Hezardastan

Mini-série télévisée
1988
12h

NOTE IMDb

MA NOTE

Ezzatolah Entezami, Mohamad Ali Keshavarz, Jamshid Mashayekhi, Ali Nasirian, and Davoud Rashidi in Hezardastan (1988)

Ajouter une intrigue dans votre langueA corrupt, six-fingered detective is sent to recruit a retired assassin now living a secluded life as a calligrapher to assassinate a prominent government official known as Hezardastan who h... Tout lireA corrupt, six-fingered detective is sent to recruit a retired assassin now living a secluded life as a calligrapher to assassinate a prominent government official known as Hezardastan who has stolen jewels from a member of the royal family. However, the calligrapher one-ups the ... Tout lireA corrupt, six-fingered detective is sent to recruit a retired assassin now living a secluded life as a calligrapher to assassinate a prominent government official known as Hezardastan who has stolen jewels from a member of the royal family. However, the calligrapher one-ups the detective and holds him as his prisoner and tortures him. The calligrapher begins to refle... Tout lire

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NOTE IMDb

8,7/10

1,7 k

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Épisodes15

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HautLes mieux notés 1 saison 1988

Photos21

+ 17

Rôles principaux39

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Ali Nasirian

Abolfath

• 1988

Mohamad Ali Keshavarz

Shaban Ostekhani

• 1988

Jamshid Mashayekhi

Dash Reza Tofangchi…

• 1988

Ezzatolah Entezami

Hezardastan

• 1988

Davoud Rashidi

Mofattesh shesh angoshti

• 1988

• 1988

• 1988

• 1988

Mofattesh e Nazmie

• 1988

Parviz Poorhosseini

Matin-o-saltane

• 1988

• 1988

• 1988

• 1988

• 1988

• 1988

• 1988

Ajan

• 1988

Rogheyeh Chehreh-Azad

• 1988

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10behpoor

Scholarly work has not payed him justice

Ali Hatami's reputation outside Iran is not in proportion with the quality of his work. His keen understanding of Persian history and socio-political structure has not been surpassed by any other Persian director.

His critical insight and brilliant formulation of different aspects of Persian culture reaches far more than a simple nostalgic reconstruction of it. Contrary to many of other Persian directors, his influence on the way in which his home addressees understand themselves has been great. Most specifically, his contribution to our visual understanding of Persian modern history is unrivalled.