Michael Clayton

Saw this at a screening at the Toronto Int'l Film Festival.

This movie is appropriately titled "Michael Clayton" because in it we are introduced to the man in his many life roles; father, ex-husband, brother, son, friend and businessman. Some things he's good at, others not so much.

Terry Gilroy's debut directing showed a controlled and restrained hand, allowing the multi-tracked storyline to expand and grow, but always with a pull back to the core. For a fairly busy plot with numerous sub-characters, he did a good job of turning over pieces of the puzzle to bring the audience back full circle to the opening scene.

Michael Clayton fixes things, but we see in his own personal life there are a trail of problems he's dealing with. It's when he works alone that he seems to do his best work. Once those close to him come into his decision-making process, he lets emotions rule rather than his head.

George Clooney always seems to have a message in his movies, wanting us to be aware of the evil-doers out in the world. His boyish charm and general likability makes you root for him. We can relate to him.

Michael Clayton is a flawed individual who has good intentions but often gets beaten by the world and the people around him. Can't we all relate to that too? This was a satisfying suspense flick. Key to enjoying it is to pay attention.

I love this movie - I have watched it many times, most recently last night. It has one of the best collections of superb performances you'll find, wrapped in an anti-corporate Erin Brokovich-like story structure. But what's really going on is the individual characters. George Clooney is so under rated. He has a clear understanding of his role at his firm - he's a fixer, a janitor. But he's really good at it and it's allowed him to fund his other hobbies. The interaction between him and his brother is so subtle New York class structure: brother's a cop so sees his brother as a fancy lawyer; Clooney's coworkers know his background and see him as a cop. Tom Wilkinson is incredible. Lead attorney at the firm, leading their defense of their client, a giant ag company accused of poisoning people. A non-showy naturalistic performance showing someone going off their medication. Or is he just waking up and deciding not to sell his soul anymore? It's a Peter Finch/Network level performance, I kid you not. And finally, my girl Tilda Swinton. She is never ever boring. She is ostensibly the face of the villain in this story. And yet Tilda does something really interesting here. She allows you inside this character's job in a male-dominated corporation, in an awful industry, you understand her ambition, but she lets you see how over her head she feels she is. She makes her character's anxiety palpable. And yet, when the inevitable confrontation happens: she deserves it. You get the feeling, though, that had she been smarter and stronger, the men she works for would never have allowed her to be around. So ultimately they did this to themselves. Finally, the elegant plot structure. You begin near the end, go back to the beginning, and then go past where you started to the end. "I am Siva, the god of death"

In the title role of Michael Clayton, George Clooney is described by himself as exactly that. Whenever there's a big mess he's the one they send in to clean it up. The law firm under managing partner Sydney Pollack has a real mess on his hands. One of the firm's top attorneys Tom Wilkinson has gone off the deep end. He's representing a chemical company accused of poisoning people with a new insecticide they've developed. Cleaning up this mess might be just a baby sitting job with Wilkinson who mentored Clayton. But it has the potential to be worse because this company is guilty as sin and will do anything to limit the liability and keep their good name.

Michael Clayton was nominated for a flock of Oscars including Best Actor for George Clooney as a much flawed hero. Takes a while for the better angels of Clooney's nature emerge. Tom Wilkinson as the lawyer with both conscience and schizophrenia steals the acting honors though. He was nominated for Best Supporting Actor. Michael Clayton got a flock of other nominations including Best Picture.

The film did take home one bit of Oscar gold. Tilda Swinton as one of the chemical company executives who also has an attack of conscience got a Best Supporting Actress Award. She's quite good herself.

The film is an interesting look at big business and the high priced lawyers they must retain to keep them out of trouble. Sad in some cases we have to rely on consciences coming to the fore for any justice at times.

Michael Clayton, a well done piece of cinema.

This is a well-made suspense film. It builds slowly, it features the key characters in sometimes agonising close-up, it weaves an intricate plot (a bit too intricate, in hindsight -- I'm still not sure why some events were included), and George Clooney is masterful as the morally conflicted character who does his best to hold his collapsing life together, while slowly realising that his role in life is not quite what he thought it was in any case.

There are some things this film is not. It's not an action film ... if you expect that, it will seem very slow. It's not a warm and friendly film that leaves you feeling good about the world -- it was shot in winter, just to emphasise its coldness. It's not a comedy in any way, not even through being over-the-top. It's reality rather than escapism.

If you like suspense, unflinching realism, stories of moral conflict, criticisms of corporate America, or George Clooney -- or if you're just in the mood to see that kind of film -- you'll love it. If you're in the mood for a film to wash away the cares of the day (as I was), choose something else.

Came here to write a review to this excellent film. Wonderfully written by Tony Gilroy. I have not seen any of his earlier/or later works except Duplicity, which to me was a pretty average film. Everyone in MC are top of the line pros - Tilda Swindon, Tom Wilkinson, Sidney Pollack and George Clooney, doing what he does best. The story is cleverly written, adapted in a tight and flawless manner. Surprised by the lower rating here. For me a good 8/10. Yes, it has an interesting ending but that doesn't do justice to the excellent journey the film takes you on from start to finish. If you enjoy edgy, legal thrillers, get yourself going with it. I've watched after an article on Atlantic describing it as a treatise on human soul's intense cry for help today. We all want something about this world to desperately change but we see it turning against us with more intensity the more we think about it.