L'Orphelinat

If you love a well-told ghost story, then you should enjoy THE ORPHANAGE. It's packed with mystery, dread, and perfectly-placed chills.

Laura (Belen Rueda) returns to the titular institution of her youth in order to turn it into a home for disabled children. With her husband and young son in tow, all seems fine at first. When tragedy strikes, Laura's world collapses, leaving her at the mercy of a supernatural game.

This movie deals as much with the agony of loss as it does with the paranormal. The ending is as poignant as it is terrifying. Recommended for those seeking intelligent horror films...

Let me begin by saying I DON'T like horror movies. I don't enjoy jumping in my seat. I don't like being afraid of the dark for the next 2 days, and I usually HATE Spanish movies. So usually I only see the big horror classics, and that is because I've read enough spoilers to confront the movie in a laid-back way.

Having said this, I was dragged to see this movie against my will. And I was right! I have never, EVER, been more uneasy, uncomfortable on any movie, from the Exorcist to the Prophecy, from Psycho to Halloween. The story seems obvious; the cliché-horror themes are there, and while I saw them coming, I was comfortable enough. But then comes the movie, the script, the score, the acting, all in perfect harmony... and you jump, and you chill and you shout and you wish you had never entered that dammed cinema.

It is good. It is great.It is moving and horrifying. It does not need CGI, sound effects or unreal characters. Its there. Its real. Its haunting. It WILL be a classic.

Chapeau!

Ingeniously weighing the elements of supernatural & psychological horror, The Orphanage is an expertly crafted horror film from Cinema of Spain which with its welcome absence of cheap scares & more emphasis on its plot turns out to be one of the finest examples of its genre. Cleverly plotted, it dares to take its time to create the required atmosphere rather than prematurely rushing into scaring its audience like so many horror films do nowadays.

The Orphanage concerns Laura; a former orphan who returns with her husband & son back to her childhood home which used to be an orphanage for handicapped children, which she hopes to reopen again. Things are set in motion when her son Simon, who claims to have invisible friends, goes missing one day after an altercation with her. Convinced of others' presence in the house, Laura tries to uncover the secrets about the orphanage that dates back to the time when she used to live here with the hope that it may provide some hint about her son's whereabouts..

Directed by J. A. Bayona, The Orphanage is his debut feature & he has done a really good job with the provided story. The film is very well scripted too with proper time devoted to its lead character & her plight, and it also benefits from its arresting cinematography, smart editing, sincere performances & outstanding use of sound as well as its score. On an overall scale, The Orphanage is an intelligently crafted chiller that scares as well as amazes & is primarily a tale of how far a mother is willing to go to find her son. Highly recommended.

Laura (Belen Rueda) returns to the orphanage she spent time in as a child with her husband Carlos (Fernando Cayo) and little boy Simon (Roger Princep) in hopes of re-establishing it as seaside retreat for children with disabilities only to find there may be some former residents who never left. In Juan Antonio Bayona's tightly wound "The Orphanage" nothing is as it seems and child's play takes on sinister overtones.

Bayona belongs to this new wave of Spanish-language directors (most notably Del Torro and Amenabar) who excel when it comes to creating moody atmospheric tales of the supernatural with Catholic overtones. Whereas "Pan's Labyrinth" took a dark fantasy approach to a Passion Play, "The Orphanage" is closer to the classic haunted house themes of "The Others" as it attempts to give a sentimental view of life after death. Be warned, "The Orphanage" is often more sad than scary, and those not familiar with Catholic mysticism might find things a bit hard to believe. As goes the film's mantra...Believe, Then You Will See. Those with the patience and the heart will be greatly rewarded as the audience doesn't necessarily have to Believe to relate to the characters who do.

Working from refined "less is more" psychological horror templates, Bayona delivers the formulaic goods. There will be a simplistic but heartfelt exploration of grief. There will be allusions to classic literature (in this case a very nicely done "Peter Pan" as Catholic allegory motif). There will be uncovering dark secrets from the past. There will be precocious children with spooky imaginary friends. There will be creaking set designs and manipulative sound effects to create "gotcha!" moments. There will be a creepy medium (an excellent Geraldine Chaplin) brought in for a séance. And there will be a twist at the end.

Thankfully, there is also a great performance from Belen Rueda as Laura. She gives a compelling portrayal of a woman devoured by her loss and achingly desperate for the truth no matter how horrific that truth might be. One must have a cold heart not to find sympathy with her, and even the most hardened audience member will find it hard not to feel that stray tear form in the corner of their trembling eye when all is revealed. "The Orphanage" offers nothing terribly new, but sometimes the same old ghost story presented in a beautiful way makes for the best type of cold-rainy-day entertainment.

I went into a screening of this today knowing only that it was about a woman who buys the home she lived in as an orphaned child, planning to open it to other orphans, that it mixed fantasy and reality, and that Guillermo del Toro of 'Pan's Labyrinth' had a hand in it. I didn't have any expectations. Even if I did, I certainly not have expected what I got. 'El Orfanato' surprised me first in successfully thrilling me with its surface, and surprised me again in how deeply it moved me with its core.

When Laura (the marvelous Belén Rueda) moves back into the house that used to be the orphanage she lived in as a girl, she is thirty-seven, married, and she and her husband have adopted a son - Simón, a little boy with HIV who doesn't know that he's terminally ill or adopted. Simón is wildly creative - he has several imaginary friends and a penchant for treasure hunts, mind games, and the story of Peter Pan. One day shortly after a mysterious visit from a social worker and Simón's revelation that he knows the truth about his adoption and illness, Simón disappears. The rest of the film follows Laura's desperate search for her son as she comes to terms with her loss and her own past as well.

Screenwriter Sergio G. Sánchez does a masterful job of balancing the thriller with the drama. Laura's attempts to connect with everything that haunts her and her home are darkly touching, though slightly psychologically twisted. The acting is strong, and the directing, editing, cinematography, and music all work together well. Some of the sound effects - the constant creaking, wind blowing, etc. - got wearisome as the film went on, and some of the thrills were a little cheap - I won't ruin it for anyone by revealing them - though, admittedly, they were effective all the same. The story dragged a little towards the end and during the scene with the medium - cutting it just a little shorter might have been equally as effective and easier on the viewer.

Bottom line: even if you don't like "scary" movies (like me), you'll probably still appreciate and enjoy the more thrilling aspects. If you're a horror flick buff, you'll probably find some of the thriller elements a little tired and overdone. Either way, it's still worth seeing - the exploration of Laura's heart and mind are both lovely and tragic to behold, and though the film is morbid, it is beautiful as well.