotesThis movie is shot with camera technique called Automavision, an innovation in which the camera angles and movements are selected by a computer. The media notes explain technique, "a principle for shooting film developed with the intention of limiting human influence by inviting chance in from the cold". There are odd framings and jump cuts within scenes making everything seem a bit unsettled.
- ConnexionsFeatured in Smagsdommerne: Épisode #4.16 (2006)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 3 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 51 548 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 855 $US
- 27 mai 2007
- Montant brut mondial
- 3 111 395 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant