Elizabeth I
- Mini-série télévisée
- 2005
- Tous publics
- 1h 52min
NOTE IMDb
7,9/10
7,2 k
MA NOTE
La vie privée et publique des dernières années de la reine Élisabeth Ire.La vie privée et publique des dernières années de la reine Élisabeth Ire.La vie privée et publique des dernières années de la reine Élisabeth Ire.
- Récompensé par 9 Primetime Emmys
- 27 victoires et 28 nominations au total
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I'm so brainwashed about Elizabeth I, Bette Davis, Judi Dench, Glenda Jackson, Flora Robson that it was startling at first to get to know the woman behind the icon. Helen Mirren is beyond superb, she is a miracle worker. Meryl Streep called her "an acting God" and she wasn't kidding. I'm not going to go into the story, we all know it, more or less, but I can assure you we've never seen it quite like this. Her imposing presence doesn't cancel her humanity, her rages, her pain, her longing her capacity for love and compassion with the fierce awareness that she is the queen and not just any old queen but Elizabeth I Queen of England. A total absorbing delight from beginning to end. Long Live Helen Mirren!
The colourful later life of England's famous "Virgin Queen." Helen Mirren takes on the role of her lifetime (she has cleared a shelf for the awards already I bet!) as Elizabeth I the last of the Tudors. Queen of England during war, peace and everything that goes in-between.
Notable support comes from Jeremy Irons, Hugh Dancy (as her later life "love interest" - the Earl of Essex), Ian McDiarmid and Patrick Malahide.
Part of the official blurb reads: "Elizabeth I, daughter of Henry VIII, reunited a nation divided by religious strife, faced down the Spanish Armada and, after an unprecedented forty-five year reign, died one of England's best-loved monarchs. During her time as Queen, poets and playwrights wrote about her, artists painted her, composers dedicated their work to her, all contributing to the legend of GIoriana, the Virgin Queen.
But Elizabeth I looks beyond the myth, at the woman behind the crown. The woman subjected to a humiliating gynaecological examination when contemplating marrying a French prince, to ensure she was still able to have children. The woman who ran a country and yet who wasn't allowed to marry the man she loved. The woman who, in her mid-fifties, conducted a passionate affair with a man half her age, a man whose arrogance eventually led him to mount a desperate challenge for Elizabeth's throne. " Couldn't have put it better myself.
What a fantastic piece of work this is. There may be 240 minutes (the UK TV version was shown in 2*120 minutes) of it, but I wasn't bored by a single minute. Indeed I wish there had been more.
Helen Mirren might no longer be up to prancing around nude in semi-exploitation movies - so she has to turn to her acting talent. And boy what a role to get her teeth in to: One minute chamber flirt and the next a kind of Tony Soprano signing the death warrant of anyone who displeases - even if they once held special place in her heart.
I bet I am not the only one to notice the lead role is a bit like Margaret Thatcher!
A word of warning this is very bloody indeed. When someone has their head cut off the camera doesn't actually pan away. American HBO viewers look out for it in the listings or you will miss out on a treat.
Notable support comes from Jeremy Irons, Hugh Dancy (as her later life "love interest" - the Earl of Essex), Ian McDiarmid and Patrick Malahide.
Part of the official blurb reads: "Elizabeth I, daughter of Henry VIII, reunited a nation divided by religious strife, faced down the Spanish Armada and, after an unprecedented forty-five year reign, died one of England's best-loved monarchs. During her time as Queen, poets and playwrights wrote about her, artists painted her, composers dedicated their work to her, all contributing to the legend of GIoriana, the Virgin Queen.
But Elizabeth I looks beyond the myth, at the woman behind the crown. The woman subjected to a humiliating gynaecological examination when contemplating marrying a French prince, to ensure she was still able to have children. The woman who ran a country and yet who wasn't allowed to marry the man she loved. The woman who, in her mid-fifties, conducted a passionate affair with a man half her age, a man whose arrogance eventually led him to mount a desperate challenge for Elizabeth's throne. " Couldn't have put it better myself.
What a fantastic piece of work this is. There may be 240 minutes (the UK TV version was shown in 2*120 minutes) of it, but I wasn't bored by a single minute. Indeed I wish there had been more.
Helen Mirren might no longer be up to prancing around nude in semi-exploitation movies - so she has to turn to her acting talent. And boy what a role to get her teeth in to: One minute chamber flirt and the next a kind of Tony Soprano signing the death warrant of anyone who displeases - even if they once held special place in her heart.
I bet I am not the only one to notice the lead role is a bit like Margaret Thatcher!
A word of warning this is very bloody indeed. When someone has their head cut off the camera doesn't actually pan away. American HBO viewers look out for it in the listings or you will miss out on a treat.
Helen Mirren truly shines as Queen Elizabeth I. All of the cast members are excellent, especially Jeremy Irons and Hugh Dancy.
I do not know how accurate this miniseries is with respect to all of the events that were happening at this time (circa 1589), but the characters were all portrayed in a totally believable and brilliant manner. The costumes were wonderful! Helen Mirren, I believe, gave the performance of a lifetime as the incredibly complex Queen, a daughter of Henry the VIII.
I think this is one of the most intense, brilliant, and wonderful miniseries produced. Sit back and prepared to be swept away to the 16th century. A most memorable miniseries! I rarely give a 10 out of 10 possible points but this miniseries truly is deserving!
I do not know how accurate this miniseries is with respect to all of the events that were happening at this time (circa 1589), but the characters were all portrayed in a totally believable and brilliant manner. The costumes were wonderful! Helen Mirren, I believe, gave the performance of a lifetime as the incredibly complex Queen, a daughter of Henry the VIII.
