Ils

What a pleasant surprise this film was. It literally drips with suspense from the opening scenes, right up to the last few minutes. I had my hand close to my face for much of it, just waiting for the shocks. I'm a big fan of French cinema and this kind of movie will show you why... attention to detail, natural acting and not afraid to divert from the mainstream. It builds beautifully, is directed by two craftsmen in their art and the performances from the two main actors are very natural and just excellent. Great premise and the fact that it's based on true events only adds to the creep factor. Fits perfectly in to it's short running time of 77 minutes. Great unexpected conclusion. Best french film of it's type since High Tension. Why can't there be more like this superb masterclass in suspense????

This film proclaims that the events contained within are based on actual happenings. I can easily buy this as the plot isn't so outlandish that it becomes impossible for it to have actually happened. The way that the film treats it's subject matter is good in that it focuses on atmosphere and tension to get across what is only really a variant on the same sort of story used in films such as Night of the Living Dead and Assault on Precinct 13, and the film does manage to remain interesting for the most part despite the fact that it gives you no real reason to care for the characters and the plot is incredibly thin. IMDb only lists two actors for the cast - there are actually more, but these two are the central characters. Clementine, a schoolteacher and Lucas, a writer live together in a picturesque little country house. They believe themselves to be isolated within this nice little home, but upon hearing a noise one night, the pair venture outside and discover that, in fact, they are not alone in their living area and soon realise that they have been invaded by a group of murderous 'visitors'...

The film only runs for seventy minutes, so there's not much time for plot building anyway. It would seem that directors David Moreau and Xavier Palud were keener to focus on themes of the plot rather than telling an actual story, and the ideas contained within mostly concern the pointlessness of violence and an invasion of a family home. The film benefits from a nice glossy cinematography, which looks nice and gives the film more of a high quality feel. The acting is decent enough, and both Olivia Bonamy and Michaël Cohen give interesting portrayals of their characters. The murderers are the most interesting part of the film, and this is true in spite of the fact that they're kept off screen as much as possible. The same idea behind the murderers of this film has been used before, to a better degree in some films, and is used well here also. The film falls down on the fact that it doesn't run for long and it doesn't really seem to have an actual plot. This isn't particularly important considering what the film obviously sets out to portray, but it does leave Them feeling rather empty. Still, this is a quality French horror film and comes recommended.

This movie is a mystery-horror hybrid, and one of the best at maintaining tension and suspense. Definitely not recommended for those with heart problems - honest, this had my heart racing. No special effects or big budget necessary, this movie is simple but told from the point of view of the victims as well as 'their' POV, and this keeps the movie interesting and makes it a different entry in the horror genere.

Much like Run Lola Run, "Ils" is effective, yet it is clear that is more of an exercise in style (that works very well) than any attempt to truly innovate. I can't help but wonder that this movie could have been awesome with a different, more intricate plot. But since it claims it's based on true facts, it does a good job of telling the story with a twist and putting us in the place of the two main characters. There isn't much gore at all, which is a good thing and works in favour of the movie's atmosphere.

And the ending... well, let's just say it was a big surprise for me. Just try not to read any spoilers about this movie, don't assume anything beforehand and you're set.

As some other comments have pointed out, "Ils" really doesn't have much of a story to it. A young couple are terrorized by a gang of mysterious, hooded assailants in a country house, that's about all there is to it. But this film takes suspense to whole new levels. It has possibly the scariest opening sequence I've seen in two decades of being a horror movie fan, and I barely breathed throughout the entire first hour. The third act lightens up on the tension a bit (and I mean only a bit), but that's actually a welcome relief... It's nice to feel your heart slow back down to normal levels after being taken on such a ride.

It isn't a horror film that relies on gore or shocks for its frights. Fans of movies like Hostel and Saw probably won't find much to entertain them here; but if you enjoy tight directing that builds layer upon layer of anxiety, then this is for you.

Released in 2006, Ils (Them – English title) is one of those non-descript movies that easily gets passed over on the DVD rental racks, largely because it's a foreign film that doesn't carry much in the way of marketing fanfare, all of which is too bad because it's among the very best of the horror/thriller genre.

It tells the story of French couple Clementine and Lucas, who move to Bucharest, Romania, where Clementine has landed a job as a French teacher at a Romanian school.

Taking up residence in a remote villa outside the city, the couple are awakened in the middle of the night by what at first appears to be thieves trying to steal their car, only to discover that it's not the car they're after, but themselves.

Directors David Moreau and Xavier Palud handle things with the experience of film veterans, even though their resumes prior to Ils were thin. The viewer as much in the dark about the siege on the house as Clementine and Lucas, and the revelations that come to light as the night plays out come as much of shock to the viewer as they do to the protagonists.

If it's tension you like, Ils goes straight for the jugular and doesn't let go.