NOTE IMDb
5,3/10
4,5 k
MA NOTE
Christy retourne dans sa ville natale des années après l'accident de voiture qui a défiguré sa sœur aînée. Hantée par l'accident, elle apprend que ses pires cauchemars se sont réalisés - ou ... Tout lireChristy retourne dans sa ville natale des années après l'accident de voiture qui a défiguré sa sœur aînée. Hantée par l'accident, elle apprend que ses pires cauchemars se sont réalisés - ou sont sur le point de le faire.Christy retourne dans sa ville natale des années après l'accident de voiture qui a défiguré sa sœur aînée. Hantée par l'accident, elle apprend que ses pires cauchemars se sont réalisés - ou sont sur le point de le faire.
- Réalisation
- Scénario
- Casting principal
Julian Christopher
- Dr. Cestia
- (as Julian D. Christopher)
Avis à la une
I expected a bit much, since I made the mistake to read the "Diamond among pearls" comment. Back to reality: the acting is mediocre towards bad, the story is boring and the scary stuff is just a girl having weird visions. The fact that overall it makes sense is a plus, especially for the "psychically sensitive girl that no one believes" subtype of the horror genre.
Bottom line: this is more of a psychic thriller and not a horror movie. The last part, while it conveniently ties all the loose ends, is way too convenient, more of a moral compromise that breaks the slightly better feel of the story coming to a quasi-logical finale. I can easily imagine all the actors playing in a third rate soap opera, so don't expect a lot better acting that that.
Bottom line: this is more of a psychic thriller and not a horror movie. The last part, while it conveniently ties all the loose ends, is way too convenient, more of a moral compromise that breaks the slightly better feel of the story coming to a quasi-logical finale. I can easily imagine all the actors playing in a third rate soap opera, so don't expect a lot better acting that that.
When I saw this was an MTV films production I almost put it back on the shelf immediately - but reading the back of the case made me want to give it a chance. I'm glad I did - in addition to starring a cute actress from the TV show "Heroes" there was an interesting storyline with twists and turns that I didn't see coming. Having come off of a run of small studio/independent/low budget horror movie viewings I appreciated the visual and sound quality. The downside is that it tends to drag a bit (rather odd sounding for a running time less than 90 minutes, I know) and although billed as a horror movie I'd say it was more of a suspense/mystery - not much in the way of scares here but if you're receptive to what I've described I'd say Beneath is a worthwhile viewing.
Anyone who is nitpicking at this movie over ridiculous things such as "do school websites list past students' phone numbers" and "this character would've/should've/could've not let the younger sister drive" should be ignored.
Films are made for viewers willing to allow the film to take them where it will. If the film is imperfect, the real film lover will still attempt to see it for what it wanted to be; for what it's actual *point* was. That is, of course, assuming there is one.
On the other hand, there will always be the wannabe Sherlock Holmes of film fandom, who will pick at the silliest details as if a movie somehow needs to be a fully provable mathematical truth.
Silly.
On to the film.
I must say, it is a typical thriller with horror elements taking place in a typical old house with typically hidden "creatures" and such, where the main character attempts to uncover a mystery until in the end -- surprise. If you want to understand what this film's atmosphere is like, think of "A Tale of Two Sisters" and "The Others" (with Kidman).
Is the movie super-successful at what it does? I wouldn't say so. I will say, though, that it was certainly not a failure either. In fact, "willing viewers," as described above -- in other words, those viewers who have managed to retain their childlike sense of wonder and innocence when they sit down to watch a film -- should be left completely unaware until the final revelation.
And let me tell you, mate, if you have any kind of compassion for the characters you see on screen and think the value of cinema lies partly in you allowing yourself to become emotionally involved with them (as opposed to analyzing their every action like some goofs will inevitably always do), you will be horrified at the ending. Bleedin' horrified. Not that it's particularly "scary" in the typical horror film sense, but because of the human suffering and injustice involved.
Ignore the yapping cynics and enjoy this perfectly acceptable entry into the spooky-family-in-an-old-house-with-a-dark-secret roster. However, allow me to still add that that if you are looking for a movie along this theme and want one that is *really* well done, watch "A Tale of Two Sisters" instead.
Films are made for viewers willing to allow the film to take them where it will. If the film is imperfect, the real film lover will still attempt to see it for what it wanted to be; for what it's actual *point* was. That is, of course, assuming there is one.
On the other hand, there will always be the wannabe Sherlock Holmes of film fandom, who will pick at the silliest details as if a movie somehow needs to be a fully provable mathematical truth.
Silly.
On to the film.
I must say, it is a typical thriller with horror elements taking place in a typical old house with typically hidden "creatures" and such, where the main character attempts to uncover a mystery until in the end -- surprise. If you want to understand what this film's atmosphere is like, think of "A Tale of Two Sisters" and "The Others" (with Kidman).
Is the movie super-successful at what it does? I wouldn't say so. I will say, though, that it was certainly not a failure either. In fact, "willing viewers," as described above -- in other words, those viewers who have managed to retain their childlike sense of wonder and innocence when they sit down to watch a film -- should be left completely unaware until the final revelation.
