Elizabeth I

This is one of the best period dramas I have ever seen...the costumes were amazing, the plot flawless and script clever. It has something for everyone - action, executions, love, scandal and humour. There was not one flawless actor anywhere near the set, and it's not a typical Elizabeth I drama, it shows her emotions as well as her violent executions, whilst still accurately depicting the last part of her life. Hugh Dancy does a great job as the seductive Earl Of Essex and what can you say about Helen Mirren? She portrays Elizabeth wonderfully and I have yet to see someone act it better than her. This one will stay in my good books for a long time - it is not one to be missed!

Helen Mirren truly shines as Queen Elizabeth I. All of the cast members are excellent, especially Jeremy Irons and Hugh Dancy.

I do not know how accurate this miniseries is with respect to all of the events that were happening at this time (circa 1589), but the characters were all portrayed in a totally believable and brilliant manner. The costumes were wonderful! Helen Mirren, I believe, gave the performance of a lifetime as the incredibly complex Queen, a daughter of Henry the VIII.

I think this is one of the most intense, brilliant, and wonderful miniseries produced. Sit back and prepared to be swept away to the 16th century. A most memorable miniseries! I rarely give a 10 out of 10 possible points but this miniseries truly is deserving!

The colourful later life of England's famous "Virgin Queen." Helen Mirren takes on the role of her lifetime (she has cleared a shelf for the awards already I bet!) as Elizabeth I the last of the Tudors. Queen of England during war, peace and everything that goes in-between.

Notable support comes from Jeremy Irons, Hugh Dancy (as her later life "love interest" - the Earl of Essex), Ian McDiarmid and Patrick Malahide.

Part of the official blurb reads: "Elizabeth I, daughter of Henry VIII, reunited a nation divided by religious strife, faced down the Spanish Armada and, after an unprecedented forty-five year reign, died one of England's best-loved monarchs. During her time as Queen, poets and playwrights wrote about her, artists painted her, composers dedicated their work to her, all contributing to the legend of GIoriana, the Virgin Queen.

But Elizabeth I looks beyond the myth, at the woman behind the crown. The woman subjected to a humiliating gynaecological examination when contemplating marrying a French prince, to ensure she was still able to have children. The woman who ran a country and yet who wasn't allowed to marry the man she loved. The woman who, in her mid-fifties, conducted a passionate affair with a man half her age, a man whose arrogance eventually led him to mount a desperate challenge for Elizabeth's throne. " Couldn't have put it better myself.

What a fantastic piece of work this is. There may be 240 minutes (the UK TV version was shown in 2*120 minutes) of it, but I wasn't bored by a single minute. Indeed I wish there had been more.

Helen Mirren might no longer be up to prancing around nude in semi-exploitation movies - so she has to turn to her acting talent. And boy what a role to get her teeth in to: One minute chamber flirt and the next a kind of Tony Soprano signing the death warrant of anyone who displeases - even if they once held special place in her heart.

I bet I am not the only one to notice the lead role is a bit like Margaret Thatcher!

A word of warning this is very bloody indeed. When someone has their head cut off the camera doesn't actually pan away. American HBO viewers look out for it in the listings or you will miss out on a treat.

... the greatest actress of our time portraying the legendary Queen Bess. And, needless to say, Mirren surpasses herself, and in all likelihood Elizabeth I, too. What a treat this series is! The historical aspects were slightly inaccurate, as they must be when 19 years are covered, but only occasionally inaccurate – and the film benevolently grants Elizabeth the faithful suitors she may never have had; Alencon seems genuinely interested in the old girl, as does Leicester, and the Essex rebellion was reduced to a spur of the moment undertaking, completely unpremeditated, so as to render the hero, the Earl of Essex, a bit purer than was the actual case.

Almost every quote we know from Elizabeth's reign (even the authentic ones) is in this admirable production. However, the film coquettishly cuts the most famous Elizabeth quote short: when Robert Cecil tells the dying queen that she must go to bed, Mirren only says: "Must?", and does not proceed to say: "Little man, 'must' is not a word to be used to princes". But the 'golden speech' is there, Elizabeth's most famous speech, marvelously punctuated by the Queen looking shrewdly at Cecil while the enthusiastic Parliament applauds, as if to say: "They bought it!"

When I browsed the cast (on IMDb, the moment I saw that the film was on), I was dismayed to find that Shakespeare was not in it, but the Bard is profusely quoted throughout the script (for instance "love is not love which alters when it alteration finds") and his beloved, long-haired patron, the Earl of Essex was truthfully revealed in his shameful betrayal of Essex when push came to shove at the trial. Even Catullus made a brief guest appearance in Latin ("Odi et amo")to set off Elizabeth's doomed love for Essex. But this will be quite enough of me exhibiting my classical education. Let it suffice that this series is an absolute must. I'll buy it as soon as it comes out for sale.

Though many a fine actress has essayed the role of Elizabeth I and done so quite successfully, each finding her own vision of the most important queen that ever lived and translating that to film (Cate Blanchette, Bette Davis, Judi Dench, and Glenda Jackson to name but a few), it should come as no surprise that the enormously gifted actress Helen Mirren could show us yet another aspect of Elizabeth.

This Elizabeth is set in her middle fifties, a woman still able to maintain her reputation as the Virgin Queen while settling into various assignations. Here Elizabeth is in love with Robert Devereux, Earl of Essex (Hugh Dancy) while being prepped for a 'proper union' with France's royalty in the form of the Duke of Anjou (Jérémie Covillault). But her 'love life' is only a small yet refreshingly nuanced portion of the long story. Mirren is fortunate to be supported by such fine actors as Jeremy Irons, Patrick Malahide, Toby Jones, Barbara Flynn, Ian McDiarmid, Simon Woods, Diana Kent, and Toby Salaman among the many standout characters.

The visual aspects of the production are some of the more luxurious ever placed on celluloid, with attention to detail in costuming (Mike O'Neill) and sets (Galius Klicius and Leon McCarthy) that are stunning to see. The fine musical score is by Robert Lane and incorporates period music with works written for the piece that stand solidly as classical music compositions. Cinematographers Dmitrij Gribanov and Larry Smith find the right balance between court grandeur and boudoir intimacy. And of course kudos to Director Tom Hooper and writer Nigel Williams! But standing above them all is the brilliance of Helen Mirren's involvement as Elizabeth. She provides us with even more information about the enigmatic queen, allowing us to see both the lusty woman and the brilliant monarch simultaneously. The film is a joy! Highly Recommended.