I think this is one of the most intense, brilliant, and wonderful miniseries produced. Sit back and prepared to be swept away to the 16th century. A most memorable miniseries! I rarely give a 10 out of 10 possible points but this miniseries truly is deserving!
Though many a fine actress has essayed the role of Elizabeth I and done so quite successfully, each finding her own vision of the most important queen that ever lived and translating that to film (Cate Blanchette, Bette Davis, Judi Dench, and Glenda Jackson to name but a few), it should come as no surprise that the enormously gifted actress Helen Mirren could show us yet another aspect of Elizabeth.
This Elizabeth is set in her middle fifties, a woman still able to maintain her reputation as the Virgin Queen while settling into various assignations. Here Elizabeth is in love with Robert Devereux, Earl of Essex (Hugh Dancy) while being prepped for a 'proper union' with France's royalty in the form of the Duke of Anjou (Jérémie Covillault). But her 'love life' is only a small yet refreshingly nuanced portion of the long story. Mirren is fortunate to be supported by such fine actors as Jeremy Irons, Patrick Malahide, Toby Jones, Barbara Flynn, Ian McDiarmid, Simon Woods, Diana Kent, and Toby Salaman among the many standout characters.
The visual aspects of the production are some of the more luxurious ever placed on celluloid, with attention to detail in costuming (Mike O'Neill) and sets (Galius Klicius and Leon McCarthy) that are stunning to see. The fine musical score is by Robert Lane and incorporates period music with works written for the piece that stand solidly as classical music compositions. Cinematographers Dmitrij Gribanov and Larry Smith find the right balance between court grandeur and boudoir intimacy. And of course kudos to Director Tom Hooper and writer Nigel Williams! But standing above them all is the brilliance of Helen Mirren's involvement as Elizabeth. She provides us with even more information about the enigmatic queen, allowing us to see both the lusty woman and the brilliant monarch simultaneously. The film is a joy! Highly Recommended.
This Elizabeth is set in her middle fifties, a woman still able to maintain her reputation as the Virgin Queen while settling into various assignations. Here Elizabeth is in love with Robert Devereux, Earl of Essex (Hugh Dancy) while being prepped for a 'proper union' with France's royalty in the form of the Duke of Anjou (Jérémie Covillault). But her 'love life' is only a small yet refreshingly nuanced portion of the long story. Mirren is fortunate to be supported by such fine actors as Jeremy Irons, Patrick Malahide, Toby Jones, Barbara Flynn, Ian McDiarmid, Simon Woods, Diana Kent, and Toby Salaman among the many standout characters.
The visual aspects of the production are some of the more luxurious ever placed on celluloid, with attention to detail in costuming (Mike O'Neill) and sets (Galius Klicius and Leon McCarthy) that are stunning to see. The fine musical score is by Robert Lane and incorporates period music with works written for the piece that stand solidly as classical music compositions. Cinematographers Dmitrij Gribanov and Larry Smith find the right balance between court grandeur and boudoir intimacy. And of course kudos to Director Tom Hooper and writer Nigel Williams! But standing above them all is the brilliance of Helen Mirren's involvement as Elizabeth. She provides us with even more information about the enigmatic queen, allowing us to see both the lusty woman and the brilliant monarch simultaneously. The film is a joy! Highly Recommended.
I was initially surprised channel 4 produced this story so soon after the other recent production. But soon after watching some of this.. i realised why they did. The script is simply a masterpiece and whilst much of the dialog is straight forward and narrative at times this piece ascends into a work comparable to Shakespeare. Some of the wordplay is exemplary and i think any fans of the genre would seriously enjoy this.
The acting made you feel like you were watching a Hollywood movie making its premier on television, and by that i mean just as great as you would expect with both lead actors giving performances that made me feel like i was getting favours under my desk at work.
The acting made you feel like you were watching a Hollywood movie making its premier on television, and by that i mean just as great as you would expect with both lead actors giving performances that made me feel like i was getting favours under my desk at work.
Le saviez-vous
- AnecdotesOn his experience filming the series, Eddie Redmayne had this story to tell: "The director, Tom Hooper said "One last thing: Eddie, have you ever been on a horse?" I said "Yes". Cut to Lithuania, two weeks later, a huge Elizabethan street, Helen Mirren and Jeremy Irons are standing at this balcony, and there's Tom, cameras, rain machines, fifty Lithuanian extras, spurs attached to my feet, and I'm thinking, "At what point do I tell them that I have never, ever ridden a horse?" It was then that I realized a big part of the cliché of actors lying in auditions is that you should probably try to do the thing you said you can do before filming starts. Anyway, I nearly killed people as the horse galloped off at a hundred miles an hour after I gave it the slightest nudge. Tom came out with his megaphone and shouted, "You're a fucking liar, Redmayne!"
- GaffesElizabeth uses a fork when having dinner with Leicester before the battle against Spain but the fork was not introduced to England until the early 17th century when James I was on the throne.
- Citations
Queen Elizabeth I: What in God's name do we have in common with the Dutch?
Robert Dudley, Earl of Leicester: Our religion, ma'am!
Queen Elizabeth I: The Dutch have no religion, they have cheese.
- Versions alternativesWhen the series was repeated on British TV in 2006, the footage of the Babington plotters being tortured was cut, and the execution of Queen Mary was cut so that she was beheaded with one stroke, although the scene of Leicester telling Elizabeth that it had taken two strokes was left in.
- ConnexionsFeatured in The 58th Annual Primetime Emmy Awards (2006)
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- How many seasons does Elizabeth I have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Elizabeth and Essex
- Lieux de tournage
- Sociétés de production
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By what name was Elizabeth I (2005) officially released in India in English?
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