Highlander, Soif de vengeance

Legendary Japanese Anime' director Yoshiaki Kawajiri (the more-than-capable cult talent behind the explicit blood-letters "Ninja Scroll" and "Wicked City") took on the American "Highlander" series with this latest entry "Highlander: The Search for Vengeance." "The Search for Vengeance" is not a sequel per se, but is instead something closer to a Japanese animation re-imagining of the famous fantasy tale that spawned the immortal tag-line, "There can be only one."

For those not versed in "Highlander" mythology, I'll fill you in: "Highlander" first came to be in the mind of writer Gregory Widen, who in turn pitched his idea to studio bosses about an ages-old battle between a group of immortal swordsmen who can only die by one another's hand, specifically by decapitation. When one of these immortals falls, his killer gains his knowledge and strength (such an event is called a "quickening") and he will continue his pursuit of the mystical "prize" during a time called the "gathering" when these epic sword battles take place. There are several rules all immortals must abide by though: never fight on holy ground and, most importantly, never fall in love with a mortal because, then, you will only know pain and suffering.

Widen's script (co-written with Peter Bellwood and Larry Ferguson) was made into the 1986 cult film "Highlander," which starred Christopher Lambert as the Scottish Highlander Connor MacLeod, who discovers his "gift" after suffering a mortal wound on the battlefield and assumes different identities as he descends through the ages with the knowledge of never knowing death. "Highlander" saw three misshapen sequels, a television series (which starred Adrian Paul), and dozens of comic books before we landed at this new Anime' film from Kawajiri. As a fan of Anime' and the first "Highlander" movie, you could expect a little bit of skepticism about a new film, whether animated or not just because we've become so used to expecting so little from the series.

Like the first "Highlander," "The Search for Vengeance" is equal parts present-story and back-story, with sudden, unexpected transitions between the present and the past. In the year 2187, Scotsman Colin MacLeod (with no stated relationship to Connor) meets his fate on the battlefield and discovers his allegiance to the band of immortals. And, Holy Lazarus, he is branded a witch by his former countrymen and is watched over by the wise-cracking spirit of a Druid priest named Amergan. For 2000 years, MacLeod has been searching through the ages chasing his mortal enemy, the Roman general Marcus Octavius, after Octavius crucified MacLeod's wife Moya in the 16th century and in these encounters, MacLeod is always bloodily outmatched and left crippled but alive and ready to fight another time (despite refusing to uphold Moya's dying wish of no retribution for her killing).

Now in a post-apocalyptic New York City, MacLeod arrives on the scene and joins rebel Dahlia and an underground band of freedom fighters in a desperate battle against Octavius, who is now a full-fledged dictator and rules the city from, dare I say, a futuristic version of Trump Tower with his army of robotic sentinels and scientists working on a top-secret project meant to wipe out the underground resistance once and for all. In these battles, we also get flashbacks to Colin's past, the battles he's fought with Octavius, and his undying love for Moya.

While suffering from some script problems, because of the transitions between past and present, "Highlander: The Search for Vengeance" is still one heck of a film experience. This is perhaps because of an outsider's view, Kawajiri's view. In Kawajiri's hands, the series now seems fresh and full of new life, with many new technical innovations on the story and characters. For 21 years now since 1986, we've had to endure one painful "Highlander" experience after the other. Here, it's clear that Kawajiri has a firm grip on the story and knows everywhere the "Highlander" sequels went wrong (and they went wrong in a lot of places).

Another problem the film suffers from are one-dimensional characters. A skilled swordsman like Colin MacLeod, a man who has literally fallen through time and lives with the burden of knowing he will never die, is transformed into more of a one-note, tortured loner, or even a ronin (a master-less samurai). Perhaps the samurai angle is because of the Japanese influence on the story. The only other character who really stands out in any real way is Dahlia, who has a secret connecting her to Macleod's past and eventually becomes his love interest. Octavius is different from most "Highlander" villains in that he is not crazy and all over the place, but is instead soft-spoken, never raises his voice, and highly sexual with his Japanese mistress (is Clancy Brown, who played the Kurgan in the first "Highlander," the best the movies have to offer?). And lastly, am I the only one who thinks Octavius looks like the villain Gemma from Kawajiri's previous "Ninja Scroll"?

Even with its faults, nudity and extremely bloody violence, this is nonetheless a fitting reinvention of a fantasy story that many thought had long outlived its uniqueness in the genre. For many, "Highlander: The Search for Vengeance" is at last the sequel we've been waiting for.

8/10

As one has to expect from Yoshiaki Kawajiri, this film will get you glued to the screen, it has loads of action, a decent story, and details typical from previous films Kawajiri's directed before (A cynical hero, strong willed women, ruthless and cunning villains, and annoying, but wise, old men).However, it seems to lack the distinctive "atmosphere" that previous Kawajiri anime flicks had (at least in my opinion, for those who have seen Ninja Scroll or Cyber City Oedo you can feel that "darker" atmosphere). Probably because the color scheme was brighter. I won't spoil the story, as it's very interesting and you'll probably and up watching it even if you aren't a Highlander fan. As for this movie, its not linked to the original in any way (sans the immortality plot), but somehow demonstrates how the follow-ups should have been, instead of making those bad sequels with rather bad concepts.