And let me tell you, mate, if you have any kind of compassion for the characters you see on screen and think the value of cinema lies partly in you allowing yourself to become emotionally involved with them (as opposed to analyzing their every action like some goofs will inevitably always do), you will be horrified at the ending. Bleedin' horrified. Not that it's particularly "scary" in the typical horror film sense, but because of the human suffering and injustice involved.
Ignore the yapping cynics and enjoy this perfectly acceptable entry into the spooky-family-in-an-old-house-with-a-dark-secret roster. However, allow me to still add that that if you are looking for a movie along this theme and want one that is *really* well done, watch "A Tale of Two Sisters" instead.
I have to say that I didn't expect much from this film when I rented it today, but I was really surprised by it.
Although the film's story is quite a cliché as is suggested by the back of the DVD case, in my opinion it's done surprisingly good. A pretty conclusive story, except perhaps for the start of it all, not too bad acting and a nice music score form into a decent mystery thriller. I liked how the heroine actually investigates quite a bit throughout the movie instead of just getting the conclusions laid out for her in front of her eyes. Additionally the film doesn't use too many flashy, cheap shock moments and successfully tries to depend more on the mystery itself. And, contrary to the cliché, the heroine doesn't behave exceptionally stupid all the time.
On the downside you won't have many surprises coming in the story if you've seen at least a few mystery thrillers. The ending actually managed to satisfy me, a feat rarely achieved by that genre of movies.
If you like mystery thrillers and always thought that those loud, noisy "in your face" shock moments are overused you should try this movie.
Although the film's story is quite a cliché as is suggested by the back of the DVD case, in my opinion it's done surprisingly good. A pretty conclusive story, except perhaps for the start of it all, not too bad acting and a nice music score form into a decent mystery thriller. I liked how the heroine actually investigates quite a bit throughout the movie instead of just getting the conclusions laid out for her in front of her eyes. Additionally the film doesn't use too many flashy, cheap shock moments and successfully tries to depend more on the mystery itself. And, contrary to the cliché, the heroine doesn't behave exceptionally stupid all the time.
On the downside you won't have many surprises coming in the story if you've seen at least a few mystery thrillers. The ending actually managed to satisfy me, a feat rarely achieved by that genre of movies.
If you like mystery thrillers and always thought that those loud, noisy "in your face" shock moments are overused you should try this movie.
MTV films makes a really moody horror film. To be certain its the sort of thing thats been done before, but even then this has some genuine shivers and some creepy moments.
The basic plot has a young girl returning home when her old caretaker dies. The girl has a tragic past that includes the death of her sister after a fiery car crash. Plagued by visions and a sense that her sister was buried alive she begins to search for clues as to what happened seven years before.
This one came out of left field for me. I have vague notions about hearing about the film, but I never really remember seeing or hearing anything about it. I'm pretty sure that helped my enjoyment of the film since I had no preconceived notions for it.
Looking like TV movie with interiors that remind one more of a set than of a real place this film over comes its limitations (and occasional WTF moment) to play out almost as if its an extended Tales from the Darkside or other similar horror anthology show. Odd shifts in perspective, some genuine creepy, but not too in your face imagery and willingness to go sans blood and guts except as required make this pretty much a throw back to the old days of horror when less is more. Its not perfect but even with its flaws and the following of a well worn path at times this still manages to be a solid little thriller of the B variety.
Worth a rental with a bag of popcorn and a soda.(Though don't buy this just yet -its a bare bones release that they want almost 30 dollars list for- too much for too little)
The basic plot has a young girl returning home when her old caretaker dies. The girl has a tragic past that includes the death of her sister after a fiery car crash. Plagued by visions and a sense that her sister was buried alive she begins to search for clues as to what happened seven years before.
This one came out of left field for me. I have vague notions about hearing about the film, but I never really remember seeing or hearing anything about it. I'm pretty sure that helped my enjoyment of the film since I had no preconceived notions for it.
Looking like TV movie with interiors that remind one more of a set than of a real place this film over comes its limitations (and occasional WTF moment) to play out almost as if its an extended Tales from the Darkside or other similar horror anthology show. Odd shifts in perspective, some genuine creepy, but not too in your face imagery and willingness to go sans blood and guts except as required make this pretty much a throw back to the old days of horror when less is more. Its not perfect but even with its flaws and the following of a well worn path at times this still manages to be a solid little thriller of the B variety.
Worth a rental with a bag of popcorn and a soda.(Though don't buy this just yet -its a bare bones release that they want almost 30 dollars list for- too much for too little)
Le saviez-vous
- GaffesWhen Christy Wescot (Nora Zehetner) goes to Amy Locke (Jessica Amlee)'s room for the first night, a camera takes her picture, it's clearly a compact digital camera on a tripod, but it sounds like an SLR camera. Then Amy tells Christy that she has set the camera to take picture every half an hour to picture the dark thing. Later Amy is showing Christy photos taken with the camera from two nights ago, and although earlier we saw the camera was on a tripod, but the frame in the photos change in each picture.
- Crédits fousThe end credits go down rather than up (as is usual).
- ConnexionsReferences En quatrième vitesse (1955)
Meilleurs choix
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- How long is Beneath?Alimenté par Alexa
Détails
- Durée1 heure 22 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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