Festival

Being from Edinburgh and suffering/enjoying the International Festival & Fringe for many years this film was always going to be of great interest to me. I did expect it to be dreadful, as so many UK-produced efforts can be, but actually ended-up enjoying large parts of it.

Edinburgh during the festival can be a strange place for the natives - the city is descended upon by hordes of media-types and desperate actors/comedians/whatever. During this time many locals will simply let out their flats at exorbitant rates and go on holiday thereby avoiding the whole rather disagreeable event.

With Festival you can play 'which celeb comedian is that meant to be' as well as 'which pub are they in' and 'where's that again' - being a local helps and you get the same familiar sense of enjoyment as when reading Ian Rankin's Rebus series (also set in Edinburgh.) The acting is good and there are some genuinely funny moments although the dialogue can be quite weak in places.

By miles, the worst element in this film is the music. It's intrusive, adds nothing to the drama and on occasions completely ruins the scene.

All-in-all if you're not from Edinburgh, Festival is hugely entertaining and will probably make you want to come here for next year's ever - if you need somewhere to stay I've got a lovely flat near the Assembly Rooms...

The Edinburgh Festival deserves a film. It is a strange occasion in a great city, and huge numbers of people around the world have experienced it. It brings its own array of bizarre characters and situations, mixing them with the locals, and then takes them away again just as quickly, until next year when some of them come back for more. If that's not a recipe for some interesting comedy/drama, I don't know what is.

Unfortunately this film fails to hit the mark. It is structured quite well, and I liked the idea of following one venue through the course of its day. The overall atmosphere of the city is well-caught too, on the whole, and people who know Edinburgh in August will recognise it.

But its main flaw is lack of empathy. There are quite a lot of characters, some of whom are quite funny, but very few of whom are particularly likable and attractive. Those who are likable often lack authenticity, and everyone suffers from a lack of depth. The episodic plot is also patchy - some of the events that befall certain characters have nothing at all to do with the Edinburgh Festival and seem almost to have been put in as time-fillers.

To be fair, there are some funny moments and quite a few good lines. But put it this way: If it's on TV and not costing you anything, then by all means watch it. However, I paid £3 to rent it, and by the end I felt it wasn't really worth the money.

An accurate portrayal of the vibe on the streets, boozing in the courtyards and ragbag mix of shoestring productions in dingy halls ranging from high artistic pretension to low comedy. More to the point it's a bloody good film, presenting us with some memorable portraits of aspiring artistes, jaded stand-ups, local journalists and citizens rubbing up against each other in pubs, hotel rooms and rented flats, and of course venues, with some pithy exchanges hurled between floor and stage. The actors are well served by a realistic, witty script that highlights the distinctive backgrounds and foibles of their various characters. They excite your sympathy, affection, pity or distaste even as you laugh. Every scene is either funny or sad, usually both. And the musical soundtrack is exquisite. It's not perfect - there are one or two moments of over-dramatised conflict towards the end that don't ring true, probably driven by some perceived need to pander to commercial expectations. The film should have retained its faith in the bubbling undercurrents which have swept it along so nicely until then, but thankfully it ends on an appropriate note of bittersweet irresolution.

There's some nice sly comedy in Annie Griffin's film 'Festival', about the Edinburgh Fringe, and an ambitious storyline following numerous different characters, but also a lot of clichés. Now the Edinburgh festival may be one place where all the old clichés are actually true, but they're not leavened here by any true sympathy for the creative process. Watching stuff at the fringe can be excruciating, but it can also leave one gasping in amazement at what can be achieved, and some of the material is pretty professional: by not acknowledging that, this film fails to really earn its right to the cheaper shots. An unremarkable movie.

If you think actors have only good live you must watching this,really enjoy that