The Highlander mythology was always one of the coolest concepts for a movie - immortal swordsmen battling each other across the ages until one remained. Combine the potential within with the skills of Yoshiaki Kawajiri, the man responsible for Ninja Scroll, and you sound like you have quite a winner on your hands.

The Search for Vengeance is about the plight of Colin Macleod, the eponymous Highlander, and his centuries-long feud with Marcus, a Roman general who murdered Colin's true love. Time and time again throughout history, Colin and Marcus clash with each other until they come to their final showdown amidst a futuristic New York riddled with plague and war.

Like any continuation of Highlander, The Search for Vengeance crafts its own fiction by combining the original's mythology (holy ground, Quickenings, death-by-beheading etc) with several of its own ideas (in this case, demons, robots and spirits). Although some of the more fantastical elements (e.g. Colin's communication with a druid-like ghost) grated a little, they're tolerable enough changes to the Highlander world. In the end, it feels like it leans more towards the animé side of things.

As for the film itself - visually, it's pretty good. The animation is fluid and the action looks great. The constant changing of era (a staple of the Highlander series) works a treat, as you see battles of all kinds across the centuries. The showdowns look a treat as well (I expect nothing less from the maker of Ninja Scroll), as do the battles during the futuristic scenes. I will say that fair chunks of the plot are fairly clichéd and if you've ever really watched prior Highlander material, you can probably predict a fair bit of it.

The last word on The Search for Vengeance - who do I really recommend it to? It's a decent enough watch for anyone with even a passing interest in animé, and it's a more watchable experience for Highlander fans than the film sequels, but outside of those two groups, it'd be a little hard to recommend. In any case, it was a decent watch and if you need a good fix of sword-fighting or animé, this isn't a bad choice.

By pure coincidence, I've stumbled along most of Yoshiaki Kawajiri's filmography. His Lensman kickstarted my desire to find lesser-known animated films. But I'd never say it was a great movie. The only film I'd seriously recommend would be Vampire Hunter D: Bloodlust, his magnum opus.

Highlander: Search for Vengeance is not an exception to the rule. While it may legitimately be the best Highlander sequel, it falls back on tired tropes seen in his previous films, yet takes itself too seriously.

It tries to tell a tragic tale, Colin MacLeod hunting his arch-nemesis for twenty centuries, wasting his immortality for a pursuit he always fails. The scenes in the past are actually not too bad, honestly. Unfortunately, the plot in the present future is by the numbers. In post-apocalypse, Colin finds love and revenge, leading a rebellion against a force less accurate than Stormtroopers, ascending a towering skyscraper to the final showdown. It brings up the negative effect of hatred, but after briefly contemplating, Colin still earns his revenge. Why he succeeds this time is beyond me.

It is kinda fun, though. The animation is fairly good, the action fast. Most importantly, there are dozens of cheesy moments. Giant chainsaws and gators, bad-ass chicks, delayed sword slashes...the clichés show little restraint. The World War II scene should be legendary. I'd compare it to Goku Midnight Eye, but at least GME was consistently campy - Highlander's failure to be a good, serious action film reduces its enjoyment as a bad, funny action film. There's still a lot of dumb fun to be had, if you can tolerate a generic plot, a bad ending, and a pretty gruesome crucifixion.

It gets 4 out of 10 for sheer ineptitude. It may be a good anime for Bad Movie Night, but there's a chance that choice will backfire.

First things first, this is a typical Kawajiri film, as you may or may not know, Kawajiri is like a Japanese Frank Miller, meaning all his work share a distinctive feel to them, and follow a similar path story-wise. Some people call this auto-plagiarism, and bash it. However if you are like me, and have really liked his work, from Ninjascroll, to the Animatrix short, from "wicked city" to "vampire hunter D bloodlust", "lens-man", "Cyber city Oedo", etc etc. Then the mere prospect of watching some part of the highlander myth animated in this fashion will have your blood boiling. If you haven't guessed it yet, I really liked the film.

Lets start reviewing it part by part.

Story: It fits in the Highlander myth, this is not about any known Mcleod, so you may think of it as an alternative story-line. Everything is a little clichéd though, still beats the crap out of any Highlander sequel so far.

Setting: The movie takes place in a post-apocalyptic world, very kawajirish, it has this "Fist of the north star" feeling to it, huge bad guys, wrecked urban landscapes, silent heroes, you know the drill.

Character design: Again typical kawajiri film, busty women, sharp factions, impossibly muscular males, you may love it or hate it, I really like it. This is no Inuyasha, boy....

Animation: Very Good, some less than stellar CG shots, and "matrix moments", if you can deal with that there are really well choreographed fights to be seen. Specially gorgeous are the fights that take place in the past.

Sound: Mostly OK, some voice overs could have been better, the movie comes in English just like Vampire Hunter D Bloodlust. There are some great accents to be heard when the Highlanders speak, however some secondary characters could have used better actors.

Music: Gorgeous, really symphonic gives the feeling of epic and greatness to the whole movie.

So if your love for highlander allows you to overlook some small flaws, and some kawajirisms you'll really like the movie.